This 1985 album from Al Di Meola followed on the heels of Pat Metheny's accomplished masterpiece, THE FIRST CIRCLE, and it bears a close resemblance. It's full of smooth, latin-flavored jazz complementing Di Meola's incomparable speed and technical excellence on guitar. "Capoeira" is worth the price of this CD alone – gorgeous and breezy Brazilian style with Portuguese vocals by percussionist Airto Moreira. It's what Jobim could have sounded like had he been younger and actively writing in the 80's.

When Bill Bruford emerged from Yes, his reputation as a drumming legend was firmly established. He then went on to refine and expand his individual technique and style with King Crimson. His solo career, while not as commercially successful as those bands, has also been impressive. His explorations with Allan Holdsworth continued to carry the fusion torch with dignity. Never one to rest on his laurels, Bruford continued to search for different contexts in which to express his musical and percussive ideas. This effort, with his band Earthworks, is a solid effort. The contrast between the traditional horns (saxophone and french horn) sounds awkward against the electronic percussion and synthesizer that is used heavily throughout the session.

Recorded at a video taping in the Wiltern Theatre in Los Angeles as part of the Jazzvisions series, this was Jobim's live act shortly after he resumed touring in the mid-'80s. At the time, Jobim struck an avuncular, almost casually anti-show-business presence seated before a grand piano, presiding over a large ensemble composed of friends and family, singing in his endearingly rough, now-threadbare voice. Some of the performances here are little more than pro-forma run-throughs of standard Jobim oldies but things perk up when Jobim digs into some lesser-known compositions like his "Song of the Jet" and son Paulo's catchy "Samba do Soho." In any case, the material is always superb and the cool-voiced, always in-pitch Brazilian singer Gal Costa turns up on a few numbers.

Love Will Make a Better You, the only album credited to Love Live Life + One, is a perfect exemplar of the Japanese psych super-session scene. The most successful album by impresario Ikuzo Orita (responsible for Foodbrain and Shiniki Chen), the disc paired a nimble crew of improv freaks (like guitarist Kimio Mizutani) with mainstream pop star Akira Fuse and his band, along with a songbook by saxophonist Kei Ichihara. The resultant album is rich in Sly Stone-influenced funk and wild guitar solos from Mizutani and Takao Naoi. Though Fuse wasn't the only mainstream star to dabble in the avant-garde - normally he covered the Carpenters and other lite American fare - his star presence insured that the album never flew too far into self-indulgence…

The follow-up to his 2010 Grammy Award winning album Living Proof, this double-disc masterpiece features first time studio collaborations with A-list artists Kid Rock, Keith Urban, Gary Clark, Jr., Beth Hart and Aerosmith members Steven Tyler, Joe Perry and Brad Whitford. Produced by Grammy Award winning producer/songwriter and longtime collaborator Tom Hambridge (Skin Deep, Living Proof), Rhythm & Blues captures the 76 year-young Guy at the peak of his creativity. Replete with heartfelt vocals, straightforward lyrics and mesmerizing guitar licks, Rhythm & Blues not only exemplifies how blues continues to be the foundation of all genres of today's music, it also illustrates why Guy has been influential in the careers of Eric Clapton, Jimi Hendrix, Jeff Beck, Stevie Ray Vaughan and more.

There really are more War best-of packages than the situation warrants, and while the double-CD The Very Best of War is a fine compilation if you don't already have one in your collection, it's questionable whether it was a necessary addition to the band's discography. For one thing, it doesn't differ all that much from the previous two-CD War best-of on Rhino, Anthology (1970-1994). Sure, each has a few tracks not on the other, but both are built around their lengthy string of big hits. Even Barry Alfonso's accompanying essay was adapted from the liner notes to Anthology (1970-1994). Still, this does have all of the big chart hits and a few minor ones, as well as standout album tracks from throughout the 1970s and early '80s that illustrate the band's versatility. Reading the small print on the track listings, it's revealed that half a dozen of these cuts are edits that either appear here for the first time or were only available on previous anthologies or imports.

For most intents and purposes, Graham Parker emerged fully formed on his debut album, Howlin' Wind. Sounding like the bastard offspring of Mick Jagger and Van Morrison, Parker sneers his way through a set of stunningly literate pub rockers. Instead of blindly sticking to the traditions of rock & roll, Parker invigorates them with cynicism and anger, turning his songs into distinctively original works. "Back to Schooldays" may be reconstituted rockabilly, "White Honey" may recall Morrison's white R&B bounce, and "Howlin' Wind" is a cross of Van's more mystical moments and the Band, but the songs themselves are original and terrific. Similarly, producer Nick Lowe gives the album a tough, spare feeling, which makes Parker and the Rumour sound like one of the best bar bands you've ever heard. Howlin' Wind remains a thoroughly invigorating fusion of rock tradition, singer/songwriter skill, and punk spirit, making it one of the classic debuts of all time.

Combustication is the fifth major album by experimental jazz fusion trio Medeski Martin & Wood, released on August 11, 1998. Combustication was MMW's first album for the renowned jazz label Blue Note Records, and also marked a stylistic shift for the band, with a deeper groove and the notable infusion of rhythmic influences from Hip hop and a variety of other styles. The album is also the first to include an accompanying turntablist, in this case longtime MMW collaborator DJ Logic.

Have Guitar, Will Travel is a 1960 album by Bo Diddley. This was released on the Chess Records' subsidiary Checker and is a vinyl rip.
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The Second Album is the 2020 album by The Empty Hearts and true to it is name, this is their second album, featuring a guest appearance from Ringo Starr. This was released by the Wicked Cool Record Co. company.

VI is the 2020 album by British stoner rock band The Kings Of Frog Island. This was released by Kozmik Artifactz.

Urban Soul Grooves - rare and slick. City Soul - move to the groove. Jazz 'n Dance - the mix with tricks. The coolest mixture around with some of the best kept secrets in the world of European new house swing bands. The soul is in the music and nobody's gonna stop it, if you care to listen. Dancing Fantasy, TeeKay, Quiet Force, George Bishop, Software, Terry Marshall, Frank Fisсher and more.

Patrick Artero a concocté avec ses acolytes un disque musicalement incorrect où Brel danse sur le jazz et autres tempi. Avec Giovanni Mirabassi au piano, Dominique Cravic et Vincent Artaud aux arrangements, le trompettiste bugliste dépouille les chansons de Brel de leurs mots et fait danser les mélodies du Grand Jacques. On redécouvre avec joie ses chansons que l'on croyait connaître par coeur.

The Youngbloods could not be considered a major '60s band, but they were capable of offering some mighty pleasurable folk-rock in the late '60s, and produced a few great tunes along the way. One of the better groups to emerge from the East Coast in the mid-'60s, they would temper their blues and jug band influences with gentle California psychedelia, particularly after they moved to the San Francisco Bay Area…

Oldie Night Series is a great one to have in a collection, full of great artists and great songs. I would recommend this CDs to others. If you enjoyed the 60"s-80"s music, you will surely like this CDs!