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Barbara Bonney, Bernarda Fink, Musica Antiqua Köln, Reinhard Goebel - Johann Adolf Hasse: Salve Regina (1997)

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Barbara Bonney, Bernarda Fink, Musica Antiqua Köln, Reinhard Goebel - Johann Adolf Hasse: Salve Regina (1997)

Barbara Bonney, Bernarda Fink, Musica Antiqua Köln, Reinhard Goebel - Johann Adolf Hasse: Salve Regina (1997)
EAC | APE (image+.cue, log) | Covers Included | 01:12:00 | 394 MB
Genre: Baroque, Vocal | Label: Archiv Produktion | Catalog: 0289 453 4352 5

“During this visit, these young ladies were so obliging as to sing me a Salve regina, lately set by their father, in duo. It is an exquisite composition, full of grace, taste and propriety.” What more could one ask of an antiphon than that which Charles Burney found in an impromptu performance by Hasse’s daughters during a visit to their father in Vienna in 1772? Hasse composed several settings of the Salve regina of which Reinhard Goebel has chosen two for his interesting programme of vocal and instrumental pieces by the composer. The one answering to Burney’s description is in E flat and was composed in 1767. The other is a much better known A major setting of the Marian antiphon which he wrote during the 1730s or even earlier for the Venetian orphanage of the Ospedale degli Incurabili. The remaining pieces in Goebel’s programme are two attractive sinfonias for wind and strings – one of them also functioning as the overture to Hasse’s opera Cleofide (1713), the other as the overture to a pastoral, Asteria (1737) – a motet for mezzo-soprano, and an expressively intense, vibrant Fugue in G minor of doubtful authenticity, but perhaps the work of the Mannheim composer, Franz Xaver Richter.

The greater part of the vocal music is for mezzo-soprano or contralto, in this instance Bernarda Fink. Soprano Barbara Bonney sings only in the E flat Salve regina. These are full-bodied performances, vocally and instrumentally; but, while I enjoyed both the aural luxuriance of Fink’s warm, rounded tone in the A major Salve regina, and the richness of the accompanying string textures, my preference in this music perhaps lies in the somewhat more modestly scaled approach of Jennifer Lane and Le Parlement de Musique. Lane’s performance is more intimate, and the strings more lightly articulated than Goebel’s ensemble, but the playing is considerably less accomplished, alas, making this new version unquestionably the more satisfying of the two. Both the motet, Chori angelici laetentes and the two-voice Salve regina were new to me. The Chori angelici, another A major piece, is a joyful, spirited and virtuoso composition with an accompaniment of strings and continuo. Fink is on superb form here, attentive to the words of the text and effortless in the delivery of her bravura passages. The motet is hugely appealing both for its warmth of sentiment and, as so often with Hasse, for its ravishing melodies. There is a discrepancy in its track listing, by the way, which consequently affects the two works on the disc which follow it.

The E flat Salve regina is no less captivating, with a pair of oboes and a bassoon added to the string texture. Bonney and Fink are evenly matched and blend together pleasingly in music which few readers, perhaps, will be able to resist. A delightful programme, thoughtfully put together and very well executed. – Nicholas Anderson, Gramophone

Barbara Bonney, Bernarda Fink, Musica Antiqua Köln, Reinhard Goebel - Johann Adolf Hasse: Salve Regina (1997)

Track List:

Sinfonia op.3, No.3
1. Allegro assai 2:17
2. Andante, sempre piano 2:42
3. Menuet - Presto - Menuet 2:48
Salve Regina in A-dur
4. A tempo giusto "Salve Regina" (Bernarda Fink) 4:50
5. Adagio "Ad te clamamus" (Bernarda Fink) 4:10
6. Adagio - Allegro "Eja ergo" (Bernarda Fink)
7. Andante - Adagio "Et Jesum benedictum" (Bernarda Fink) 2:56
Sinfonia F-dur op.3, No.5
8. Allegro assai 1:57
9. Andante ma sempre piano 3:53
10. Allegro e con spirito 1:27
Motette "Chori angelici laetantes"
11. Allegro man non troppo "Chori angelici laetantes" laetant (Bernarda Fink) 6:20
12. Moderato assai - Allegro "Mundi neglecta pompa et vanitate" (Bernarda Fink) 1:29
13. Moderato assai - Andante "Bone Jesu, te quaerendo" (Bernarda Fink) 7:12
14. Allegro "Alleluja" (Bernarda Fink) 2:06
Fuga & Grave in g-moll - attrib. Franz Xaver Richter
15. Fuga. A la breve 4:00
16. Grave - Fuga 5:53
Salve Regina in E flat major
17. Andantino "Salve Regina" (Barbara Bonney) 5:24
18. Largo "Ad te clamamus" (Bernarda Fink) 3:12
19. Allegretto "Eja ergo" (Barbara Bonney) 3:35
20. Andante, ma non troppo "et Jesum benedictum" (Barbara Bonney) 3:15

Performers:
Barbara Bonney (soprano)
Bernarda Fink (mezzo-soprano)
Musica Antiqua Köln
Reinhard Goebel (conductor)

EAC extraction logfile from 29. September 2007, 19:53 for CD
B.Fink, B.Bonney, MAK - R.Goebel / Johann Adolf Hasse - Salve Regina

Used drive : _NEC DVD_RW ND-2500A Adapter: 1 ID: 0
Read mode : Burst
Read offset correction : 0
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Used output format : Monkey's Audio Lossless Encoder v3.99 DLL
Normal Lossless Compression

Other options :
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Delete leading and trailing silent blocks : No
Native Win32 interface for Win NT & 2000


Range status and errors
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Filename D:\CD5\Hasse, Johann A. - Salve Regina (MAK - R.Goebel)\Hasse, Johann A. - Salve Regina.ape

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No errors occured

End of status report

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Thanks to the Original ripper (unknown)!

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