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Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012 [2CDs + DVD5]

Posted By: Designol
Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012 [2CDs + DVD5]

Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012
EAC | FLAC | Tracks (Cue&Log) ~ 831 Mb | Mp3 (CBR320) ~ 295 Mb | Time: 02:08:53
DVD5 | NTSC | 4:3 (720x480) VBR | AC3, 2.0 320 kbps / LPCM, 1536 kbps | 00:51:00 | ~ 2.78 Gb
Alternative/Indie Rock, Post-Punk Revival | Label: Matador | # OLE 993-2 | Scans ~ 270 Mb

Turn On The Bright Lights is now fully remastered in a beautiful deluxe hardbound book with unreleased photos and a second disc of bonus tracks, many unreleased, plus the demos and B-sides and a DVD. Packaging includes super-deluxe hardbound book, with 28 pages of photos, ephemera & liner notes. Also included are 17 bonus tracks, many never before on vinyl, including one previously unreleased song, four previously unreleased demos, eight B-sides and pre-album EP tracks, four peel session tracks (two unreleased) and a DVD with all three music videos and bonus live footage from May 2000 at The Mercury Lounge and September 2002 at the Troubadour.

On the surface, the story of Interpol's 2002 full-length debut Turn on the Bright Lights is almost annoyingly of its place and time: four guys meet in New York, start a band, make tightly-wound indie rock jams that sound great at your favorite mid-gentrification Williamsburg bar, sign to a renowned independent label, and the rest is history. But the early-aughts New York of Turn on the Bright Lights is not the young, vibrant, and impossibly cool place of cultural myth. It is a darker and more complicated place, fraught with disappointment and disconnection. It is a crushingly real place, rendered in such vivid emotional detail that it rings true even to those who have never set foot in the city. This stellar 10th Anniversary reissue documents the process by which a handful of pretty-good songs became a truly great album, making it painfully and unequivocally clear that Turn on the Bright Lights is the sum of its players, not its influences.

In retrospect, 2002 may have been the very year that we stopped talking about how music sounds, and started talking about what other music it sounds like. "Interpol sounds like Joy Division" was one of the first critical observations to turn into a full-fledged meme. In the intervening years, other bands have sounded a whole lot more like Joy Division, and the comparison now feels like just that: a comparison. While Joy Division could channel enormous amounts of energy through Ian Curtis's intense delivery, Interpol pulled off a real magic trick by constructing a framework complex and dynamic enough to bring singer Paul Banks' inscrutable deadpan to life. Banks's words can be downright laughable on paper, and are often sung as if WRITTEN OUT IN ALL CAPS WITH NO PUNCTUATION. But from this insistent, exaggerated blankness, the band coaxed a genuinely unnerving sense of alienation and melancholy. These songs are packed with a staggering amount of rhythmic and melodic tension, sometimes amplifying minuscule expressive nuances in Banks's voice, and sometimes drawing attention to their disconcerting absence.

Each individual member of the band has his own role in piecing this puzzle together. Drummer Sam Fogarino is the perfect anchor for Carlos Dengler's busy, melodic bass lines, keeping the rhythm section forceful and grounded. Guitarist Daniel Kessler is the album's unsung hero, expanding the band's dynamic range by oscillating between wide, monolithic chords and narrow, winding leads. The album's second single "NYC" achieves two unlikely successes pioneered by Matador labelmates Chavez: structuring a ballad around loud, steady drums and withholding all bass guitar until the chorus. "The New" slips a disco bass line under a morass of swirling, detuned guitars. There are a lot of things about Turn on the Bright Lights that should not work, and would not work were they not so carefully thought through and artfully implemented.

