Cat Dreams is my new music album on compact disc (cd). It is a work of love, dreams, heart, magic. Music from my life shared with some beautiful little creatures, loved ones. Being a part of their lives as they were and are a part of mine. Biographical dreams and stories. Life music: sweet, emotional, deep, beautiful, happy and sad. Cat Dreams starts and ends with the sound of rain, with cats by a window listening to the rain outside and napping together. Dreaming together an episodic flow of stories, songs, dances, memories, moments, travels, adventures.

Vincent Ho’s music is wild and fanciful, and takes us to the limits of sonic energy, but it is also intimate and tender, for he is not afraid to reveal his truly lyrical soul. THE SHAMAN is a work that sets an atmosphere of magical stillness, with the soloist evoking unearthly sounds - wolf calls, shimmering colours, and the lightest of orchestral textures. It is powerful work that merges the spiritual indigenous world with the modern classical world to create a compelling musical journey. ARCTIC SYMPHONY was inspired by the composer’s first-hand experience of the Arctic Ocean with a scientific research team aboard a Canadian Coast Guard ship. Evelyn Glennie is the first person in history to successfully create and sustain a full-time career as a solo percussionist, performing worldwide with the greatest conductors, orchestras, and artists.

An exclusive anthology of tracks inspired by the legendary Polish Radio Experimental Studio.

The sound is spectacular in whatever format you choose but the jump to Blu-ray is, as in vision, a leap forward. None of which would matter were the performances not also uniformly excellent: This is a superbly alive performance of the Britten Simple Symphony, making it sound a much more ambitiouswork than usual. A demonstration recording!

The coherence of the program on this release by the increasingly popular British cellist Steven Isserlis may not be evident at first glance, but it's a nifty idea, and one with a weight that not so many contemporary composers can comfortably support. What Franz Liszt, Leos Janácek, Gabriel Fauré, and György Kurtág have in common is that they all influenced the last composer on the program, Thomas Adès. This gives you an idea of Adès' eclecticism, which is brought into relief when you hear the strands of music that he likes.

Leading young Canadian composer Brian Current, recipient of numerous distinguished international prizes, has collaborated with award-winning writer Anton Piatigorsky in an exciting work for voice and accompanying ensemble. Airline Icarus is set aboard an airliner in which, taking the myth of Icarus as the central image, the composer “explores themes of hubris mixed with technology”. The result is a powerful, resonant work which won Current the Italian Premio Fedora Award in 2011.

The Music of…Larry Polansky is a marvelous combination of the mathematical and the expressive. The blend is so seamless, in fact, that it serves to point out the absurdity of regarding those two strains as opposite or even especially different.'' (Joshua Kosman, SFGate) This album of chamber music offers three pieces: Polansky's drifting, shape-shifting freeHorn and his pulsing ii-v-i - each of which consists of a continuous modulation between the three different natural-just harmonic series - and minmaj, Polansky's unusual ''translation'' or Ruggles's Angels.

On 2nd June 7K! records' newly created contemporary classical imprint 7K! will release ‘Endless’ - the new album played entirely by Luca D’Alberto - the Italian composer who counts Wim and Donata Wenders, Peter Lindbergh and Lars Von Trier’s Zentropa as fans. Driven by pristine piano and rich strings, ‘Endless’ is sonically opulent with vivid, wonder-evoking pieces conveying wintry, widescreen panoramas and a propulsive arpeggio-fueled energy. Luca composed, arranged and played all instruments on ‘Endless’ himself - the violin, viola, violectra, cello and piano. It was produced by Martyn Heyne (who has worked with Nils Frahm, Lubomir Melnyk, Peter Broderick, Tiny Ruins and The National), with additional production by the lauded DJ/musician Henrik Schwarz.

This recording is the concert performance from the 3rd annual Rivertree Singers & Friends Choral Festival. 150 additional singers from across the US and 5 other countries joined the 40-voice Rivertree Singers for 3 days to prepare and perform the southeast premiere of Dan Forrest's Jubilate Deo, a marvelous, culture-spanning setting of Psalm 100 that includes 8 language across 7 movements. Rivertree Singers was privileged to enjoy Forrest's assistance in preparing the second-ever performance of this major work.

Australian-born, New York-based pianist Lisa Moore is known for her convention-smashing aesthetic; a prime example is her adventurous and virtuosic performance on various percussion instruments as well as piano in Martin Bresnick's Caprichos Enfáticos. Another is her use of the EP – extended-play recording, longer than a single but shorter than a full album – that was current in the LP era for pop releases, but that in the world of classical music, is a rarity in the age of CDs and beyond.

Rumored to be one of the most intriguing collaborations of 2018, Rocket Girl presents Pieter Nooten’s 4th solo album ‘STEM’ as Nooten teams up with legendary producer/ mixer/sound-artist Stephen W Tayler (Kate Bush, Underworld) at Peter Gabriel’s Real World Studios. ‘STEM’ is probably Nooten’s finest work since collaborating with Michael Brook 30 years ago, producing the timeless cult classic ‘Sleeps With The Fishes’.

The “Concerto for the left hand in one movement”, for piano, is the last unpublished composition of Walter Marchetti to be performed in public before the death of the author on May 12, 2015. Composed in 1994, the “Concerto for the left hand” belongs to an ongoing series of works written between 1994 and 1997: “Con vista sui suoni”, “Eight or Nine Movements for String Quartet” and “La perdita del tempo” which develop from a preceding composition titled “Canonic Variations for Orchestra on Prolapsed Time From Development to Hiccup of Black Cherry Jam”.

with 'chansons de geste' ben lukas boysen a.k.a. hecq presents a very personal release, conceived as a memorial and dedication to bygone events and individuals. the basic sources for the eleven haunting tracks were original tape recordings boysen and his family members made decades ago for private use, ranging from piano etudes to classical works by composers like j.s. bach and johannes brahms. it was hecq's intention to restore, to revive and to re-arrange these basic sources for the existing release in a condensed and unusual way. each tape was digitized to hard disc, loops and patches were extracted from this sound pool, and the collection was recorded on a reel-to-reel tape recorder. the tapes were taken and played back inside a church where the natural reverb of the location was added and used as the master recording.

Piano music is central to Valentin Silvestrov’s output. With its frequent allusions to lingering recollections of the past, this programme presents an overview of various creative periods. It begins with the composer’s reworkings of youthful sketches (Naive Musik), followed by Der Bote (The Messenger) with its beautiful Mozartian theme leading into a sonatina in the style of the 18th century. After recent works from Silvestrov’s self–defined ‘Bagatelle’ period, the recording concludes with the striking Kitschmusik, which engages with the music of Schumann, Chopin and Brahms. The Two Waltzes are dedicated to Elisaveta Blumina.

Fazil Say first came to international attention as a pianist, but he used that career as a springboard for launching his own compositions, and he has become widely recognized in both fields. This release from Naïve includes a fascinating assortment of his works that draw on his background in the Western classical tradition, his Turkish heritage, and his interest in jazz. His 2008 Violin Concerto, subtitled "1001 Nights in the Harem," skillfully brings the harmonic language, modal melodies, and textures of traditional Turkish music to the format of the concerto.