Work with Nu Jazz Music contains the definitive Artists & Jazz. The Best hits from Gazzara, Papik, Ely Bruna, Duran Y Garcia and many more.

Metropolis is a 1927 German expressionist epic science-fiction drama film directed by Fritz Lang. Lang and his wife, Thea von Harbou, wrote the silent film, which starred Brigitte Helm, Gustav Fröhlich, Alfred Abel and Rudolf Klein-Rogge. Erich Pommer produced it in the Babelsberg Studios for Universum Film A.G.. It is regarded as a pioneering work of the science-fiction genre in movies, being among the first feature-length movies of the genre. In 1984 Giorgio Moroder restored and produced the 80-minute 1984 re-release, which had a pop soundtrack written by Moroder and performed by Moroder, Pat Benatar, Bonnie Tyler, Jon Anderson, Adam Ant, Cycle V, Loverboy, Billy Squier, and Freddie Mercury.

Tempo is a delectable album by Brazilian pianist, singer and composer Tania Maria and Puerto Rican bassist Eddie Gomez. Tempo mixes lively Brazilian choro and samba rhythms with intimate jazz and blues. Tania Maria is a masterful pianist and also has a recognizable sultry voice. On Tempo she performs a combination of captivating original instrumentals and songs as well as pieces by well-known Brazilian composers such as Jobim and Roberto Carlos. On the instrumental pieces, Maria and Gomez have the opportunity to demonstrate their technical ability with ingenious improvisations.

After creating a marvelous electronic debut, Glenn Gregory, Ian Marsh, and Martyn Ware decided to tamper with their winning formula a bit on Heaven 17's 1983 follow-up to Penthouse and Pavement. The result, which added piano, strings, and Earth, Wind, & Fire's horn section to the band's cool synthesizer pulse, was even better, and The Luxury Gap became one of the seminal albums of the British new wave. The best-known track remains "Let Me Go," a club hit that features Gregory's moody, dramatic lead above a percolating vocal and synth arrangement. But even better is the mechanized Motown of "Temptation," a deservedly huge British smash that got a shot of genuine soul from R&B singer Carol Kenyon.

Saul is one of Handel's most action-filled, fast-moving oratorios; an opera in everything but name only. It has been lucky on disc–both Paul McCreesh (Archiv) and John Eliot Gardiner (Philips) have led superb readings, and Joachim Carlos Martini leads a good performance on Naxos, which is a bargain. Now René Jacobs and his remarkable Concerto Köln come along and offer a truly majestic reading, filled with real drama and beautiful, precise singing and playing. Tenor Jeremy Ovenden sings Jonathan with nobility and faces down Saul in Act II with style and power. David is sung by countertenor Lawrence Zazzo, and he's as good as the best-recorded competition (Andreas Scholl, Derek Lee Ragin). Emma Bell is ravishing as Merab; Rosemary Joshua makes a fine Joshua. In the title role, Gidon Saks has the spite and big tone to draw a realistic portrait of Saul. This is another feather in René Jacobs' recorded cap.

–Robert Levine

Troubles, Troubles was originally recorded for Sonet, but is probably better known through its re-release as Lost in the Blues by Alligator. Lost in the Blues was justifiably criticized because of the decision to have Lucky Peterson overdub a bunch of keyboards in order to give it a more "contemporary" (read: more "Alligator") sound. This release is of the original album (with a couple bonus alternate takes) without all the overdubbing, and is a vast improvement over the Alligator version. But how does it stand as an Otis Rush album? It's a very good set – perhaps "comfortable" says it best – recorded with Rush's longstanding band of Bob Levis on rhythm guitar, Bob Stroger on bass, and Jesse Lewis Green on drums (despite what the package says).

Wagram Music Presents TSF Jazz 100% Crooners album 13 original hits and the original artists genre Jazz. Includes tracks by Jackie Paris, Brook Benton Belford Hendricks, Lou Rawls, Kurt Elling and more.

Vigilante is the sixth studio album by the English rock band Magnum, released in 1986 on Polydor. Capitalising on the success of On a Storyteller's Night, Magnum changed to a more commercial direction with Vigilante. Produced by David Richards and Queen drummer Roger Taylor, the band's sound stepped towards that of 1980s Queen, with keyboards much higher in the mix than guitar. The album was recorded at Queen's famous Mountain Studios in Montreux. Three singles were released to promote the album, "Lonely Night", "Midnight (You Won't Be Sleeping)" and "When the World Comes Down".

