Subcategories

Tab Benoit & Voice Of The Wetlands All-Stars - VOW: Voice Of The Wetlands (2005)

Posted By: Designol
Tab Benoit & Voice Of The Wetlands All-Stars - VOW: Voice Of The Wetlands (2005)

Tab Benoit & Voice Of The Wetlands All-Stars - VOW: Voice Of The Wetlands (2005)
EAC | FLAC | Image (Cue&Log) ~ 329 Mb | Mp3 (CBR320) ~ 126 Mb | Scans ~ 86 Mb | 00:54:34
Louisiana Blues, Swamp Blues, Modern Electric Blues | Label: Rykodisc | # RCD 10829

Acclaimed blues guitarist Tab Benoit is joined by Louisiana All-Stars including Big Chief Monk Boudreaux, Dr. John, Cyril Neville, bluesman Anders Osborne, the Meters rhythm section of George Porter, Jr. and Johnny Vidacovich, Jumpin' Johnny Sansone, and ace Cajun fiddler Wayne Thibodeaux on this hot and spicy New Orleans blues party! A portion of proceeds from the sale of this CD go to "Voice Of The Wetlands", a non-profit organization battling cultural and coastal erosion.

Tab Benoit - Wetlands (2002)

Posted By: Designol
Tab Benoit - Wetlands (2002)

Tab Benoit - Wetlands (2002)
EAC | FLAC | Image (Cue&Log) ~ 341 Mb | Mp3 (CBR320) ~ 131 Mb | Scans ~ 94 Mb | 00:56:56
Louisiana Blues, Swamp Blues, Modern Electric Blues | Label: Telarc | # CD-83530

Recorded during a month in Louisiana and sounding it, Tab Benoit's sixth album is a swampy example of the best of that state's music. Rocking, bluesy, and filled with soul, guitarist/vocalist Benoit keeps his sound stripped down to just a three-piece, giving his voice and greasy guitar plenty of room to maneuver. From obscure Professor Longhair second-line tunes ("Her Mind Is Gone") to a cover from zydeco king Boozoo Chavis ("Dog Hill") to a version of Otis Redding's "These Arms of Mine" that makes it seem like a lost New Orleans classic, Benoit traverses a lot of territory over this hour of music. Like his influences, Benoit never overdoes his approach, preferring to keep the focus on his gritty voice, lean guitar, and stark accompaniment of his backing duo. This is music caught between rootsy rock, funk, R&B, and blues, but far from sounding schizoid, it revels in its multiple inspirations. Benoit is in wonderful voice and spirits throughout, sounding loose yet in control regardless of what style he's playing. His guitar solos are taut and succinct, capturing the essence of the atmosphere without reverting to needless showboating. This is music from the heart, played with class, subtlety, and a reverence for its past squeezed into every spirited groove.

Tony Hall - Fieldvole Music (1977) Expanded Remastered Reissue 2007

Posted By: Designol
Tony Hall - Fieldvole Music (1977) Expanded Remastered Reissue 2007

Tony Hall - Fieldvole Music (1977) Expanded Remastered Reissue 2007
EAC | FLAC | Image (Cue&Log) ~ 472 Mb | Mp3 (CBR320) ~ 206 Mb | Scans included | 01:18:48
Traditional British Folk, Irish Folk, Celtic | Label: Free Reed | # FRRR 03

The 1977 classic "FIELDVOLE MUSIC" continued the trend of bizarre titles for Free Reed's LPs - this one taken from the nickname of cartoonist and melodeon maestro TONY HALL. Tony was the accompanist of choice for many 70s folk stars - he was on June Tabor & Maddy Prior's 'Silly Sisters' tour in 1976 - and for this exquisite Free Reed LP, he was joined by Nic Jones & Johnny Moynihan to create possibly the greatest selection of classic melodeon tunes & songs ever recorded. Once again, the production was in the hands of Nic Kinsey, and we include 7 extra tracks from the 1977 sessions. Booklet notes are by the shanty man & historian STAN HUGILL.

