A touch of jazz genius pairing the charts of the "Fabulous Bill Holman" with the relentlessly swinging Bill Basie's Orchestra. The lines are pure Holman, particularly the call and response counterpoint between reeds and brass and, use of unison voicings. The classic 4/4 rhythm feel underpinned by guitarist Freddie Green is pure Basie.

Margo Price returns and she can do no wrong in Rough Trade shops eyes. “Everybody wants to know / how I feel and what I think,” Margo Price sings in her emotive, bittersweet twang, halfway through her third full-length record. On That’s How Rumors Get Started, Price has committed her genre-bending rock-and-roll show to record for the first time, stretching out into sky-high soft-rock, burning psychedelic rock ballads, stomping road songs, and sprinkles of pop.

"Dangerous" is a 1985 album by American singer Natalie Cole released on May 15, 1985 through the Atco Records-distributed Modern Records label. The album reached peak positions of #140 on the Billboard 200 and #48 on Billboard's R&B Albums chart.

Kate Bush's strongest album to date also marked her breakthrough into the American charts, and yielded a set of dazzling videos as well as an enviable body of hits, spearheaded by "Running Up That Hill," her biggest single since "Wuthering Heights." Strangely enough, Hounds of Love was no less complicated in its structure, imagery, and extra-musical references (even lifting a line of dialogue from Jacques Tourneur's Curse of the Demon for the intro of the title song) than The Dreaming, which had been roundly criticized for being too ambitious and complex. But Hounds of Love was more carefully crafted as a pop record, and it abounded in memorable melodies and arrangements…

"Shock/Denial/Anger/Acceptance" is the 12th studio album by Australian singer-songwriter Rick Springfield released in 2004 as a follow-up to 1999's Karma. A limited edition version was released that contained an additional CD of unreleased music and demos from previous albums. The limited edition also included a DVD of interviews and videos.

Noise in Your Head is a new five-disc box set that brings together Toyah Willcox‘s three albums as ‘The Humans’ and presents them to a wider audience with a raft of bonus material.

"Every Generation" is the 5th studio album by American saxophonist Ronnie Laws released in 1980 by United Artists Records. The album reached #4 on the Billboard Top Soul Albums chart.

Panzerfaust is the fifth studio album by Norwegian black metal band Darkthrone, released in June 1995 by Moonfog Productions. The track "Quintessence" featured lyrics by Varg Vikernes, their second and final album to do so. As with the previous album Transilvanian Hunger, all instruments on Panzerfaust were recorded solely by Fenriz on a 4-track recorder set up in his bedroom (dubbed "Necrohell studios" by the band); with Nocturno Culto performing vocals on all songs except for the outro.

Obsolete (styled °BSΩLE+e on the album cover) is the third studio album by American industrial metal band Fear Factory, released on July 28, 1998. Conceptually, it is a sequel to 1995's Demanufacture. With the success of its fourth single, "Cars," a Gary Numan cover that featured Numan himself on vocals, Obsolete would break Fear Factory into the mainstream and remain their highest selling album. Obsolete is a concept album which is a story of the Edgecrusher creating armageddon on future Earth. The story of Obsolete was inspired by books like Brave New World and 1984. Track 13 is re-recorded version of song "Soulwomb" with new lyrics (taken from 1st album Conctrete) during Obsolete recording sessions. Track 15 is re-recorded version of song "Concrete" (originally recorded in 1991 for band's 1st album Concrete) during the Demanufacture recording sessions in 1994.

Auberge is the eleventh studio album by Chris Rea, released in 1991. Auberge was a #1 album in the UK in 1991. The title track also gave Rea one of his biggest chart hits, reaching #16 in the UK charts. Other songs released as singles were "Heaven", "Looking For The Summer" and "Winter Song". Another song, "And You My Love", although not released as a single, has become a firm favourite among his fans and is regularly performed at live concerts.

"Wanna Make Love" is the debut album by Dayton, Ohio funk band Sun. Originally released as Live On, Dream On in 1976 but was re-released by Capitol several months later as Wanna Make Love due to the success of the single "Wanna Make Love".

Providence were the only American band signed to the Moody Blues' Threshold label back in the seventies. The group hailed from the Pacific Northwest, and distinguished themselves by their lack of a drummer, featuring instead nothing but various stringed instruments and a keyboardist. The keyboardist played piano, harpsichord, and sometimes organ, rather than ARP or Mellotron like so many of the band's contemporaries. The band's lone released album was produced by longtime Moody Blues producer Tony Clarke, and the band's music, particularly the vocals, reveal the strong influence of that band. The band recorded original compositions that featured languid string arrangements, sometimes psychedelic guitar as well as acoustic, and a bass that pretty much comprised the rhythm section for the band…

By 1933, the Mills Blue Rhythm Band was entering its prime period. On the third of Classics' five "complete" CDs by the orchestra, the music is excellent, except for four okay vocals by Chuck Richards. Trumpeter Ed Anderson emerged as a strong soloist during the period; trombonist J.C. Higginbottham joined the band for the final 11 of these 23 selections; the great trumpeter Henry "Red" Allen signed up in time for the last nine numbers; tenor saxophonist Joe Garland was featured on some good spots; and the rhythm section proves that it could hold its own with most others of the time. In addition, guest singer Adelaide Hall is heard on two previously unreleased numbers that were previously unreleased…

Syreeta Wright had been doing receptionist, secretarial, and demo vocalist work for Motown when she made her recorded debut, as Rita Wright, on her employer's Gordy subsidiary. "I Can't Give Back the Love I Gave You," an aching number written by Nickolas Ashford and Valerie Simpson with Brian Holland, unfortunately went nowhere – in a commercial sense – upon its January 1968 release. It did reach Dusty Springfield, whose version was out in the U.K. by the end of November. Within a couple years, Wright co-wrote the Spinners' "It's a Shame" and gained more attention when she and fellow composer Stevie Wonder wed a few weeks after that smash began its chart ascent. As an artist, Wright remained in the shadows until 1972, when she released her Stevie-produced debut album. From 1967 through 1970, however, she recorded a high stack of shelved, frequently decent, occasionally excellent Motown material compiled here by the Kent label.

The Finnish progressive rock appreciation and fan society Colossus has been making a rather good name for itself in recent years, ever since it started issuing a line of project releases back in 2000. In collaboration with the legendary French record label Musea, more than a dozen concepts have been conceived, executed and issued. The first of these projects was named "Tuonen Tytär", a double CD featuring tributes to various Finnish artists from the golden age of progressive rock. Come 2009 and the second instalment of this particular project,"Tuonen Tytär" is at hand, a massive 3 CD box set, and as customary with a Colossus project production, a large, informative booklet…