Subcategories

The Hollies – Another Night (1975) Polydor/2442-128 – 1st UK Pressing - LP/FLAC In 24bit/96kHz

Posted By: Fran Solo
The Hollies – Another Night (1975) Polydor/2442-128 – 1st UK Pressing - LP/FLAC In 24bit/96kHz

The Hollies – Another Night
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Polydor/2442-128 | Released: 1975 | Genre: Classic-Rock

A1 Another Night
A2 4th Of July, Asbury Park (Sandy)
A3 Lonely Hobo Lullabye
A4 Second Hand Hangups
A5 Time Machine Jive

B1 I’m Down
B2 Look Out Johnny (There’s A Monkey On Your Back)
B3 Give Me Time
B4 You Gave Me Life (With That Look In Your Eyes)
B5 Lucy


Credits
Producer – Ron Richards
Notes
Gatefold Sleeve


The Hollies – Another Night (1975) Polydor/2442-128 – 1st UK Pressing - LP/FLAC In 24bit/96kHz

The Hollies – Another Night (1975) Polydor/2442-128 – 1st UK Pressing - LP/FLAC In 24bit/96kHz

The Hollies – Another Night (1975) Polydor/2442-128 – 1st UK Pressing - LP/FLAC In 24bit/96kHz



Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD

Another Night was a wholly unexpected album at the time of its release in February of 1975.
The Hollies’ 15th official album, it also marked the return of Allan Clarke to the lineup for the first time since Distant Light in 1971 — and it was, apart from one number, comprised entirely of group originals, a feat of songwriting acumen that the Hollies had not achieved since 1969’s Hollies Sing Hollies (which was sort of a “ringer” in that regard); and just as much to the point, all of the songs and recordings were pretty much first-rate, ranging widely from lyrical pop/rock to harder, edgier, album-oriented sides, with a couple of classic performances among them. What’s more, despite the range of sounds involved, the album offered a more cohesive group sound than anything that they had recorded since the mid-’60s. True, there were numbers that had strings added, and other embellishments, but at the core was a thoroughly unified group sound. And while the most notable song here happened to be the only cover, a rendition of “4th of July, Asbury Park (Sandy),” authored by a up-and-coming, not-yet-famous new Columbia Records artist named Bruce Springsteen, that didn’t mean that the rest of the record was in any way deficient. Indeed, this was the strongest album that they’d done since the psychedelic era, and the group’s best body of rock songs ever, almost all solidly memorable, beautifully hook-laden numbers, harmony-driven but mostly not as soft as past releases often were. And while the harmonies were impeccable, the songs they were part of usually kept a great beat or solid rocking guitar (mostly courtesy of Tony Hicks). The Clarke-Hicks-Sylvester songwriting team peaked with this album for consistency, as did the same trio in a vocal capacity. And even some of the more unlikely titles, such as “Lonely Hobo Lullaby,” were worth hearing more than once, alongside the obvious “plug” songs such as the title track and “I’m Down.” The diversity of sounds never let up across the original LP, and if anything was even more impressive on side two, with the radiant harmonies of “I’m Down” eventually leading to “You Gave Me Life (With That Look in Your Eyes),” the latter revealing a harder sound than they’d been known for since “Long Cool Woman (In a Black Dress)”; and it led to the closer, “Lucy,” a poignant ballad of the kind that the group had hardly ever presented on earlier records. It’s no accident that this album, and the spirit of musical adventure behind it, lay behind the tour that became the basis for the first official live album by the band, or that its songs were more heavily represented on that resulting album than those off any other long-player in the group’s history. Latter-day Hollies may not be first on too many peoples’ lists of priority acquisitions, but if someone is going to start listening to the post-“Long Cool Woman” band, this is the place to begin.
Review by Bruce Eder, allmusic.com
Welcome to the Dark Side of the Vinyl
Silent spaces haven't been deleted in this rip.

Vinyl / CUE/ FLAC/ High Definition Cover: