See See The Sun (1973). Esoteric Recordings are pleased to announce a newly re-mastered edition of the classic debut album by Dutch Progressive Rock group Kayak, "See See The Sun". Kayak were formed in Hilversum in Holland in 1972 by keyboard player Ton Scherpenzeel and drummer Pim Koopman. The band signed to the Dutch division of EMI’s Harvest label the same year and released their debut album in 1973. Featuring Max Werner on Vocals and Mellotron, Cees Van Leeuwen on Bass and Johan Slager on Guitars, the album was a fine debut and would launch Kayak as a major group in their homeland and further afield into Europe. This Esoteric Recordings reissue has been newly re-mastered from the original master tapes, features a bonus track from the band’s first single, and a booklet that fully restores all original album artwork with a new essay…

Recorded the year after Live Bullet, Bob Seger's quintessential live album, Live: Boston 1977 finds the Michigan native delivering a live set while he and his Silver Bullet Band were at the height of their power…

Recorded in 1973, Fuller's Blues was Johnny Fuller's much-belated full-length debut, and it also turned out to be his last record. That's too bad, because it certainly illustrates what he was capable of achieving. He runs the gauntlet here, pulling out jumping R&B numbers and acoustic blues with equal aplomb. It's an exhilarating listen - it's just too bad there weren't more like it.

Even on its first record "L'Escapade" (1974), Mona Lisa appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by Ange. The emphasis, the sensibility, the vocal subtlety of Dominique Le Guennec goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke Genesis.

This 2-CD set takes the 1974 album Mingus At Carnegie Hall (Atlantic) and adds seventy minutes of previously unissued material recorded at the same concert.
Mingus led many great bands during his career, but those from the the late 1950s and early 1960s have tended to be perceived as representing his belle epoque, overshadowing some equally outstanding later aggregations. One of these is Mingus' mid 1970s quintet with trumpeter Jack Walrath, tenor saxophonist George Adams, pianist Don Pullen and drummer Dannie Richmond, who are featured on the 1975 portion of the Bremen set. The previous year, Mingus led a sextet including Adams, Pullen and Richmond, in which Jon Faddis was the trumpeter and Hamiet Bluiett played baritone saxophone…

With his seventh album, appropriately titled Seven, Bob Seger delivered one of his strongest, hardest-hitting rock records – the toughest since the days of the Bob Seger System. Not to say that he ever abandoned rock & roll, since Back in '72 was filled with fantastic rockers, but it was tempered with reflective singer/songwriter material…

Guitarist Michael Schenker's impact upon UFO's career cannot be overestimated. Before the German teenager's arrival (he was only 19 when he jumped ship from the Scorpions), the British rockers' early albums of half-baked space rock had been completely ignored everywhere but Japan. But with Schenker on board, the group's sound received a well-needed attitude injection, veering toward the Anglo-hard rock style that would make them famous. That is not to say that their first collaboration, Phenomenon, was an instant home run. Quite the contrary, as the band seemed a tad wary of giving Schenker's more aggressive style complete freedom to roam, reining in the budding guitar hero just enough to stunt the impact of promising rockers like "Oh My and "Too Young to Know"…

Tete Montoliu's fourth CD for Steeplechase is primarily a fun-filled trio date with bassist Niels-Henning Ørsted Pedersen and drummer Albert "Tootie" Heath, frequent collaborators with the blind pianist.

Reedición del álbum de “Temas Brasileños” grabado por Tete Montoliu en el Casino de la Aliança del Poble Nou de Barcelona el año 1973, donde nos deleita con esa fusión de nueva música brasileña y jazz, versionando clásicos de Jobim, Baden Powell, de Nascimento o Mendonça como ‘Orfeo Negro’, ‘La chica de Ipanema’, Corcovado’ o ‘Desafinado’ entre otros. El cuarteto lo completa Pedro Díaz a las tumbas, Miguel Angel Lizandra a la batería y Alberto Moraleda al bajo.

Osibisa made its greatest inroads into British and American popularity in the early '70s. By the time of 1974's Osibirock, the band was in transition, moving from one record label to another (this disc was released in the U.S. on Warner Bros. following a long stint on Decca) as musical tastes changed. At first, Osibisa's rock/highlife hybrid was a welcome change of pace from prevailing trends, and Americans whose ears had been opened to world rhythms by Santana's blend of rock with Afro-Cuban jazz heard a similar exotic, danceable music coming from the Ghanian-by-way-of-London band.

A hard rock band from Newcastle, England, Geordie is mostly known for their lead vocalist, Brian Johnson, who would later join AC/DC. In 1972 and 1973, they had a few hits in the U.K., including the number six single "All Because of You" and "Can You Do It," which reached number 13. Their sound was influenced by British rock bands of the day such as Led Zeppelin, as well as some glam stompers, with Johnson's distinctively abrasive singing strongly in evidence…