Three batches of demo recordings are far and away the most interesting bonus materials on this extensive reissue, as they show just how close the album came to not working. The first three-song demo, recorded in 1998 and featuring album cuts "PDA" and "Roland", comes off as an unremarkable practice tape by a band with lots of good ideas but insufficient energy and chemistry to pull them all together. The second three-song demo, recorded at Brooklyn's Rare Book Room in 1999, is more worked over with decidedly mixed results; there are some jarringly tacky too-loud keyboards here, and a sing-spoken interlude that can't help but bring to mind Crazy Town's "Butterfly". Somewhat ironically, it is only the third and final four-song demo, recorded at the band's practice space, where Interpol stops sounding like four guys in a practice space tentatively running through busy rock songs. Much of this can be credited to Fogarino, who joined the band between their second and third tapes and brought with him a rhythmic confidence and swagger that provided the crucial missing piece of Interpol's singular sound.

This progression of demo recordings documents not only the evolution of the band's playing, but also their increasing attention to texture and ambiance. As the group grew more confident, the gritty sonics of their demos became less incidental to the songs they were making, and more a part of the songs themselves. Producer Peter Katis did an amazing job of preserving and amplifying this rawness, and the band themselves crucially revisited many elements of their demos to better suit their evolving capabilities. The slight changes that Fogarino made to the kick pattern at the beginning of "PDA" completely make the song's signature introduction, taking it from "oh, there's a drumbeat" to "OH, there's THAT drumbeat." Banks gave his lyrics a thorough tune-up before the recording the album, excising his most rhythmically formless lines and shoring up the critical interplay between his voice and the rest of the band.

The extensive liner notes here are as much about the city in which Interpol operated as the band itself. It's certainly interesting, especially for those who are up on their New York City indie rock landmarks. And while the photographs included here do a good job of documenting the physical locations where this album was born, the album itself conveys the setting in a deeper way. Suggesting that this album is simply a product of its time and place is no less naive than suggesting that anyone who has ever been in love could easily write, arrange and record an amazing love song. There were a lot of good bands in New York in 2002, but only one band made this record.

Review by Matt LeMay, Pitchfork.com

Interpol at Allmusic
Interpol at Wiki

Tracklist:

CD1 - The Album:

01. Untitled (3:57)
02. Obstacle 1 (4:12)
03. NYC (4:19)
04. PDA (5:00)
05. Say Hello to the Angels (4:28)
06. Hands Away (3:06)
07. Obstacle 2 (3:47)
08. Stella was a diver and she was always down (6:28)
09. Roland (3:36)
10. The New (6:07)
11. Leif Erikson (4:00)

CD2 - B-Sides, Demos, Live 1998-2001:

01. Interlude (B-Side) (1:01)
02. Specialist (B-Side) (6:40)
03. PDA (First Demo) (4:44)
04. Roland (First Demo) (3:44)
05. Get The Girls_Song 5 (First Demo) (3:47)
06. Precipitate (Second Demo) (5:33)
07. Song Seven (Second Demo) (4:43)
08. A Time To Be So Small (Second Demo) (5:47)
09. Untitled (Third Demo) (4:13)
10. Stella (Third Demo) (6:40)
11. NYC (Third Demo) (4:27)
12. Leif Erikson (Third Demo) (4:27)
13. Gavilan_Cubed (Third Demo) (6:49)
14. Obstacle 2 (Peel Session) (3:54)
15. Hands Away (Peel Session) (3:10)
16. The New (Peel Session) (5:59)
17. NYC (Peel Session) (4:17)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 5. December 2012, 14:03

Interpol / Turn On The Bright Lights (10th Anniversary Edition)

Used drive : BENQ CDRW 5232X Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 738
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:56.50 | 0 | 17749
2 | 3:56.50 | 4:11.41 | 17750 | 36615
3 | 8:08.16 | 4:19.28 | 36616 | 56068
4 | 12:27.44 | 5:00.04 | 56069 | 78572
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10 | 38:52.29 | 6:07.27 | 174929 | 202480
11 | 44:59.56 | 4:00.00 | 202481 | 220480


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Track 2

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Track 3

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Track 4

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Track 5

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Track 6

Filename E:\MP3\EAC\Interpol - Turn on the Bright Lights (10th Anniversary Edition) (FLAC)\CD 1\06 Hands Away.wav

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Track 7

Filename E:\MP3\EAC\Interpol - Turn on the Bright Lights (10th Anniversary Edition) (FLAC)\CD 1\07 Obstacle 2.wav

