11th studio album from D.C. based electronic duo featuring artists: Mr. Lif, Sitali, Racquel Jones, Notch, Natalia Clavier, and Lou Lou Ghelichkhani. The 12 track 'Treasures From The Temple' is a continuation from their last album 'Temple of I & I', recorded in Port Antonio. Blending their signature sound with classic dub, dancehall, and roots vibes.

Leftism is the first studio album by English electronica duo Leftfield, released in 1995 on Columbia Records. It contained a mixture of new tracks along with reworked versions of previous Leftfield singles. The album contains guest spots from musicians not associated with dance music at the time such as John Lydon from Public Image Ltd. (and formerly of Sex Pistols) and Toni Halliday from Curve. The album was described as progressive house, although some journalists found that label too limiting, suggesting the album incorporated many genres. After completing the album, the duo initially were not pleased with it. On its release, the album was well received from the British press with positive reviews from the NME and Q. The album was nominated for the Mercury Prize in 1995 but lost to Portishead. Leftism sold well and was released months later in the United States. Critics have praised the album as one of the major album-length works of dance music, with Q referring to it as "the first truly complete album experience to be created by house musicians and the first quintessentially British one".

A full decade of acid jazz never produced a more stunning fusion of electronic music with live instrumentation than Making Bones. Poised halfway between Sly & Robbie and Roni Size, Red Snapper's first album for a worldwide audience surfs a wave of breakbeat funk that includes nods to dub, punk, soul, drum'n'bass and hip-hop. The rock-steady rhythm section of Richard Thair (drums) and Ali Friend (bass) holds the groove better than any sampler, tying together radically different material like classic British soul on "Image of You," metallic drum'n'bass on "The Sleepless" (with excellent rapping by MC Det) and the fusion update "Bogeyman" (with trumpeter Byron Wallen). It's obvious the Snapper have mastered all aspects of '90s electronic dance, and Making Bones is proof positive.

Assembling an intimate set of collaborators from the rock community, Muggs breaks from his usual hip-hop projects and takes a second stab at electronica on Dust. His first attempt was with 1999's Juxtapose, an uneven pairing with Tricky that was dominated by the British rapper's paranoid, druggy sound. Dust is more focused, with Muggs delivering a frequently brilliant collection of dense yet lovely soundscapes. The producer crafts each track with meticulous detail, mixing electronic beats, live instruments, and bizarre samples into epic down-tempo pop. Most impressive is "Rain," a majestic ballad that blends a shuffling beat, orchestral strings, acoustic guitars, and the fragile voice of Buckcherry's Josh Todd into a melancholy gem. "Tears" is a far more menacing highlight, boasting a tense mixture of ghostly female vocals and pounding dance beats. A collaboration with Greg Dulli results in "Cloudy Days," a gritty drug ballad that recalls the menacing soul of the Afghan Whigs' 1965; while the throbbing "Morta" is a seductive, slow burning vamp revolving around moody orchestral flourishes and a lazy tribal drumbeat. "Far Away" finishes the record with a sweeping dream pop coda, slowly devolving from a haze of chiming guitars and buried vocals into a blend of lush synths and chanting.

The American electronic music duo Mirza Ramic and Max Lewis have compiled an impressive discography of 26 releases in their 11 year history as ARMS AND SLEEPERS. They have collaborated with dozens of prominent artists (Tom Brosseau of Fat Cat Records, Serengeti of Anticon, Philip Jamieson of Caspian, and Victor Ferreira of Sun Glitters, among others) and worked on numerous remixes (Caspian, Helios, Ef, From Indian Lakes, and many others). Their music has also been widely used in various TV, radio, and online media programming, including VICE and NPR.

Mondo, in partnership with NEON is proud to present Keegan DeWitt's incredible score to the film GEMINI. DeWitt's score is an incredible fusion of Synth and Jazz; the perfect sonic backdrop for the Hollywood-set modern noir. DeWitt's understated blend of genres, at times, feels like Trip-hop, by way of a smoke-filled lounge. You can listen to the soundtrack here. The score is available digitally on all platforms from Madison Gate Records. GEMINI is now playing in select theaters.

Mike Boo is a DJ/producer who was also known as Mike Boogie, he has been a member of Ned Hoddings, Dollar Bin Quintet and more recently, secret sidewalk. Dunhill Drone Committe is his album from 2005 released by Alpha Pup.

