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Anne Azema, Joel Cohen, Camerata Mediterranea - Troubadour Songs (2010) 3 CD Box Set

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Anne Azema, Joel Cohen, Camerata Mediterranea - Troubadour Songs (2010) 3 CD Box Set

Anne Azéma, Joel Cohen, Camerata Mediterranea - Troubadour Songs (2010) 3 CD Box Set
EAC | FLAC | Image (Cue&Log) ~ 825 Mb | Mp3 (CBR320) ~ 452 Mb | Scans included
Classical, Medieval, Vocal, Folk | Label: Erato | # 2564 67986-4 | Time: 03:14:08

What these sound recordings attempt to do is to bring you face-to-face — or, perhaps more appropriately, sound to-heart — with actual works of the troubadours and, occasionally, of others in their circle of influence. The task is daunting for so many reasons: songs got written down decades, even centuries, after their dates of creation; only about ten percent of the original melodies survive; and most direct knowledge of how performers worked out their interpretations at the time has been lost. We know nothing whatsoever about the singing style, or about the techniques of instrumental accompaniment that may have been employed. These performances, therefore, of necessity, reflect a confluence of musicological and philological knowledge with performers' instincts and intuitions, as all of these tendencies interacted with each other at a specific moment in history, the late twentieth century.

The dominant subject matter of the first two programmes, Lo Gai Saber and Le Fou sur le Pont, is worldly love, its joys and its sorrows. Much of what the listener may encounter here may resonate very strongly within his or her mind and heart. This is, in part, because such strong feelings about romance and sex are, in a sense, timeless. But the resonance is also due, in large part, to the fact that it is the troubadours who first set out, in the West, the ethic of man–woman relationships that influences our behaviour to the present day.

What is less known and appreciated about the troubadours is that many of their works do indeed deal, directly, with religion, and with the destiny of man, and often in a powerful and compelling way. The third CD in this series, Provence Mystique — along with some of the tracks of Lo Gai Saber — groups some of these songs and texts, together with other, church-related works of southern Europe, in order to compose a picture of the deeply felt spirituality of that epoch. The listener is bound to note the extent to which the religiously oriented works are bound up with, and interdependent with, the secular love songs. The naïve faith of certain spiritually oriented songs contrasts with the pessimism and skepticism of others: traits of character and culture still very much present in the Provençal/Occitan/southern French civilization of our own time.

By reuniting these recordings in a single box, we hope to generate some new insights, understandings, and pleasures. Heard individually, these medieval miniatures, both sacred and secular, are a constant source of energy and delight. Experienced as an interrelated group, these songs of worldly love, and of yearning for the divine, create a dense, intense microcosm of Mediterranean passion and desire: a universe that still calls to us strongly, across the centuries.

Joel Cohen - Aniane, France, June 2010

… or Minstrel according to taste" would have been "string expert" Nettiw Drawde's description of "M-theory" of the troubadour music. Here is some information which I hope will be useful to a prospective buyer.

1. The contents. This box set includes 3 previously released CDs:

Lo Gai Saber / Troubadour Music
Le Fou Sur Le Pont / Troubadour Songs
Provence Mystique: Sacred Songs of the Middle Ages

The first CD contains a selection of songs from some of the major troubadours (e.g. Bertrand de Born, Gaucelm Faidit, Peire Vidal and Ventadorn). The second CD is on the music by one of the most famous troubadours, Bernard de Ventadorn (or Bernatz de Ventadorn in Occitan), whose performing career ranges from circa 1147 to 1170-80. His music is interspersed with readings of his biography. While the main theme in the first two CDs is about the worldly love, both its joy and its sorrows, the third CD is about troubadours' religious yearning (not often recorded) together with some church-related works of Aquitaine area.

I have owned and loved CDs 1 & 3 for a few years, but hadn't been able to locate a good copy of CD 2 at a reasonable price. So when I chanced upon this reissue box, I ordered it immediately. Now, listening to all 3 as a "cycle", even a non-expert like myself can discover some new connections, and find new understanding and enjoyment of these songs.

2. The performance. The performance of troubadour works has always been about the judicious combination of scholarship and performers' instinct. Here Joel Cohen, the director of Camerata Mediterranea, is joined by the renowned scholar Pierre Bec. The third CD is directed by Anne Azéma, a soprano specializing in early music. She is also the main vocalist in this collection. In addition, François Harismendy, an opera singer, and Jean-Luc Madier, a folksinger, both perform in the first 2 CDs.

Joel Cohen explains his choice of the singers by the following assumption/fact: the poetry is the driving force of this repertoire. Hence, his main criteria are the performer's instinct and his/her living connection with the modern Occitan. Prior experience in medieval music per se is only of secondary importance. All of his three singers heard Occitan (Langue d'oc) as children and have internalized the music of the modern dialects. Even though I know nothing about the langue d'oc, I was mesmerized by the natural flows and inflections of the poetry and music simply by following the English translation of the text.

Anne Azéma possesses a flexible instrument: She can be earthy in one song and pure in the next, gentle in one and powerful in another. Sometimes, the music is sung a cappella, but for most part voice is accompanied by sparse yet sensitive and expressive "soft" strings, mostly medieval fiddle and harp. Azéma's seraphic voice is tightly matched by Camerata's expressive accompaniment. Together, they wring every ounce of the melancholy and joy out of the poem and the music. These are remarkable performances throughout the 3-CD series with high points in CDs 1 and 2 IMHO.

3. Technical aspects: The recorded sound is clear and life-like. There is a new booklet note by Cohen himself in the box in English, French and German. The original CD notes and sung texts are downloadable from Warner Classics' website, with links given in the booklet.

One may ask: Why is troubadours' art relevant to those of us living in a time more than eight centuries later? To answer this question, I can do no better than quoting from Joel Cohen's own new booklet note:

"… these songs of worldly love, and of yearning for divine, create a dense, intense microcosm of Mediterranean passion and desire: a universe that still calls to us strongly, across the centuries the feudal castle of Ventadorn stands today in ruins; but the troubadours' world continue to live!"

Anyone who is interested in the troubadour repertoire should not miss these exquisite performances, esp. at this budget price.

Highly recommended.

Review by Y.P.

Anne Azema, Joel Cohen, Camerata Mediterranea - Troubadour Songs (2010) 3 CD Box Set



Anne Azema, Joel Cohen, Camerata Mediterranea - Troubadour Songs (2010) 3 CD Box Set



Tracklist:

CD1 - Lo Gai Saber:

01. Martim Codax: Ondas do mar (04:27)
02. Gaucelm Faidit: Del gran golfe de mar (01:14)
03. Peire Vidal: Pos tornats sui en Proenca (01:24)
04. Conon de Bethune, Peire Vidal: Ab l'alen tir vas me l'aire (04:51)
05. Sordello di Mantova: Er, quan renovella e gensa (04:29)
06. Bertrand de Born: Bel m'es quan vei chamjar lo senhoratge (02:07)
07. Comtessa de Dia: Ab joi et ab joven m'apais (04:54)
08. Shira Kammen: Danca de las doas domnas (02:58)
09. Raimon d'Avignon: Sirvens sui avutz et arlotz (02:11)
10. Adam de la Halle, Raimbault de Vaqueiras: Dona, tant vos ai preiada (05:15)
11. Anon.: Domna, pos vos ai chausida (03:59)
12. Guillaume IX de Poitiers: Ab la dolchor del temps novel (03:11)
13. Rogeret de Cambrai: Nouvele amor qui si m'agrйe - Novel'amor que tant m'agreia (03:32)
14. Bernatz de Ventadorn: Lancan vei la folha (04:21)
15. Marcabru: Dirai vos senes duptansa (02:51)
16. Peire Cardenal: Ar me puesc ieu lauzar d'amor (03:18)
17. Cheryl Ann Fulton: Lo freg temps (04:08)
18. Bernatz de Ventadorn, Guiraut Riquier: Be'm degra de chantar tener (03:43)
19. Peire Cardenal: Un sirventes novel vueill comensar (06:12)
20. Anon.: O Maria Deu maire (01:46)
21. Martim Codax, Guillaume d'Autpol: Esperanza de totz ferms esperans (03:37)

CD2 - Le Fou Sur Le Pont:

01. Can vei la lauzeta mover (01:02)
02. Non es meravelha s'eu chan (04:09)
03. Gautier de Coincy: Cantarai d'aqueszt trobadors (02:29)
04. Giuraut de Riquier: Lo gens temps de pascor (04:06)
05. E.I vescoms de Ventadorn (narration) - Can l'erba fresch'e.lh folha par (05:44)
06. E Dieus li det ( narration) - Pois preyatz me, senhor (02:27)
07. Tant ai mo cor ple de joya (03:30)
08. Mout duret lor amors (narration) (00:56)
09. Uc Brunenc: Per melhs cobrir lo mal pes (06:37)
10. E [Bernart] se'n issi (narration) - Bel m'es can eu vei la brolha (02:37)
11. Lonc temps ac gran joia d'ella (narration) - Lancan vei per mei la landa (03:50)
12. Bernatz de Ventador (narration) - En cossirer et en esmai (05:09)
13. Puois s'en penset (narration) - Era.m cosselhatz, senhor (04:25)
14. E apelava la Bernart 'Alauzeta' (narration) - Can vei la lauzeta mover (07:42)
15. Et partic se de Normandia (narration) - Lancan vei la folha - Tuit cil que (01:39)
16. Amics Bernart de Ventadorn (05:17)
17. E lai, a l'orden de Dalon (narration) - Can vei la lauzeta mover (01:41)

CD3 - Provence Mystique:

01. Audi tellus (01:30)
02. Clara sonent organa (03:45)
03. Ar levatz sus, francha corteza gens! (05:16)
04. Tantost com fon al loc vengutz (01:30)
05. Vexilla Regis Venantius Fortunatus (00:41)
06. Dels quatre caps que a la cros (07:33)
07. Verbum Patris humanatur (02:55)
08. D'un sirventes far (06:49)
09. Una ciutatz fo (10:41)
10. Dona, Maire del salvador (01:00)
11. Flore vernans gratie (01:39)
12. El bon ponto (08:30)
13. Gregis pastor Tityrus (04:06)


Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 28. August 2015, 0:48

Anne Azema, Joel Cohen, Camerata Mediterranea / Lo Gai Saber

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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
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==== Log checksum F7BD85CA65E81D78EF346E89A8E664FC3519A67E4239EAA31397FC90015B6C08 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-06-11 12:59:47

––––––––––––––––––––––––––––––––––––––––
Analyzed: Anne Azema, Joel Cohen, Camerata Mediterranea / Lo Gai Saber
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -3.44 dB -24.39 dB 4:28 01-Martim Codax: Ondas do mar
DR15 -8.27 dB -28.77 dB 1:14 02-Gaucelm Faidit: Del gran golfe de mar
DR12 -5.59 dB -25.80 dB 1:24 03-Peire Vidal: Pos tornats sui en Proenca
DR16 -1.47 dB -24.10 dB 4:52 04-Conon de Bethune, Peire Vidal: Ab l'alen tir vas me l'aire
DR15 -0.16 dB -22.79 dB 4:30 05-Sordello di Mantova: Er, quan renovella e gensa
DR14 -7.86 dB -26.06 dB 2:08 06-Bertrand de Born: Bel m'es quan vei chamjar lo senhoratge
DR12 -2.02 dB -20.52 dB 4:54 07-Comtessa de Dia: Ab joi et ab joven m'apais
DR14 -6.20 dB -22.79 dB 2:58 08-Shira Kammen: Danca de las doas domnas
DR16 -3.66 dB -24.84 dB 2:12 09-Raimon d'Avignon: Sirvens sui avutz et arlotz
DR15 -6.85 dB -26.46 dB 5:15 10-Adam de la Halle, Raimbault de Vaqueiras: Dona, tant vos ai preiada
DR15 -3.36 dB -23.51 dB 3:59 11-Anon.: Domna, pos vos ai chausida
DR16 -5.56 dB -27.65 dB 3:11 12-Guillaume IX de Poitiers: Ab la dolchor del temps novel
DR17 0.00 dB -22.51 dB 3:32 13-Rogeret de Cambrai: Nouvele amor qui si m'agrйe - Novel'amor que tant m'agreia
DR13 -4.08 dB -23.23 dB 4:21 14-Bernatz de Ventadorn: Lancan vei la folha
DR14 -3.86 dB -23.81 dB 2:52 15-Marcabru: Dirai vos senes duptansa
DR16 -7.46 dB -29.63 dB 3:19 16-Peire Cardenal: Ar me puesc ieu lauzar d'amor
DR14 -11.64 dB -28.92 dB 4:09 17-Cheryl Ann Fulton: Lo freg temps
DR14 -2.95 dB -24.32 dB 3:44 18-Bernatz de Ventadorn, Guiraut Riquier: Be'm degra de chantar tener
DR20 -1.66 dB -26.87 dB 6:12 19-Peire Cardenal: Un sirventes novel vueill comensar
DR12 -7.38 dB -26.00 dB 1:47 20-Anon.: O Maria Deu maire
DR14 -5.04 dB -24.49 dB 3:38 21-Martim Codax, Guillaume d'Autpol: Esperanza de totz ferms esperans
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 21
Official DR value: DR15

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 588 kbps
Codec: FLAC
================================================================================


Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 28. August 2015, 8:46

Anne Azema, Joel Cohen, Camerata Mediterranea / Bernatz de Ventadorn - Le Fou sur le pont

Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


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==== Log checksum D81B84FF60B72124908EDCD12665283856E187119F192E5B2BD3FA45121002B9 ====

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log date: 2016-06-11 13:00:20

––––––––––––––––––––––––––––––––––––––––
Analyzed: Anne Azema, Joel Cohen, Camerata Mediterranea / Bernatz de Ventadorn - Le Fou sur le pont
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -10.32 dB -27.60 dB 1:03 01-Can vei la lauzeta mover
DR14 -4.35 dB -25.15 dB 4:10 02-Non es meravelha s'eu chan
DR14 -5.94 dB -24.86 dB 2:29 03-Gautier de Coincy: Cantarai d'aqueszt trobadors
DR13 -2.04 dB -22.00 dB 4:06 04-Giuraut de Riquier: Lo gens temps de pascor
DR17 -4.93 dB -26.74 dB 5:44 05-E.I vescoms de Ventadorn (narration) - Can l'erba fresch'e.lh folha par
DR12 -9.70 dB -25.73 dB 2:28 06-E Dieus li det ( narration) - Pois preyatz me, senhor
DR15 -3.85 dB -24.35 dB 3:31 07-Tant ai mo cor ple de joya
DR14 -10.19 dB -31.00 dB 0:57 08-Mout duret lor amors (narration)
DR15 -0.80 dB -21.76 dB 6:37 09-Uc Brunenc: Per melhs cobrir lo mal pes
DR15 -13.93 dB -33.87 dB 2:38 10-E [Bernart] se'n issi (narration) - Bel m'es can eu vei la brolha
DR14 -7.78 dB -26.77 dB 3:51 11-Lonc temps ac gran joia d'ella (narration) - Lancan vei per mei la landa
DR13 -7.47 dB -26.32 dB 5:09 12-Bernatz de Ventador (narration) - En cossirer et en esmai
DR15 -6.99 dB -25.91 dB 4:25 13-Puois s'en penset (narration) - Era.m cosselhatz, senhor
DR14 -6.03 dB -25.98 dB 7:42 14-E apelava la Bernart 'Alauzeta' (narration) - Can vei la lauzeta mover
DR14 -10.58 dB -29.37 dB 1:40 15-Et partic se de Normandia (narration) - Lancan vei la folha - Tuit cil que.m …
DR14 -5.18 dB -26.07 dB 5:17 16-Amics Bernart de Ventadorn
DR15 -10.01 dB -31.68 dB 1:42 17-E lai, a l'orden de Dalon (narration) - Can vei la lauzeta mover
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 17
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 558 kbps
Codec: FLAC
================================================================================


Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 28. August 2015, 20:28

Anne Azema, Kit Higginson, Shira Kammen, Margriet Tindemans / Provence mystique

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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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Extraction speed 5.1 X
Range quality 100.0 %
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==== Log checksum 2E1C634A9F53BAAB69AA1018EDA075D8E77CD27AA35999789950F84D839EA364 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-06-11 13:00:38

––––––––––––––––––––––––––––––––––––––––
Analyzed: Anne Azema, Kit Higginson, Shira Kammen, Margriet Tindemans / Provence mystique
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -6.85 dB -25.07 dB 1:31 01-Audi tellus
DR15 -2.72 dB -22.67 dB 3:45 02-Clara sonent organa
DR15 -1.40 dB -22.32 dB 5:16 03-Ar levatz sus, francha corteza gens!
DR16 -11.33 dB -32.19 dB 1:30 04-Tantost com fon al loc vengutz
DR10 -9.18 dB -27.87 dB 0:41 05-Vexilla Regis Venantius Fortunatus
DR14 -1.51 dB -23.10 dB 7:34 06-Dels quatre caps que a la cros
DR11 -4.29 dB -21.19 dB 2:56 07-Verbum Patris humanatur
DR14 -3.49 dB -23.60 dB 6:49 08-D'un sirventes far
DR16 -2.41 dB -24.86 dB 10:42 09-Una ciutatz fo
DR16 -14.05 dB -34.85 dB 1:00 10-Dona, Maire del salvador
DR14 -2.49 dB -22.83 dB 1:39 11-Flore vernans gratie
DR17 -1.24 dB -22.68 dB 8:31 12-El bon ponto
DR13 -2.86 dB -20.66 dB 4:07 13-Gregis pastor Tityrus
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 622 kbps
Codec: FLAC
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Anne Azema, Joel Cohen, Camerata Mediterranea - Troubadour Songs (2010) 3 CD Box Set

All thanks to original releaser - A-Z

More interesting music in My Blog