Clarence 'Gatemouth' Brown - Long Way Home (1996)

Posted By: Designol
Clarence 'Gatemouth' Brown - Long Way Home (1996)

Clarence 'Gatemouth' Brown - Long Way Home (1996)
EAC | FLAC | Image (Cue&Log) ~ 317 Mb | Mp3 (CBR320) ~ 159 Mb | Scans included
Label: Gitanes Jazz Productions/Verve | # 529 465-2 | Time: 00:55:58
Modern Electric Texas Blues, Rhythm & Blues, Jazz-Blues, Cajun

Any cd which starts out with Blues Power featuring Clarence "Gatemouth" Brown on vocals, Eric Clapton on guitar, and Leon Russell playing piano and doing vocals is worth a listen to. Long Way Home continues to impress with every track. Brown demonstrates his musical skills, and careful choice of music. His all star cast includes Clapton, Russell, Ry Cooder, John Loudermilk (who wrote Tobacco Road and does the vocals on the cd) Sonny Landreth and Maria Muldaur. Great tracks besides Blues Power are Don't Think Twice with Maria Muldaur doing vocals with Gatemouth, Mean and Evil with Leon Russell sharing the stage with Gatemouth and of course Tobacco Road. This is a great cd for a blues or rock fan.

VA - Back To The Big Easy (1999) {DCC Steve Hoffman} **[RE-UP]**

Posted By: TestTickles
VA - Back To The Big Easy (1999) {DCC Steve Hoffman} **[RE-UP]**

VA - Back To The Big Easy (1999) {DCC Steve Hoffman}
EAC Rip | FLAC with CUE and log | scans | 325 mb
MP3 CBR 320kbps | RAR | 119 mb
Genre: blues, cajun, zydeco

Back To The Big Easy is a 1999 CD released by Dunhill Compact Classics. Subtitled Music From New Orleans, this compilation was mastered by Steve Hoffman.

C.J. Chenier - Too Much Fun (1995)

Posted By: Designol
C.J. Chenier - Too Much Fun (1995)

C.J. Chenier - Too Much Fun (1995)
EAC | FLAC | Image (Cue&Log) ~ 335 Mb | Mp3 (CBR320) ~ 111 Mb | Scans ~ 107 Mb
Zydeco, Cajun, Blues, R&B | Label: Alligator | # ALCD 4830 | Time: 00:48:19

From the title of this CD, the listener can guess where zydeco artist C.J. Chenier is going with this one. Recorded in 1995, Too Much Fun features a big sound filled with multiple electric guitars, saxophones, trumpet, and percussion instruments, along with the more traditional accordion and rub boards that distinguish the genre of zydeco. C.J. Chenier contributes to the party spirit by playing the accordion, alto saxophone, and providing vocals on the CD. The rest of the Red Hot Louisiana Band gears up for an album of party music meant for dancing. It would be unthinkable in the zydeco tradition to have too much fun without dancing being on the agenda, so dance tunes rule the record. Especially hot dance tunes include "Zydeco Cha Cha," "Louisiana Two Step," "Squeaky Wheel," and "Give Me Some of That," along with the title cut. There is a humorous and admiring nod to the ladies in "Man Smart (Woman Smarter)," as well as some gritty blues on "Louisiana Down Home Blues" and "Lost in the Shuffle." The CD goes out with one last lively dance number, "Louisiana Two-Step," so that no one can ever say that C.J. Chenier kept the dancers from having too much fun.

Dr. John - The ATCO Albums Collection 1968-1974 (2017) Remastered 7CD Box Set

Posted By: Designol
Dr. John - The ATCO Albums Collection 1968-1974 (2017) Remastered 7CD Box Set

Dr. John - The ATCO Albums Collection 1968-1974 (2017) 7CD Box Set
EAC | FLAC | Image (Cue&Log) ~ 1.79 Gb | Mp3 (CBR320) ~ 883 Mb | Scans included
Label: ATCO Records/Rhino | # 081227933876 | Time: 04:21:46
Louisiana Blues, Rhythm & Blues, Bayou Funk, Blues-Rock, Psychedelic

Dr. John, a six-time Grammy® Award winner and a Rock and Roll Hall of Fame inductee (2011) began his solo career in 1968 on ATCO Records, where he released seven albums that introduced classics like “Iko Iko”, “Right Place, Wrong Time”, and “Such A Night”. Rhino will explore Dr. John’s early days with a new seven-CD set that follows his evolution from a psychedelic, voodoo witch doctor to a celebrated interpreter of New Orleans standards. All seven studio albums have been remastered for the first time. The set features: Gris-Gris (1968), Babylon (1969), Remedies (1970), The Sun, Moon & Herbs (1971), Dr. John’s Gumbo (1972), In The Right Place (1973), and Desitively Bonnaroo (1974).

