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Fredrik Kempe - Songs For You Broken Heart (2002)

Posted By: popsakov
Fredrik Kempe - Songs For You Broken Heart (2002)

Fredrik Kempe - Songs For You Broken Heart (2002)
EAC Rip | FLAC (Img) + Cue + Log ~ 345 Mb | MP3 CBR320 ~ 118 Mb
Full Scans | 00:46:23 | RAR 5% Recovery
Pop, Dance | Polar / Universal Music AB #018 688-2

Fredrik Kempe is a Swedish songwriter and opera and pop singer. He has participated in Swedish versions of the musicals Les Misérables and Chess. In 2002, Kempe had a hit with Vincerò, where he mixed opera and disco. Kempe has participated in Melodifestivalen twice as a performer. He entered Melodifestivalen 2004 with the song Finally, a tribute to his favourite composer Benny Andersson and in 2005 together with Sanna Nielsen singing Du och jag mot världen.

John Eliot Gardiner, English Baroque Soloists, Derek Lee Ragin, Sylvia McNair - Gluck: Orfeo ed Euridice (2012)

Posted By: ArlegZ
John Eliot Gardiner, English Baroque Soloists, Derek Lee Ragin, Sylvia McNair - Gluck: Orfeo ed Euridice (2012)

John Eliot Gardiner, English Baroque Soloists, Derek Lee Ragin, Sylvia McNair - Gluck: Orfeo ed Euridice (2012)
EAC | FLAC | Image (Cue & Log) ~ 401 Mb | Total time: 88:53 | Scans included
Classical | Label: Decca | # 478 3425 | Recorded: 1991

…Gardiner's account of the Vienna Orfeo ed Euridice is peerless. One soon loses all sense of its being a period-instrument performance at all, so profound, at times overwhelming is its impact - so utterly right. In detail after detail - hauntingly poetic offstage instrumental complement, perfectly positioned in the drama (and perfectly captured by the excellent Philips recording); superbly stirring brass playing, which makes every entry a dramatic event; choral singing extraordinarily light in weight yet rich in emotional substance; exquisitely refined dance movements - and in sustainment of a delicately tenebrous, uniquely Gluckian atmosphere throughout, Gardiner's command of an opera championed since his first London concert performance, 21 years ago, is revealed as simply larger and fuller than almost anyone else's.

Zubin Mehta, Bavarian State Orchestra - Verdi: Un Ballo in Maschera (2017) [UHD Blu-Ray]

Posted By: Vilboa
Zubin Mehta, Bavarian State Orchestra - Verdi: Un Ballo in Maschera (2017) [UHD Blu-Ray]

Zubin Mehta, Bavarian State Orchestra - Verdi: Un Ballo in Maschera (2017) [UHD Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 27245 kbps / 2160p / 50 fps | 149 min | 36,8 Gb
Audio1: Italiano / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 3589 kbps / 24-bit
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BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 149 min | 10,4 Gb
Audio: Italiano / PCM / 2ch / 48.0 KHz / 24 bits | DTS / 6ch / 48.0 KHz / 24 bits
Classical | C Major | Sub: Italian, English, German, French, Spanish, Korean, Chinese, Japanese

Munich’s new Ballo in maschera has received much critical acclaim: ‘This production shows what a utopia opera can be’ (Abendzeitung). Ten years after stepping down as music director of the Bavarian State Opera, Zubin Mehta returned to Munich in March 2016 to celebrate his 80th birthday conducting Verdi’s masterpiece for the first time in a staged production. His cast features some of today’s finest Verdi singers: soprano Anja Harteros, singing Amelia for the first time and ‘filling every note with Verdian intensity’, tenor Piotr Beczala as a ‘visually and vocally dashing Riccardo’ and George Petean as an ‘exemplary’ Renato (Neue Musikzeitung).

Markus Poschner, Manuel Hernandez-Silva, WDR Rundfunkorchester Köln - Haydn Opera Gala (2015)

Posted By: ArlegZ
Markus Poschner, Manuel Hernandez-Silva, WDR Rundfunkorchester Köln - Haydn Opera Gala (2015)

Markus Poschner, Manuel Hernandez-Silva, WDR Rundfunkorchester Köln - Haydn Opera Gala: L'infedeltà delusa, La vera costanza (2015)
EAC | FLAC | Image (Cue & Log) ~ 396 Mb | Total time: 64:48+77:21 | Scans included
Classical | Label: Capriccio | # C5255 | Recorded: 2009, 2011

Although Joseph Haydn is still regarded principally as a master of instrumental music, he was also one of the forward-looking opera composers of his day, devoting a significant portion of his working life to the genre. As the opera director for Prince Esterházy, he oversaw more than a thousand opera productions at the Esterházy court, which included popular stage works of the time, as well as his own. These two operas are unusual and ahead of their time in that it is women who take centre stage. These female protagonists are people of real flesh and blood, strong, pragmatic, and clearly representative of the spirit of the Enlightenment.