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Track 8

Filename E:\MP3\EAC\Interpol - Turn on the Bright Lights (10th Anniversary Edition) (FLAC)\CD 1\08 Stella Was A Diver And She Was Always Down.wav

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Track 9

Filename E:\MP3\EAC\Interpol - Turn on the Bright Lights (10th Anniversary Edition) (FLAC)\CD 1\09 Roland.wav

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Track 10

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Track 11

Filename E:\MP3\EAC\Interpol - Turn on the Bright Lights (10th Anniversary Edition) (FLAC)\CD 1\11 Leif Erikson.wav

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None of the tracks are present in the AccurateRip database

No errors occurred

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: OuRCXfPPZ0HTSg76Ov0zsngwA_0-] disk not present in database, Submit result: OuRCXfPPZ0HTSg76Ov0zsngwA_0- has been uploaded


==== Log checksum 4B9144DE7EF75F20F75A4CBDE7FF265587245ED68A41AC7FDE8AFDBD34248659 ====

[CUETools log; Date: 19.10.2018 1:22:40; Version: 2.1.4]
[CTDB TOCID: OuRCXfPPZ0HTSg76Ov0zsngwA_0-] found.
Track | CTDB Status
1 | ( 66/106) Accurately ripped
2 | ( 66/106) Accurately ripped
3 | ( 66/106) Accurately ripped
4 | ( 66/106) Accurately ripped
5 | ( 66/106) Accurately ripped
6 | ( 66/106) Accurately ripped
7 | ( 66/106) Accurately ripped
8 | ( 66/106) Accurately ripped
9 | ( 66/106) Accurately ripped
10 | ( 66/106) Accurately ripped
11 | ( 66/106) Accurately ripped
[AccurateRip ID: 0013a204-00ab61a5-810b7b0b] found.
Track [ CRC | V2 ] Status
01 [4e4f3ffb|d0c6c9b0] (00+44/56) Accurately ripped
02 [ea909309|f7e369a2] (00+44/56) Accurately ripped
03 [3ba89205|8269bbe4] (00+43/55) Accurately ripped
04 [ebd8a62e|feb1e7ba] (00+43/54) Accurately ripped
05 [b710d1bf|0b0f7bae] (00+43/54) Accurately ripped
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11 [d8a4b971|6ded1a79] (00+44/57) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 96,6 [83B06520] [573812EE]
01 95,0 [9540F79F] [A67F8C78] CRC32
02 94,7 [F09FE10D] [641CC74D] CRC32
03 94,0 [61B310AB] [EEA5F852] CRC32
04 95,0 [9373FC9F] [5168117A] CRC32
05 96,6 [6217AC90] [0DEE74D8] CRC32
06 94,4 [F9C660FD] [DD8966FD] CRC32
07 95,5 [E92B5E45] [E2F498C9] CRC32
08 96,3 [F02340F3] [0E0FE7F0] CRC32
09 94,3 [5FB1D85D] [F7ABF391] CRC32
10 95,2 [FA5DE894] [7017D516] CRC32
11 94,9 [C89E946F] [387C2D5C] CRC32

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-10-19 02:13:41

––––––––––––––––––––––––––––––––––––––––
Analyzed: Interpol / Turn on the Bright Lights: Tenth Anniversary Edition
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR5 -0.45 dB -7.67 dB 3:57 01-Untitled
DR5 -0.47 dB -7.09 dB 4:12 02-Obstacle 1
DR5 -0.54 dB -7.61 dB 4:19 03-NYC
DR5 -0.44 dB -6.83 dB 5:00 04-PDA
DR5 -0.29 dB -6.81 dB 4:28 05-Say Hello To The Angels
DR7 -0.50 dB -10.64 dB 3:06 06-Hands Away
DR5 -0.40 dB -6.88 dB 3:47 07-Obstacle 2
DR5 -0.32 dB -7.00 dB 6:28 08-Stella Was A Diver And She Was Always Down
DR5 -0.50 dB -7.31 dB 3:36 09-Roland
DR5 -0.42 dB -8.35 dB 6:07 10-The New
DR6 -0.45 dB -8.46 dB 4:00 11-Leif Erikson
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR5