Sonny Landreth - The Crazy Cajun Recordings (1999)

Posted By: Designol
Sonny Landreth - The Crazy Cajun Recordings (1999)

Sonny Landreth - The Crazy Cajun Recordings (1999)
EAC | FLAC | Tracks (Cue&Log) ~ 405 Mb | Mp3 (CBR320) ~ 174 Mb | Scans included | 01:07:08
Louisiana Blues, Slide Guitar Blues, Cajun, Zydeco, Blues-Rock | Label: Edsel | # EDCD 585

These are Landreth's earliest known recordings, half of them made in a single afternoon 1973 when he was just 22 years old, the other half recorded in 1977. They display Landreth in the wine of his youth, looking outward for inspiration, sounding more generally Southern than uniquely Louisianan. If you are seeking an album of Louisiana music, I suggest you look elsewhere. But if it is the long-lost first album of an acknowledged slide guitar king you seek, perhaps the finest of his generation, look no further. It is in your hands.

Tab Benoit - The Sea Saint Sessions (2003)

Posted By: Designol
Tab Benoit - The Sea Saint Sessions (2003)

Tab Benoit - The Sea Saint Sessions (2003)
EAC | FLAC | Image (Cue&Log) ~ 321 Mb | Mp3 (CBR320) ~ 124 Mb | Scans ~ 122 Mb
Modern Electric Blues, Louisiana Blues | Label: Telarc | # CD-83573 | 00:54:31

Soulful singer and guitarist Tab Benoit has never made secret his devout allegiance to the Louisiana music tradition. With The Sea Saint Sessions, Benoit, ably assisted by several Crescent City stalwarts, takes his music back to the source, setting up shop at the famed hit factory to cook up a sonic gumbo that successfully recaptures the spontaneity of the classic Sea Saint sound. Benoit's guests conjure up some of the studio's old musical magic as "Big Chief" Monk Boudreaux infuses Mardi Gras Indian spirit into "Monk's Blues," Meter man George Porter Jr. funkifies "Making the Bend," and Cyrille Neville sings on his own "Plareen Man". But it is Benoit's distinctive guitar lines–somehow both supple and hard-edged–and the impeccable elasticity of his regular rhythm section that makes the music work. Most of the material is Benoit's own, although he pays tribute to Louisiana legend Guitar Slim with a take on the classic "Sufferin' Mind" and dips into the Howlin' Wolf songbook for a rendition of "Howlin' for My Darling".

Clarence 'Gatemouth' Brown - Gate Swings (1997)

Posted By: Designol
Clarence 'Gatemouth' Brown - Gate Swings (1997)

Clarence 'Gatemouth' Brown - Gate Swings (1997)
EAC | FLAC | Image (Cue&Log) ~ 377 Mb | Mp3 (CBR320) ~ 171 Mb | Scans included
Label: Verve, Gitanes Blues Productions | # 314 537 617-2 | Time: 00:56:46
Modern Electric Texas Blues, Jump Blues, Jazz-Blues, Swing

Clarence "Gatemouth" Brown's tough-minded approach to the blues, country, Cajun, and jazz insures a minimum of nonsense and a maximum of variety, while his virtuosity on the guitar and fiddle insures the highest standards. Nonetheless, Brown's 1997 album is a landmark for the 73-year-old picker who won a Rhythm & Blues Foundation Pioneer Award. All 13 tunes on Gate Swings find Brown working with his regular road quartet plus a 13-piece horn section, enabling him to prove that Duke Ellington, Count Basie, and Lionel Hampton have been as important to his music as any bluesman or Creole fiddler. Gate Swings includes tunes by all three of those big-band leaders as well as compositions by Buddy Johnson, Percy Mayfield, Louis Jordan, and Brown himself, and they all swing with the massive force that only a big horn section can muster. Brown has leaned in this direction before, but Gate Swings is special, because it features the horn arrangements of Wardell Quezergue, an alumnus of the Dave Bartholomew band who arranged many of the best New Orleans R&B hits in the '60s and '70s.

Clarence 'Gatemouth' Brown - Blackjack (1977) Reissue 1999

Posted By: Designol
Clarence 'Gatemouth' Brown - Blackjack (1977) Reissue 1999

Clarence 'Gatemouth' Brown - Blackjack (1977) Reissue 1999
EAC | FLAC | Image (Cue&Log) ~ 290 Mb | Mp3 (CBR320) ~ 126 Mb | Scans included | Time: 00:45:08
Modern Electric Texas Blues, Jazz-Blues, Rhythm & Blues, Cajun | Label: Sugar Hill | # SHCD-3891