Eric Serra - The Fifth Element: Original Motion Picture Soundtrack (1997) [Re-Up]

Posted By: Efgrapha
Eric Serra - The Fifth Element: Original Motion Picture Soundtrack (1997) [Re-Up]

Eric Serra - The Fifth Element: Original Motion Picture Soundtrack (1997)
EAC | FLAC (Image) + cue.+log ~ 315 Mb | Mp3, CBR320 kbps ~ 144 Mb | Scans ~ 135 Mb
Soundtrack | Label: Epic/Sony | # ESCA 6748 | Time: 01:02:54

While The Professional marked the American breakthrough of populist French director Luc Besson (and his long-time composer, Eric Serra), the ambitious, futuristic sci-fi adventure The Fifth Element proved to be Besson's stateside sophomore jinx at the box office. Still, Serra's score shouldn't be overlooked. Easily the composer's most digitally daring studio concoction, The Fifth Element offers up a brave stew of synth beats, orchestral flourishes, and ethnic influences ranging from Middle Eastern modalities to Italian operatic arias.

Kirill Karabits, Staatskapelle Weimar - Liszt: Sardanapalo; Mazeppa (2019)

Posted By: ArlegZ
Kirill Karabits, Staatskapelle Weimar - Liszt: Sardanapalo; Mazeppa (2019)

Kirill Karabits, Staatskapelle Weimar - Liszt: Sardanapalo; Mazeppa (2019)
EAC | FLAC | Image (Cue & Log) ~ 326 Mb | Total time: 67:01 | Scans included
Classical | Label: Audite | # 97.764 | Recorded: 2018

Contrary heroes: Symphonic poem Mazeppa and the opera fragment Sardanapalo performed by Karabits and the Weimar Staatskapelle. Sardanapalo who prefers wine and concubines to politics and warfare, and Mazeppa, who dies with glory, having endured pain and humiliation: dramatic literary models, impressively set to music by Franz Liszt. Written at the same time, these works represent Liszt’s ideas striving to unite literature and music, on the one hand modernising Italian opera and on the other advancing towards the symphonic poem in his orchestral writing.

Daniel Oren, Orchestra e Coro dell' Arena di Verona - Verdi: Nabucco (2008)

Posted By: Vilboa
Daniel Oren, Orchestra e Coro dell' Arena di Verona - Verdi: Nabucco (2008)

Daniel Oren, Orchestra e Coro dell' Arena di Verona - Verdi: Nabucco (2008)
NTSC 16:9 (720x480) | Italiano (LinearPCM, 2 ch) | (DTS, 6 ch) | 7.47 Gb (DVD9) | 141 min
Classical | Decca | Sub.: English, Francais, Deutsch, Italiano, Espanol, Chinese

There is a good sense here of the fitness of things, and of their grandeur too. Guleghina is the Abigaille of out time: powerful, intense, wide of range, agile in passagework, and when need arises capable of softness. As Nabucco, the veteran Nucci comes through with impressive authority and stamina… Chorus and orchestra do the arena and its 2007 season credit. (Gramophone Classical Music Guide)

Paul Agnew, Les Arts Florissants - Monteverdi: L'Orfeo (2017) [BDRip]

Posted By: Vilboa
Paul Agnew, Les Arts Florissants - Monteverdi: L'Orfeo (2017) [BDRip]

Paul Agnew, Les Arts Florissants - Monteverdi: L'Orfeo (2017) [BDRip]
BluRay-rip | AVC | MKV 1920x1080 / 4972 kbps / 23.976 fps | 104 min | 4,11 Gb
Audio: Italiano / AC3 / 6ch / 48.0 KHz / 640 Kbps
Classical | Harmonia Mundi | Sub: Italian, French, English, German

Following on logically from his complete cycle of Monteverdi madrigals, Paul Agnew – here both conductor and stage director – presents his intimate and ‘sacred’ version of the composer’s first opera (and the first great opera in musical history). In a fine collective spirit, the singers and instrumentalists of Les Arts Florissants participate in the drama on equal terms, mingling in a single set that gives increased prominence to the (masterly) lighting and to the protagonists (overwhelmingly moving in their restrained movements and expressions): we are transported to the very heart of Monteverdi’s masterpiece, as if we had fallen into a painting by Nicolas Poussin, caught up in the mystical adventure of two lovers more mythical than ever.

Les Kapsber'girls - Kapsberger: Che fai tù? [Villanelles] (2020)

Posted By: delpotro
Les Kapsber'girls - Kapsberger: Che fai tù? [Villanelles] (2020)

Les Kapsber'girls - Kapsberger: Che fai tù? [Villanelles] (2020)
WEB FLAC (tracks) - 273 Mb | MP3 CBR 320 kbps - 149 Mb | 01:04:55
Classical, Vocal | Label: Muso

Formed in 2015 by four young musicians, Les Kapsber’girls, by their very name, send a nod and a wink to one of their favorite composers. It is thus quite natural that their first recording be dedicated to the works of Girolamo Kapsberger, a virtuoso musician and exceptional composer in Rome in the early XVIIth century. The extreme variety of his output bears witness to the artistic effervescence of pre-baroque Italy and of the immense talent of one of the geniuses of music history. His four books of villanelles are veritable gems of music; from one work to another he takes us to the heart of a world of bucolic poetry with some instructive contrasts.

Maurizio Cadossi, Trigono Armonico, Maria Caruso - Alessandro Scarlatti: Correa nel seno amato & Other Cantatas (2019)

Posted By: ArlegZ
Maurizio Cadossi, Trigono Armonico, Maria Caruso - Alessandro Scarlatti: Correa nel seno amato & Other Cantatas (2019)

Maurizio Cadossi, Trigono Armonico, Maria Caruso - Alessandro Scarlatti: Correa nel seno amato & Other Cantatas (2019)
EAC | FLAC | Image (Cue & Log) ~ 334 Mb | Total time: 75:34 | Scans included
Classical | Label: Elegia Classics | # ELECLA 19074 | Recorded: 2019

Born in Palermo in 1660, Alessandro Scarlatti led a very itinerant life. His activity as a musician, officially begun in 1679, and took him to the most important Italian cultural centres, including Rome, Naples, Florence and Venice. Traditionally the beginnings of his musical training dates back to the roman meeting of a twelve-year-old Scarlatti with Giacomo Carissimi, the undisputed father of the cantata genre, and from whom it acquired its final form, given by the alternation of the recitativo and arioso styles, the latter resulting in the Aria.

Le Banquet Céleste & Damien Guillon - Stradella: San Giovanni Battista (2020)

Posted By: delpotro
Le Banquet Céleste & Damien Guillon - Stradella: San Giovanni Battista (2020)

Le Banquet Céleste & Damien Guillon - Stradella: San Giovanni Battista (2020)
WEB FLAC (tracks) - 431 Mb | MP3 CBR 320 kbps - 187 Mb | Digital booklet | 01:20:40
Classical, Vocal | Label: Alpha Classics, Outhere Music

A composer who led a dissolute life and ended up stabbed to death in Genoa, Stradella nevertheless left a distinctive stamp on the history of music. He is situated at the intersection of several stylistic paths and periods, at the crossroads between opera and sacred drama, since his output, and especially San Giovanni Battista (St John the Baptist), marks the encounter of the great Roman oratorio inherited from Carissimi with the Venetian opera of Cavalli. Stradella is also close to the next generation, that of Scarlatti and Handel. His music is characterised by liveliness, expressiveness and profound humanity. Although San Giovanni Battista enjoyed genuine success when it was premiered in 1675, it was only in 1949 that the work was exhumed from the libraries where its score lay slumbering. That event took place in Perugia, and the role of Salome was sung by Maria Callas.

