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Philharmonia Baroque, Nicholas McGegan - Alessandro Scarlatti: La Gloria di Primavera (2015) 2 CDs

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Philharmonia Baroque, Nicholas McGegan - Alessandro Scarlatti: La Gloria di Primavera (2015) 2 CDs

Alessandro Scarlatti - La Gloria di Primavera (2015) 2 CDs
Diana Moore (Mezzo Soprano), Suzana Ograjenšek (Soprano), Clint Van Der Linde (Countertenor)
Nicholas Phan (Tenor), Douglas Williams (Bass Baritone)
Philharmonia Baroque Orchestra & Chorale; Nicholas McGegan, director

EAC | FLAC | Image (Cue&Log) ~ 648 Mb | Mp3 (CBR320) ~ 322 Mb | Artwork included
Classical, Baroque | Label: philharmonia BAROQUE | # PBP09 | 02:18:32

The San Francisco Chronicle called Scarlatti’s La Gloria di Primavera a “feast of vocal invention, supplemented by wondrous instrumental writing for a strikingly large orchestra” after Philharmonia Baroque Orchestra and Nicholas McGegan presented acclaimed western hemisphere premiere performances in October 2015. PBO and McGegan are delighted to be the first to record this newly-discovered 300 year old serenata.

After Holy Roman Emperor Charles VI acquired the kingdom of Naples in a treaty, the Neapolitans commissioned their court composer, Alessandro Scarlatti, to compose a grand serenata to celebrate the birth of Charles VI’s son, prince John Leopold. Scarlatti wrote the piece within a few weeks and it was performed to audiences in Naples immediately following the birth. Unfortunately, just months after La Gloria di Primavera premiered, the celebrated infant died and the incredible work was forgotten.

“It’s rare to have the opportunity to be among the very first in the world to present this stunning serenata to modern listeners. When the manuscript of ‘The Glory of Spring’ was shared with me, I was enthralled by its exquisite beauty, its grand majesty. I have been so eager to bring this to our audiences,” says McGegan. “I assure you, after 300 years, it is worth the wait!"

The performances were recorded live at First Congregational Church, Berkeley, CA on October 4 and 10, 2015. This recording is made possible by a generous gift from the Waverley Fund.

Philharmonia Baroque, Nicholas McGegan - Alessandro Scarlatti: La Gloria di Primavera (2015) 2 CDs

The serenata La gloria di Primavera (1716) was commissioned by the Neapolitan Duke Nicola Gaetani dell’Aquila d’Aragona for his wife Aurora Sanseverino, although the libretto by her secretary Nicola Giuvo was designed as an expedient celebration of the birth of the Habsburg Archduke Leopold, son of Holy Roman Emperor Charles VI (who had gained the kingdom of Naples as part of the severance package that concluded the War of Spanish Succession). Therefore Alessandro Scarlatti’s music was created for the same circle of patrons in Naples, and in collaboration with the same poet, as Handel’s Aci, Galatea e Polifemo (1708); the superhuman bass Antonio Manna who sang Jupiter had most likely been Handel’s first Polifemo eight years earlier. The first performance, on May 19, 1716, also featured the soprano Margherita Durastanti (Handel’s first Agrippina). The four seasons hold a contest to establish supremacy as the most important to the new-born prince; after the triumph of Spring, Jupiter leads the collective prophecy of the coming of a new golden age (as it turned out, the infant Leopold died only a few months afterwards).

Scarlatti’s paean is captured in Nicholas McGegan’s live recording made in Berkeley in October 2015. The Philharmonia Baroque Orchestra’s string-playing is routinely urbane, and the continuo group’s realisations are impeccably shaded. Diana Moore is expressive with words and musical details in Spring’s splendid arias, such as ‘Canta dolce il rosignuolo’ (in which woodwinds sweetly imitate a nightingale’s song). Suzana Ograjenšek’s lightly supple timbre, intelligent treatment of melismatic word-setting and lovely melodic phrasing are applied adroitly to Summer’s ‘Fa che Zeffiro tra fronde’ (a rapt description of breezes wafting through trees and grasses, featuring whispering strings and solo flute). Clint van der Linde sings sensitively, albeit with occasional frailty; Autumn’s pastoral ‘Fuor dell’urna le bell’onde’ has beguiling exchanges between murmuring concertante upper and lower strings, whereas the countertenor shows a steelier heroic ability in the trumpet aria ‘L’offra sempre in pace’. Nicholas Phan’s precise florid passagework in ‘Di cieco orrore e d’ombra’ is one of Winter’s gutsier outbursts, although he also has the softly mellifluous ‘Sull’orme de’ grand’Avi’ (with a gentle pair of oboes).

