Taking the detached plastic soul of Young Americans to an elegant, robotic extreme, Station to Station is a transitional album that creates its own distinctive style. Abandoning any pretense of being a soulman, yet keeping rhythmic elements of soul, David Bowie positions himself as a cold, clinical crooner and explores a variety of style…

An extension of David Sylvian's penchant for experimentation and collaboration, Wandermüde sees electro-acoustic artist Stephan Mathieu remix Sylvian's 2003 album Blemish. The project was originally intended to produce an ambient score for a new digital application that Sylvian was working on to showcase his photography. David Sylvian s experimental breakthrough Blemish sees a new interpretation in the album Wandermüde, by the remarkable electroacoustic musician Stephan Mathieu. Working from the instrumental source material, Mathieu brings us a new experience of the most stirring textures and darkest thoughts from this pivotal album.

TRIX was formed in 2004, led by drummer Noriaki Kumagai (ex-Casiopea), with bassist Mitsuru Sutoh (ex-T-Square) and now guitarist Yuya Komoguchi and keyboardist AYAKI has joined the group. Their very ear-catcy music with thrilling techniques, and entertaining stage performance have been widely accepted among fans. Some of their songs are featured as the main theme of TV programs.

Like everything else he does, musical iconoclast David Sylvian's idea of a retrospective compilation is very different from the norm. Sleepwalkers is a 16-track, hour-plus collection focused on his many collaborations during the previous decade. Included are alternate takes from his own albums, remixes, reworked material and his contributions to the albums of others. There is one new cut, pointing to the future: "Five Lines" with Japanese composer Dai Fujikura, is a complex art song with a string quartet. (According to Sylvian, Fujikura is working with him on a completely new, orchestral version of Manofon.) This new piece is one of the many highlights.

Bad Witch is the upcoming ninth studio album by American industrial rock band Nine Inch Nails, scheduled for release on June 22, 2018 through The Null Corporation. It will be the band's first full-length release since Hesitation Marks (2013). Bad Witch's announcement came simultaneously with that of the Cold and Black and Infinite North America 2018 Tour, for which Nine Inch Nails will be touring with The Jesus and Mary Chain.

Aaron Hemphill releases his debut solo album, ‘Scented Pictures’. Released under the name Nonpareils, these are his first recordings since an amicable departure from Liars in 2016.

This album contains three compositions (two of them long form) created exclusively for two independent gallery installations. Two pieces,'The Beekeepers Apprentice' and 'Epiphany' originally accompanied the 'Ember Glance' installation, a multi media work made in collaboration with the artists Russell Mills and Ian Walton, and exhibited in Tokyo, September 1990. 'Approaching Silence' accompanied the multi media work 'Redemption' installed at the P3 Gallery, Tokyo 1994. The CD was compiled and released in 1999.

Inspired by both Brazilian music and the boundless possibilities of the Internet, electronic composer Ryuichi Sakamoto wrote Smoochy, an endlessly intriguing exploration of what happens when the old world meets the future. Using his Brazilian Internet concept as a foundation, Sakamoto goes on to add a variety of other musics, including jazz and Latin pop, to the music, creating a dense and fascinating musical web of electronics and percussion. Occasionally, he gets too self-consciously arty for his own good, but most of the album finds Sakamoto at his best.]

Psychonavigation is a trip and a half. Pete Namlook and Bill Laswell have created a set of sonic hallucinogens that permeate the psyche. These sequences and atmospheres are full of experimental sounds, strange samples, and overt space music riffs. There is nothing earthly about this music. The atmospheres are inhuman. The evocations are metallic and robotic. The flow, however, is smooth and fluid. Namlook and Laswell are visiting the ultimate oxymoron – fluid metal. The answers are as mysterious as quicksilver itself. This is one of the best Namlook/Laswell collaborations. It will appeal to fans of Amani, Tales, and Dweller at the Threshold. It is essential space music.

Fond of Tigers is a Canadian seven-piece post-rock instrumental band from Vancouver. An article in Exclaim! describes the band's sound: "with cacophonous explosions of percussion and guitar underlying wild strains of trumpet and violin, only to drop out for unexpected, ambient glimmers of a once-roaring piece." The group began in 2000 as a solo project of guitarist Stephen Lyons. After Lyons' pop group Beauventure disbanded, Lyons performed solo, and soon began playing along with tape loops and recorded sounds. In 2003 the project expanded to become a full band. Band members include Stephen Lyons on guitar, JP Carter on trumpet, Morgan McDonald on piano, Jesse Zubot on violin, Shanto Bhattacharya on bass, and Skye Brooks and Dan Gaucher on drums. Their second album, Release the Saviours, was released on November 27, 2007.

Fond of Tigers is a Canadian seven-piece post-rock instrumental band from Vancouver. An article in Exclaim! describes the band's sound: "with cacophonous explosions of percussion and guitar underlying wild strains of trumpet and violin, only to drop out for unexpected, ambient glimmers of a once-roaring piece." The group began in 2000 as a solo project of guitarist Stephen Lyons. After Lyons' pop group Beauventure disbanded, Lyons performed solo, and soon began playing along with tape loops and recorded sounds. In 2003 the project expanded to become a full band. Band members include Stephen Lyons on guitar, JP Carter on trumpet, Morgan McDonald on piano, Jesse Zubot on violin, Shanto Bhattacharya on bass, and Skye Brooks and Dan Gaucher on drums. In June 2006, they released the debut album, A Thing To Live With.

On Steve Hillage's 1978 release Green, the underground prog rock fan favorite issues more of his trademark thinking-man's music. Fans of mid- to late-'70s Pink Floyd will want to check this album out, since it possesses many of the same musical qualities, due to the fact that it was produced by Floyd drummer Nick Mason, along with Hillage. Although not as consistent as some of his other albums, it certainly has its moments. Hillage's recurring sci-fi influence is still felt in his music, especially on such tracks as "Sea Nature," "UFO Over Paris," and "Unidentified (Flying Being)." Hillage uses the same band that appeared on his Motivation Radio album, which helps make Hillage's twisted songs even better (like his other albums, the musicianship is top-notch). Besides comparisons to Floyd, the album's music is also similar to David Bowie's late-'70s experimental electronic phase (check out the track "Crystal City," with vocals almost identical to Bowie). Hillage fans will definitely not be disappointed with Green.

Picking up from where the band left off with their 2015 debut CD on John Zorn's Tzadik Records, Bret Higgins’ Atlas Revolt digs deeper, refining a collaborative sound which draws upon film music, desert blues, psychedelia, Balkan, and Central and South American music. On their sophomore recording Illusion Machine, the usual line-up adds sixth man of the year, virtuoso Columbian percussionist Juan Carlos Medrano to the fold, elevating the overall sound into a darker and more orchestral version of itself. The music on Illusion Machine is overflowing with exciting rhythms, searing guitar work and beautiful melodies, performed by an incredible group.

David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his '70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters…

"Double-tracked with a ghostly haze of background fuzz, Hedvig’s lightning-rod guitar blazes a trail that comes in the wake of the heaviest guitar giants – there’s Hendrix, Black Sabbath’s Tony Iommi and Led Zep’s Jimmy Page swirling around the cauldron, but also the exploratory, disciplined freeplay of Pete Cosey, John McLaughlin and Carlos Santana buzzing out of her fingertips. Born in the Norwegian town of Ålesund in the early 80s, Hedvig Mollestad Thomassen has been steeped in the guitar since fooling around with her mother’s nylon-strung acoustic at the age of ten."