Hans Dulfer is the father of saxophonist Candy Dulfer and the two worked together on the album Dulfer Dulfer, whose title refers in part to Hans…

Tim Simenon's Bomb the Bass pet project pumped some of the best acid house straight into late-'80s dance clubs. Best known stateside for the seminal "Beat Dis," similarly groundbreaking slow-beat club groove, and the Burt Bacharach cover "Say a Little Prayer," Simenon's brand of acid-laced rap and snappy sampling kept sweat flowing coast to coast. Unfortunately, by the time the band's second album appeared in 1991, Bomb the Bass was all but forgotten in the beginnings of the grunge backlash. However, the sonics have continued to percolate, hence the welcome appearance of the U.K. compilation Beat Dis: The Very Best Of, which serves up a healthy hodgepodge of hits and a neat tweak for aging ravers' long-lost brain cells. In no particular order, Beat Dis unravels 1988 through 1991, commencing with the 12" version of "Beat Dis" and ending with the absurdly short "Megamix," while hitting all the important points in between. First-wave favorites include the aforementioned "Say a Little Prayer" and "Shake It," while the 1991 incarnation weighs in mightily with "Dune Buggy Attack" and the British hit "Winter in July".

The first album by instrumental musical genius Mentol Nomad is called Mentallica…And It's Inhabitants. The label responsible: Wordsound.

Thievery Corporation's Eric Hilton and Rob Garza have always treated the line between acoustic and electronic music as a drunken sailor might, unpredictably falling on one side or the other with equal frequency. By this measure, The Richest Man in Babylon is their soberest effort to date, striding confidently into jazz, soul, world beat, and other styles with a direct, reverential approach. The band's last record, Sounds from the Verve Hi-Fi, featured a set of classic jazz tunes unadorned with remixes or reinterpretation. But the songs on Babylon are originals, incorporating not just jazz but Afro-beat, Brazilian dance, Persian and Indian music, reggae, and psychedelia, all while making expert use of new and old collaborators like Sleepy Wonder, Lou Lou, and Shinehead. Icelandic singer Emiliana Torrini makes an instant impression on the first track, "Heaven's Gonna Burn Your Eyes," her voice freeing the song's melody and structure with just a few hypnotic bars. It's hard to call this an electronic record at all; even their dub-influenced tracks miss a certain studio sheen, as if Hilton and Garza simply waded into a sweltering Jamaican beach party and hit record. But while it misses the ambient, ethereal edge that made The Mirror Conspiracy a downtempo classic, Babylon satisfies with organic energy and tasteful eclecticism.

The band itself selected for selection and direction, the release of the coming Japan anniversary album containing only the first CD made sound source was decided! In the next February, The xx, who is dedicated to a long-awaited single tour in Japan, released the release of the remixes CD "Remixes", which the band himself selected for and directed as a fan for Japanese fans! , From the remixes that have been announced so far, the ones that the band likes in particular are recorded. Members are also remixes of "Reconsider" "Sunset" and "On Hold" that Jamie xx has worked on, remixes dealt with by famous producers such as friends Four Tet, John Tarabot and Pearson Sound are selected It is also a precious work in terms of making all songs first CD. In addition, the package has become a simple and cool appearance which treated the X logo familiar to the transparent case.

Ministry Of Sound Presents Baby One More Time: Back To The 90S! 60 original hits and the original artists. Includes tracks by Jennifer Lopez, Blackstreet feat. Dr. Dre & Queen Pen, Vanilla Ice and more.

Third album from the acclaimed British Electronic rockers featuring vocal and musical assistance from Mark Lanegan, Will Oldham, Jason Pierce, Richard Hawley, Gibby Haynes and Mike Patton. Soulsavers began as more of an electronic affair, with Rich Machin partnering with studio engineer Ian Glover. Their sophomore album, It's Not How Far You Fall, It's How You Land set a new benchmark, threading Soul, Gospel, Rock, Jazz and Country into the mix and a matching spread of singers. Now, you must be prepared to follow Soulsavers even further, for Broken is even better, a future classic that delivers 13 tracks of wide-ranging majesty. Lanegan handles vocals on 10 of the album's tracks, joined by many guest collaborators.

The Funk n' Beats series from Bombstrikes continues to grow in stature! This time the label have headed stateside to recruit the almighty Fort Knox Five for curation and DJ duties! With such luminaryfunksters on board, the outcome is every bit as special as you would expect. The Washington DC based crew deliver the album with their trademark quality and down right funkiness, selecting future classics and digging deep for some unbelievable forgotten gems, in a way that only some-one who has been in the game so long could do.