There are also several fine ensembles for the seasons, such as solemn minor-key quartets invoking Jupiter – whose appearance in Part 2 has a theatrical impact thanks to Douglas Williams’s resonance and mastery across a wide-ranging tessitura. Quibbles such as a poor choice about where to break between the two discs and minor hyperbolic lapses in an otherwise excellent booklet-note are dissolved by McGegan’s experienced direction and the musical finesse of his Californian orchestra. This is a delightfully enjoyable revelation of the elder Scarlatti’s genius.

Review by David Vickers, Gramophone

Philharmonia Baroque, Nicholas McGegan - Alessandro Scarlatti: La Gloria di Primavera (2015) 2 CDs



Diana Moore (Mezzo Soprano)
Suzana Ograjenšek (Soprano)
Clint Van Der Linde (Countertenor)
Nicholas Phan (Tenor)
Douglas Williams (Bass Baritone)
Philharmonia Baroque Orchestra & Chorale
Nicholas McGegan, director

rec. live First Congregational Church, Berkeley, California, 4 and 10 October, 2015

Tracklist:

Alessandro SCARLATTI (1660-1725)
La Gloria di Primavera (1716)

CD1:

01. Parte I - Sinfonia [avanti la Prima Parte] (3:13)
02. Parte I - Coro: Nato è già l'Austriaco sole (1:55)
03. Parte I - Recitativo: Noi che a vicenda elesse (1:45)
04. Parte I - Aria: Già fermò sull'empia ruota (3:32)
05. Parte I - Recitativo: Non più sterili, e meste (0:56)
06. Parte I - Aria: Più l'Aquila non teme (2:47)
07. Parte I - Recitativo: Trasse già l'Istro altero (1:00)
08. Parte I - Aria: Fuor dell'urna le bell'onde (6:17)
09. Parte I - Recitativo: Nacque a noi nacque al grande genio (1:32)
10. Parte I - Aria: Col piacer già la pace riposa (2:40)
11. Parte I - Recitativo: Qui dunque ò mie compagne (1:36)
12. Parte I - Coro: L'aura sussurrando (4:06)
13. Parte I - Recitativo: Già con umido ciglio (1:13)
14. Parte I - Aria: Solca il mar, scioglie le vele (3:49)
15. Parte I - Recitativo: Vidi correr audaci (1:39)
16. Parte I - Aria: Dopo l'orrore (3:28)
17. Parte I - Recitativo: Quante volte quante volte mirai (1:10)
18. Parte I - Aria: È più caro il fonte e'l rio (6:41)
19. Parte I - Recitativo: Vidi anch'io con orrore più d'un Regno (1:12)
20. Parte I - Aria: Arde il ciel saette avventa (2:49)
21. Parte I - Recitativo: Tal virtù seco trasse (1:18)
22. Parte I - Coro: Vieni ò Re dell'alte sfere (3:03)
23. Parte II - Sinfonia avanti la Seconda Parte (3:11)
24. Parte II - Recitativo: Già le nostre preghiere (1:04)
25. Parte II - Coro: Vieni ò Re dellalte sfere (0:45)
26. Parte II - Recitativo: Ecco che a noi sen viene (0:39)

CD2:

01. Parte II - Aria: Voglio in perpetua calma (4:06)
02. Parte II - Recitativo: Stanca è già la mia destra (1:02)
03. Parte II - Coro: Se spuntò già di piacere (0:34)
04. Parte II - Recitativo: Qual mai vi turba, o preme (1:43)
05. Parte II - Aria: La tempesta già si desta (2:47)
06. Parte II - Recitativo: Pria di formar le stelle (1:51)
07. Parte II - Aria: So ben che amor di gloria (3:47)
08. Parte II - Recitativo: Con tal favore e l'opra (1:04)
09. Parte II - Aria: Tornò già nel mio sen (2:38)
10. Parte II - Recitativo: Quante Provincie e Regni (1:10)
11. Parte II - Aria: Corre l'onda vagabonda (2:23)
12. Parte II - Recitativo: Anch'io potea di tenebrosi (1:27)
13. Parte II - Aria: Di cieco orrore e d'ombra (2:15)
14. Parte II - Recitativo: Messi del gioir mio (0:58)
15. Parte II - Aria: Canta dolce il rosignuolo (5:47)
16. Parte II - Recitativo: Trassi dal nulla il tutto (1:48)
17. Parte II - Aria: Dell'alba e dell'aurora (3:10)
18. Parte II - Recitativo: E voi che parte aveste (0:57)
19. Parte II - Coro: Pieno è già d'almo diletto (1:31)
20. Parte II - Recitativo: Gran Padre delle stelle (1:07)
21. Parte II - Aria: Sull'orme de grand'Avi (5:31)
22. Parte II - Recitativo: Sì, sì, poiché a te piacque (0:37)
23. Parte II - Duetto: Arda avvampi l'alme accenda (3:20)
24. Parte II - Recitativo: La gloria de' grand'Avi (0:33)
25. Parte II - Aria: L'offra sempre in pace, e in guerra (3:00)
26. Parte II - Recitativo: Chiaro qual nacque al mondo (1:37)
27. Parte II - Aria: Il destin la sorte, e il fato (5:23)
28. Parte II - Recitativo: Giove, e tu non rispondi? (1:00)
29. Parte II - Aria: Fa che Zeffiro tra fronde (5:33)
30. Parte II - Recitativo: Deh quell'Amor che inspira (0:51)
31. Parte II - Coro: Conti co' i giorni (1:00)
32. Parte II - Recitativo: Scelsi sull'alte sfere (1:55)
33. Parte II - Coro: Ò bell'età dell'oro (2:45)


Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 4. November 2016, 20:43

Philharmonia Baroque Orchestra, Nicholas McGegan / Alessandro Scarlatti - La Gloria di Primavera - CD1

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Used interface : Native Win32 interface for Win NT & 2000

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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


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Test CRC B4FE6836
Copy CRC B4FE6836
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foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-08-08 01:32:38

––––––––––––––––––––––––––––––––––––––––
Analyzed: Philharmonia Baroque Orchestra, Nicholas McGegan / Alessandro Scarlatti - La Gloria di Primavera - CD1
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.84 dB -21.97 dB 3:13 01-Parte I - Sinfonia [avanti la Prima Parte]
DR12 -1.58 dB -18.33 dB 1:55 02-Parte I - Coro: Nato è già l'Austriaco sole
DR13 -9.15 dB -25.34 dB 1:45 03-Parte I - Recitativo: Noi che a vicenda elesse
DR15 -3.61 dB -24.34 dB 3:32 04-Parte I - Aria: Già fermò sull'empia ruota
DR11 -5.65 dB -24.34 dB 0:56 05-Parte I - Recitativo: Non più sterili, e meste
DR13 -3.43 dB -22.56 dB 2:47 06-Parte I - Aria: Più l'Aquila non teme
DR11 -6.84 dB -23.76 dB 1:00 07-Parte I - Recitativo: Trasse già l'Istro altero
DR15 -1.60 dB -22.70 dB 6:17 08-Parte I - Aria: Fuor dell'urna le bell'onde
DR13 -7.39 dB -26.01 dB 1:32 09-Parte I - Recitativo: Nacque a noi nacque al grande genio
DR13 -7.58 dB -23.98 dB 2:40 10-Parte I - Aria: Col piacer già la pace riposa
DR14 -7.33 dB -24.63 dB 1:36 11-Parte I - Recitativo: Qui dunque ò mie compagne
DR12 -4.92 dB -22.07 dB 4:06 12-Parte I - Coro: L'aura sussurrando
DR13 -8.96 dB -26.50 dB 1:13 13-Parte I - Recitativo: Già con umido ciglio
DR14 -3.88 dB -24.93 dB 3:49 14-Parte I - Aria: Solca il mar, scioglie le vele
DR12 -6.78 dB -24.85 dB 1:39 15-Parte I - Recitativo: Vidi correr audaci
DR13 -6.14 dB -23.54 dB 3:28 16-Parte I - Aria: Dopo l'orrore
DR12 -6.23 dB -24.12 dB 1:10 17-Parte I - Recitativo: Quante volte quante volte mirai
DR14 -2.39 dB -23.27 dB 6:41 18-Parte I - Aria: È più caro il fonte e'l rio
DR14 -8.53 dB -25.56 dB 1:12 19-Parte I - Recitativo: Vidi anch'io con orrore più d'un Regno
DR13 -5.21 dB -21.58 dB 2:49 20-Parte I - Aria: Arde il ciel saette avventa
DR11 -7.82 dB -25.52 dB 1:18 21-Parte I - Recitativo: Tal virtù seco trasse
DR13 -2.70 dB -19.62 dB 3:03 22-Parte I - Coro: Vieni ò Re dell'alte sfere
DR13 -9.24 dB -25.76 dB 3:11 23-Parte II - Sinfonia avanti la Seconda Parte
DR12 -7.90 dB -26.26 dB 1:04 24-Parte II - Recitativo: Già le nostre preghiere
DR10 -3.31 dB -18.19 dB 0:45 25-Parte II - Coro: Vieni ò Re dellalte sfere
DR11 -9.14 dB -25.66 dB 0:39 26-Parte II - Recitativo: Ecco che a noi sen viene
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 26
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 649 kbps
Codec: FLAC
================================================================================


Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 4. November 2016, 21:51

Philharmonia Baroque Orchestra, Nicholas McGegan / Alessandro Scarlatti - La Gloria di Primavera - CD2

Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


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Test CRC C21DC77E
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foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-08-08 01:33:10

––––––––––––––––––––––––––––––––––––––––
Analyzed: Philharmonia Baroque Orchestra, Nicholas McGegan / Alessandro Scarlatti - La Gloria di Primavera - CD2
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -4.16 dB -23.40 dB 4:06 01-Parte II - Aria: Voglio in perpetua calma
DR13 -6.99 dB -23.30 dB 1:02 02-Parte II - Recitativo: Stanca è già la mia destra
DR10 -5.58 dB -19.93 dB 0:34 03-Parte II - Coro: Se spuntò già di piacere
DR12 -9.69 dB -25.65 dB 1:43 04-Parte II - Recitativo: Qual mai vi turba, o preme
DR14 -6.12 dB -24.10 dB 2:47 05-Parte II - Aria: La tempesta già si desta
DR14 -8.05 dB -25.27 dB 1:51 06-Parte II - Recitativo: Pria di formar le stelle
DR14 -5.67 dB -24.23 dB 3:47 07-Parte II - Aria: So ben che amor di gloria
DR12 -7.82 dB -25.20 dB 1:04 08-Parte II - Recitativo: Con tal favore e l'opra
DR12 -7.43 dB -23.18 dB 2:38 09-Parte II - Aria: Tornò già nel mio sen
DR11 -7.76 dB -23.93 dB 1:10 10-Parte II - Recitativo: Quante Provincie e Regni
DR14 -2.83 dB -21.01 dB 2:23 11-Parte II - Aria: Corre l'onda vagabonda
DR14 -6.77 dB -25.24 dB 1:27 12-Parte II - Recitativo: Anch'io potea di tenebrosi
DR13 -5.14 dB -21.66 dB 2:15 13-Parte II - Aria: Di cieco orrore e d'ombra
DR12 -9.89 dB -26.65 dB 0:58 14-Parte II - Recitativo: Messi del gioir mio
DR13 -5.98 dB -25.25 dB 5:47 15-Parte II - Aria: Canta dolce il rosignuolo
DR14 -4.87 dB -23.87 dB 1:48 16-Parte II - Recitativo: Trassi dal nulla il tutto
DR13 -4.75 dB -22.91 dB 3:10 17-Parte II - Aria: Dell'alba e dell'aurora
DR12 -6.71 dB -23.80 dB 0:57 18-Parte II - Recitativo: E voi che parte aveste
DR12 -2.80 dB -20.11 dB 1:31 19-Parte II - Coro: Pieno è già d'almo diletto
DR11 -10.15 dB -26.14 dB 1:07 20-Parte II - Recitativo: Gran Padre delle stelle
DR12 -9.10 dB -25.64 dB 5:31 21-Parte II - Aria: Sull'orme de grand'Avi
DR12 -9.33 dB -24.96 dB 0:37 22-Parte II - Recitativo: Sì, sì, poiché a te piacque
DR12 -4.12 dB -21.01 dB 3:20 23-Parte II - Duetto: Arda avvampi l'alme accenda
DR11 -6.35 dB -22.57 dB 0:33 24-Parte II - Recitativo: La gloria de' grand'Avi
DR13 -1.77 dB -18.83 dB 3:00 25-Parte II - Aria: L'offra sempre in pace, e in guerra
DR13 -10.04 dB -25.88 dB 1:37 26-Parte II - Recitativo: Chiaro qual nacque al mondo
DR13 -7.99 dB -25.71 dB 5:23 27-Parte II - Aria: Il destin la sorte, e il fato
DR11 -10.22 dB -25.87 dB 1:00 28-Parte II - Recitativo: Giove, e tu non rispondi?
DR15 -5.75 dB -24.89 dB 5:33 29-Parte II - Aria: Fa che Zeffiro tra fronde
DR11 -8.67 dB -25.05 dB 0:51 30-Parte II - Recitativo: Deh quell'Amor che inspira
DR11 -5.40 dB -19.24 dB 1:00 31-Parte II - Coro: Conti co' i giorni
DR12 -5.81 dB -24.11 dB 1:55 32-Parte II - Recitativo: Scelsi sull'alte sfere
DR13 -0.99 dB -18.42 dB 2:45 33-Parte II - Coro: Ò bell'età dell'oro
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 33
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 649 kbps
Codec: FLAC
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Philharmonia Baroque, Nicholas McGegan - Alessandro Scarlatti: La Gloria di Primavera (2015) 2 CDs

All thanks to original releaser - A-Z

More Alessandro Scarlatti music in My Blog