There are literally dozens of Motown compilation CDs available, one for almost every occasion. The Northern Soul scene is the famous underground soul dance music scene that became popular in the north west of England in the late 60s and early 70s. The scene thrived on the discovery of rare American soul singles with a dance beat that was heavily influenced by the Motown label's trademark sound. Many of the more obscure least successful Motown acts became popular on the scene.

London and Paris in the late 19th and early 20th centuries shared an artistic vitality that set them apart from the rest of the world. With Parisian society regularly gripped by periods of Anglomania, a constant process of cultural exchange resulted in operetta hits, wartime classics and popular songs both bawdy and elegant. Capturing the spirit of a period ranging from the fashionable d’Oyly carte to 1920s American jazz, the Frivol’Ensemble takes us back in time to rediscover the delights of this golden age of musical theatricality.

The new intimate studio film from the highly praised Russian duo recorded on a remote Norwegian island. Following the success of two highly-praised albums on Kscope, Belighted and Lighthouse, Russian duo Gleb Kolyadin and Marjana Semkina are releasing a new studio film shot at and named after a remote recording studio on Giske, a Norwegian island. The footage offers a behind-the-scenes insight into the recording techniques of two of modern progressive music’s most talented composers. The content captures Iamthemorning’s live set-up from the last three years, with the setlist consisting of songs from their first three studio albums and an unplugged recording of “Blue Sea”, the first track to be written for their upcoming fourth album and exclusive to this Blu-ray disc.

Hed Kandi Dancefloor Anthems is a variety of stylistically useful material, which is, however, a possible platform, simply decipher. Ministry of Sound Recordings Limited is designed and signed as a reference on your choice of several exchangers file. Reliability and availability, is the property of our portal, efficiency and commitment to new heights, as well as the immensity of the creative transformation. Hedkandi has evolved from its humble compilation brand beginnings into a global dance phenomenon. With three UK Top 10 Singles, a host of Top 40 hits and over 100 albums to date, Hedkandi is a true dance powerhouse. Not content with sound-tracking your house parties, Hedkandi branched out with London and Ibiza residencies. Now we throw hundreds of events every year from Dubai to Dublin and Sydney to Sao Paolo.

Unlike his Delmark sets, almost everything on this set (first issued in France on Black & Blue) is a cover (only the observant "Heap See" boasts original lyrics). Still, "Barroom Preacher" stands as the Chicago guitarist's most satisfying and consistent album, as he deals out gorgeous, shimmering versions of "Little by Little, " "Cold, Cold Feeling, " and "You Don't Know What Love Is" tailored to his soaring vocals and twisting guitar riffs (ominous minor keys often play a role in his rearrangements).

Hackensack - Up the Hardway, title track from their debut (and only official album for Polydor) album, released in 1974. Hackensack existed between 1968 and 1974 and released the abovementioned album and one single. They were formed by vocalist Nicky Moore, one of England's best frontmen. Their stage act was reminiscent of The Who and they built up a good reputation as a hard working and hard rocking blues/rock quartet. Their only album release is quite collectible today, and had a good mix of solid rockers as well as the odd tasteful blues track. Unfortunately its failure to do much led to the demise of the band in 1974. Moore subsequently joined Tiger, Samson and Mammoth, with drummer Simon Fox moving on to Be Bop Deluxe and guitarist Ray Smith (a.k.a. Ray Major ) moving on to The British Lions, an offshoot of Mott the Hoople.

Spiritchaser is the seventh studio album by Dead Can Dance, and the last before Brendan Perry and Lisa Gerrard went their separate ways. It expands on its exploration of world music, and like Into the Labyrinth, was recorded at Quivvy Church, Perry's personal studio in Ireland. The album was dedicated to Lisa Gerrard's deceased brother, Mark Gerrard. The track "Indus" contains a melody that is very similar to that of "Within You Without You", a Beatles song that George Harrison wrote and recorded with Indian musicians in 1967. Although not deliberate, Perry and Gerrard were asked to contact Harrison for his permission to use it; he granted it, but the record company insisted that they give him partial songwriting credit on "Indus".