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 884 kbps
Codec: FLAC
================================================================================


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 5. December 2012, 14:44

Interpol / Turn on the Bright Lights (10th Anniversary Edition)

Used drive : BENQ CDRW 5232X Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 738
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:00.64 | 0 | 4563
2 | 1:00.64 | 6:39.38 | 4564 | 34526
3 | 7:40.27 | 4:44.07 | 34527 | 55833
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8 | 30:12.11 | 5:46.48 | 135911 | 161908
9 | 35:58.59 | 4:12.44 | 161909 | 180852
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11 | 46:51.24 | 4:26.42 | 210849 | 230840
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13 | 55:44.72 | 6:48.44 | 250872 | 281515
14 | 62:33.41 | 3:53.67 | 281516 | 299057
15 | 66:27.33 | 3:09.65 | 299058 | 313297
16 | 69:37.23 | 5:59.12 | 313298 | 340234
17 | 75:36.35 | 4:17.23 | 340235 | 359532


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Track 2

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Track 3

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Track 4

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Track 5

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Track 6

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Track 7

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Track 8

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Track 9

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Track 10

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Track 11

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Track 12

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Track 13

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Track 14

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Track 15

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Track 16

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Track 17

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None of the tracks are present in the AccurateRip database

No errors occurred

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: gU6vLxsotx5FW1FLxwX0k6OSlMg-] disk not present in database, Submit result: gU6vLxsotx5FW1FLxwX0k6OSlMg- has been uploaded


==== Log checksum 05C67FB36F99B11F10014CD9F4196F9FDB51170A818E2719F17D69E4727EC539 ====

[CUETools log; Date: 19.10.2018 1:23:13; Version: 2.1.4]
[CTDB TOCID: gU6vLxsotx5FW1FLxwX0k6OSlMg-] found.
Track | CTDB Status
1 | (54/54) Accurately ripped
2 | (54/54) Accurately ripped
3 | (54/54) Accurately ripped
4 | (54/54) Accurately ripped
5 | (54/54) Accurately ripped
6 | (54/54) Accurately ripped
7 | (54/54) Accurately ripped
8 | (54/54) Accurately ripped
9 | (54/54) Accurately ripped
10 | (53/54) Accurately ripped
11 | (54/54) Accurately ripped
12 | (54/54) Accurately ripped
13 | (54/54) Accurately ripped
14 | (54/54) Accurately ripped
15 | (54/54) Accurately ripped
16 | (54/54) Accurately ripped
17 | (53/54) Accurately ripped
[AccurateRip ID: 002fdd37-02690e7d-0012b911] found.
Track [ CRC | V2 ] Status
01 [307b3310|32b378e4] (00+37/37) Accurately ripped
02 [209c0a76|1ef66e6b] (00+37/37) Accurately ripped
03 [dc3228be|dad488bc] (00+37/37) Accurately ripped
04 [8748b3f6|89539e6d] (00+37/37) Accurately ripped
05 [d1144784|90969de9] (00+37/37) Accurately ripped
06 [4a4f95e5|774edda6] (00+37/37) Accurately ripped
07 [09508c7a|36727645] (00+37/37) Accurately ripped
08 [18d987e5|228ee270] (00+37/37) Accurately ripped
09 [2ac0e853|b62ef189] (00+37/37) Accurately ripped
10 [339df1ff|39b6bf52] (00+37/37) Accurately ripped
11 [c7c8d5be|8f2bc0dc] (00+37/37) Accurately ripped
12 [378a1a5f|d2f92ec4] (00+37/37) Accurately ripped
13 [263de73f|a7bd3f34] (00+37/37) Accurately ripped
14 [e599be4f|bd388513] (00+37/37) Accurately ripped
15 [b2ea5125|07cf25e4] (00+36/36) Accurately ripped
16 [2e8cbba2|3836e15d] (00+38/38) Accurately ripped
17 [a8da5bd4|bee167c0] (00+38/38) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [E898F53C] [21638AFA]
01 93,4 [E2ABE699] [3027BC0A] CRC32
02 93,5 [C1609DDF] [9085E6C3] CRC32
03 94,6 [E5E1EF8D] [BF64E76B] CRC32
04 96,8 [99993292] [C7D633E5] CRC32
05 94,1 [4E1D5609] [4FB6177A] CRC32
06 94,9 [E61AEE8D] [D8944530] CRC32
07 95,2 [7AE9D768] [82F073C6] CRC32
08 94,5 [81BB8821] [76A0D74C] CRC32
09 94,6 [62C39719] [D6327974] CRC32
10 100,0 [71548804] [87F4B581] CRC32
11 97,6 [39374BF4] [01C3D35D] CRC32
12 100,0 [A1352A95] [9551A4D4] CRC32
13 95,8 [571AE882] [F84722B4] CRC32
14 96,1 [79E4A5DA] [C9B29BA8] CRC32
15 94,6 [8B3B7EEB] [B5939A3E] CRC32
16 99,1 [79CDDD84] [1696586E] CRC32
17 100,0 [0546DC51] [C2E4AD5D] CRC32