Evelino Pido, Orchester der Wiener Staatsoper, Anna Netrebko, Elina Garanca - Donizetti: Anna Bolena (2011) [Blu-Ray]

Posted By: Vilboa
Evelino Pido, Orchester der Wiener Staatsoper, Anna Netrebko, Elina Garanca - Donizetti: Anna Bolena (2011) [Blu-Ray]

Evelino Pido, Orchester der Wiener Staatsoper, Anna Netrebko, Elina Garanca - Donizetti: Anna Bolena (2011) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 193 min | 41.6 Gb
Audio1: Italiano / LPCM 2.0 / 24-bit | Audio2: DTS-HD MA / 5.0 / 48 kHz / 16-bit
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BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 193 min | 13,6 Gb
Audio: Italiano / PCM / 2ch / 48.0 KHz / 24 bits | DTS / 5ch / 48.0 KHz / 16 bits
Classical | Deutsche Grammophon | Sub: Italian, English, German, French, Spanish

With her sensational role debut at the Vienna State Opera, superstar diva Anna Netrebko displays a performance of rare vocal and dramatic power. The Russian soprano sings the role of the unjustly accused second wife of British King Henry VIII, ‘veering between indignant fury and tender righteousness’ and demonstrating a new level of confidence in her technique with excellent ‘passagework, particularly in trills, and seamless runs even to the lowest notes’ (Opera News).

Vladimir Cosma - Diva: Bande Originale Du Film (Original Soundtrack) (1981) Complete Edition 1993

Posted By: Efgrapha
Vladimir Cosma - Diva: Bande Originale Du Film (Original Soundtrack) (1981) Complete Edition 1993

Vladimir Cosma - Diva: Bande Originale Du Film (Original Soundtrack) (1981/1993)
EAC | FLAC (Tracks) + cue.+log ~ 220 Mb | Mp3, CBR320 kbps ~ 110 Mb | Scans ~ 71 Mb
Soundtrack, Score, Modern Classical | Label: Pomme Music | # 950 622 | 00:48:10

The 1981 Jean-Jacques Beineix film Diva is a dizzying cornucopia of delights, with a strong sense of urban cool and a cast of characters whose alternating detachments and obsessions hint at the legacy of pain and loneliness that helped form them. Its score, composed by Vladimir Cosma, is inseparable from the film, which, after all, is about music itself, and the ways that it links to desire and longing. From the beautiful arias of Wilhemina Wiggins Fernandez (who plays an opera singer in the film) to the eerie, achingly beautiful instrumental pieces composed by Cosma to set the mood for images of rain-slicked streets, Taiwanese music pirates, teenaged Vietnamese thieves, jaded middle-aged art sages, motorbikes and car chases, the score for Diva remains one of Cosma's masterpieces, a perfect companion to a film that became an international underground hit.

William Christie, Les Arts Florissants - Luigi Rossi: Orfeo (1991)

Posted By: ArlegZ
William Christie, Les Arts Florissants - Luigi Rossi: Orfeo (1991)

William Christie, Les Arts Florissants - Luigi Rossi: Orfeo (1991)
EAC | FLAC | Image (Cue & Log) ~ 948 Mb | Total time: 77:32+71:03+70:47 | Scans included
Classical | Label: Harmonia Mundi | # HMC901358.60 | Recorded: 1990

Luigi Rossi (ca. 1597 – 20 February 1653) was an Italian Baroque composer. Rossi was born in Torremaggiore, a small town near Foggia, in the ancient kingdom of Naples and at an early age he went to Naples. There he studied music with the Franco-Flemish composer Jean de Macque who was organist of the Santa Casa dell’Annunziata and maestro di cappella to the Spanish viceroy. Rossi later entered the service of the Caetani, dukes of Traetta. Luigi Rossi composed just two operas: Il palazzo incantato, which was given at Rome in 1642; and Orfeo, written after he was invited by Cardinal Mazarin in 1646 to go to Paris for that purpose, and given its premiere there in 1647. Rossi returned to France in 1648 hoping to write another opera, but no production was possible because the court had sought refuge outside Paris. Rossi returned to Rome by 1650 and never attempted anything more for the stage.

Jay Bernfeld, Fuoco e Cenere - Alessandro Scarlatti & Francesco Durante: Umana e Inumana (2010)

Posted By: ArlegZ
Jay Bernfeld, Fuoco e Cenere - Alessandro Scarlatti & Francesco Durante: Umana e Inumana (2010)

Jay Bernfeld, Fuoco e Cenere - Alessandro Scarlatti & Francesco Durante: Umana e Inumana (2010)
EAC | FLAC | Image (Cue & Log) ~ 370 Mb | Total time: 70:45 | Scans included
Classical | Label: Arion | ARN68812 | Recorded: 2009

This disc brings together two composers from Naples, albeit from different generations. They are also different in that Scarlatti was an important contributor to the genre of opera, whereas Durante never composed anything for the theatre. They have also something in common: both were considered rather conservative - Scarlatti in particular towards the end of his career - and in the oeuvre of both the traditional counterpoint plays an important role.