To call the multitalented Gatemouth Brown, a mainstay of the Texas music scene for over half a century, a bluesman would be inaccurate. Not completely wrong, for Brown's influence on Texas blues has been enormous, but certainly not the whole picture. On Blackjack, Brown (who sings and plays harmonica and a plethora of stringed instruments, from guitar to viola) goes from blues ("Chickenshift") to jazz ("Honey Boy," with a nice drum solo from David Peters) to country ("Dark End of the Hallway") and back again. Not every musician can handle this kind of variety, but Brown makes it work, whether it's the straight-ahead blues of "Here Am I" or "Street Corner" (which has a great harmonica intro), the Cajun-inflected "When My Blue Moon Turns to Gold Again," or the jazz-blues feel of "Tippin' In." It's easy to see, or rather to hear, why Brown has been so influential: every track on Blackjack is performed with the deft assurance of a master.

Clarence 'Gatemouth' Brown - Pressure Cooker (1985)

Posted By: Designol
Clarence 'Gatemouth' Brown - Pressure Cooker (1985)

Clarence 'Gatemouth' Brown - Pressure Cooker (1985)
EAC | FLAC | Image (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 116 Mb | Scans included
Modern Electric Texas Blues | Label: Alligator | # ALCD 4745 | 00:41:31

Before Gate was able to rebuild a following stateside, he frequently toured Europe. He recorded the contents of this inexorably swinging set in France in 1973 with all-star backing by keyboardists Milt Buckner and Jay McShann, saxists Arnett Cobb and Hal Singer, among others. Brown indulges his passion for Louis Jordan by ripping through "Ain't That Just like a Woman" and "Ain't Nobody Here but Us Chickens" and exhibits his immaculate fretwork on the torrid title item.

Clarence 'Gatemouth' Brown - No Looking Back (1992)

Posted By: Designol
Clarence 'Gatemouth' Brown - No Looking Back (1992)

Clarence 'Gatemouth' Brown - No Looking Back (1992)
EAC | FLAC | Image (Cue&Log) ~ 231 Mb | Mp3 (CBR320) ~ 117 Mb | Scans included | 00:41:33
Modern Electric Texas Blues, Jazz-Blues, Cajun | Label: Alligator | # ALCD 4804

Clarence "Gatemouth" Brown was one of the most jazz-oriented of bluesmen, a colorful guitarist and a primitive but swinging fiddler. On this release he includes many instrumental sections in his performances including four all-out boppish jazz jams ("Digging New Ground," "C-Jam Blues," "The Peeper" and the stomping "We're Outta Here"). Brown's vocals, which feature consistently intelligent lyrics ("Better Off With The Blues" is particularly memorable), are part of the music rather than the entire show; he even gives his obscure backup horns chances to solo. The set is a particularly strong example of Gatemouth Brown's music with each of the 11 selections (except perhaps for "I Will Be Your Friend," a poppish vocal duet with Michelle Shocked) being well worth hearing.

Clarence 'Gatemouth' Brown - One More Mile (1983) [Repost]

Posted By: Designol
Clarence 'Gatemouth' Brown - One More Mile (1983) [Repost]

Clarence 'Gatemouth' Brown - One More Mile (1983)
EAC | FLAC | Image (Cue&Log) ~ 284 Mb | Mp3 (CBR320) ~ 110 Mb | Scans included | 00:39:48
Modern Electric Texas Blues, Jazz-Blues, Cajun | Label: Rounder | # CD 2034

For his second Rounder album, Clarence "Gatemouth" Brown offers his "World Music Texas Style" - a compelling synthesis of blues, jazz, Cajun music and even a touch of country. With horn arrangements by Bill Samuel and Homer Brown, the album is a showcase for Gate's virtuoso abilities as a guitarist and violinist, which always tap his blues roots while offering constant musical surprises. 1983 Grammy Award finalist.

Skipinnish - The Seventh Wave (2017)

Posted By: Pisulik
Skipinnish - The Seventh Wave (2017)

Skipinnish - The Seventh Wave (2017)
Pop, Folk, Celtic | MP3 CBR 320 kbps | 01:01:33 | 141 MB
Label: Skipinnish Records

The latest release from the award winning band Skipinnish with their distinctive, authentic and vibrant Scottish Highland West Coast sound. Co-founders Andrew MacPhail (Tiree) and Andrew Stevenson (Lochaber) met while studying at the highly acclaimed R.S.A.M.D in Glasgow. With a similar passion for authentic traditional Scottish music by early 1999 'Skipinnish' was established. Since then Skipinnish have gone from strength to strength and are indeed one of the busiest sought after bands on the scene.