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-10-19 02:14:18

––––––––––––––––––––––––––––––––––––––––
Analyzed: Interpol / Turn on the Bright Lights: Tenth Anniversary Edition
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -0.59 dB -14.87 dB 1:01 01-Interlude (B-Side)
DR6 -0.58 dB -9.08 dB 6:40 02-Specialist (B-Side)
DR6 -0.48 dB -8.18 dB 4:44 03-PDA (First Demo)
DR7 -0.28 dB -8.70 dB 3:44 04-Roland (First Demo)
DR6 -0.52 dB -8.82 dB 3:47 05-Get The Girls/Song 5 (First Demo)
DR6 -0.45 dB -7.96 dB 5:33 06-Precipitate (Second Demo)
DR6 -0.42 dB -8.07 dB 4:43 07-Song Seven (Second Demo)
DR6 -0.49 dB -9.24 dB 5:47 08-A Time To Be So Small (Second Demo)
DR6 -0.48 dB -7.84 dB 4:13 09-Untitled (Third Demo)
DR7 0.00 dB -8.67 dB 6:40 10-Stella (Third Demo)
DR6 -0.21 dB -7.99 dB 4:27 11-NVC (Third Demo)
DR6 0.00 dB -7.70 dB 4:27 12-Leif Erikson (Third Demo)
DR5 -0.36 dB -8.49 dB 6:49 13-Gavilan/Cubed (Third Demo)
DR6 -0.34 dB -7.19 dB 3:54 14-Obstacle 2 (Peel Session)
DR6 -0.47 dB -9.60 dB 3:10 15-Hands Away (Peel Session)
DR6 -0.07 dB -7.45 dB 5:59 16-The New (Peel Session)
DR6 0.00 dB -7.26 dB 4:17 17-NYC (Peel Session)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 17
Official DR value: DR6

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 909 kbps
Codec: FLAC
================================================================================




Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012 [2CDs + DVD5]

Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012 [2CDs + DVD5]

Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012 [2CDs + DVD5]

Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012 [2CDs + DVD5]

Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012 [2CDs + DVD5]

Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012 [2CDs + DVD5]

Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012 [2CDs + DVD5]

Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012 [2CDs + DVD5]


DVD Content:

Live NYC NY 5.20.00:
01. Stella was a diver and she was always down
02. Precipitate
03. Get The Girls/Song 5

Live LA CA 9.19.02:
01. Untitled
02. Obstacle 1
03. Precipitate
04. Roland
05. Stella was a diver and she was always down

Music Videos:
01. NYC
02. PDA
03. Obstacle 1




Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012 [2CDs + DVD5]

Interpol - Turn On The Bright Lights (2002) The 10th Anniversary Edition 2012 [2CDs + DVD5]

All thanks to original releaser

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