The Royal Affair Tour: Live From Las Vegas is an upcoming live album by progressive rock band Yes, set for release on 30 October 2020 by BMG Records. It documents the group's performance on 26 July 2019 at The Joint in Las Vegas, Nevada, during their Royal Affair Tour.

The completely unknown debut album of Issam Hajali (Ferkat Al Ard) fuses jazz and folk with Arabic and Iranian influences into unique beauty. Originally released in a limited run of 75 cassette tape copies.

Omnivore Recordings, in conjunction with the Buck Owens Estate, is proud to present Buck Owens and The Buckaroos’ The Complete Capitol Singles: 1967–1970. This is the second in a series chronicling every one of Buck’s historic Capitol singles from the ’50s, ’60, and ’70s. Taken from the original mono and stereo masters, The Complete Capitol Singles: 1967–1970 collects the A- and B-side to all 18 singles from that period, including 14 Top Ten hits, in their original, chronological form.

90 years young Jimmy Johnson returns to the recording studio for the first time in over a decade. It has been precisely forty years since his Delmark debut 'Johnson's Whacks'. Delmark celebrates Jimmy's homecoming by releasing 'Every Day of Your Life', an album comprised of four original songs and Jimmy's unique take on five other tunes including a solo performance of Jimmy singing and playing piano on the Bobby 'Blue' Bland hit 'Lead Me On'. Two different stellar Chicago bands back Jimmy throughout this album. Johnson was born in Holly Springs, Mississippi. He has playing professionally in Chicago since 1959 and has worked with Freddy King, Albert King, Magic Sam and Otis Rush among many others. Jimmy has always had an R&B style of blues and he brings it to this new album, his fourth for Delmark.

On this double CD you will find the greatest hits of Meat Loaf who scored one of the best-selling pop albums ever with the 1977 album 'Bat Out Of Hell'. With of course 'Paradise By The Dashboard Light', 'I'd Do Anything For You', 'You Took The Word Right Out Of My Mouth', 'Two Out Of Three Ain't Bad', 'Bat Out Of Hell', supplemented with other hits by producer Jim Steinman (the big man behind Meat Loaf) with related artists such as Bonnie Tyler (ao 'Total Eclipse Of The Heart' and 'It's A Hertache ') and Ellen Foley (including' We Belong To The Night 'and' What's A Matter Baby ').

From folk anthems to movie themes and French chanson ballads, 25 songs from one of the great pop culture icons of his time, including three previously unissued tracks.

The original version of the album In Heat as it was intended to sound. The Fuzztones have been around for over 30 years as a garage rock revival band. Though originally from New York City, they work mainly in Europe where their brand of retro 60 trash rock burns up radios from Hungary to Poland to Italy. The original In Heat was released in 1989 at the peak of the garage revival, when bands like the Chesterfield Kings, Lyres, and Cynics were all the rage. Unsurprising, the music industry turned a blind eye, yet miraculously The Fuzztones signed a major label deal with RCA. Label politics had the band in a "real" studio with a "name" producer who watered down their unharnessed energy and snotty attitude. In the end the original disc was a second rate affair with most of the grit rubbed out only to die a sad, quick death at the hands of critics who never appreciated the band’s live act anyway. Raw Heat therefore turns the clock back in time when garage rock rivaled punk as the most exciting musical scene to come along in decades.

Classic first mini album Completely re mastered for the first time. Comes with nine bonus tracks. Originally released on Midnight in 1984, this live album (recorded during their Midwest tour) is the legendary debut that spearheaded the rough 'n' ready garage rock revival scene joined by other great combos such as the Cynics, the Chesterfield Kings, et al. Formed in 1981 by NYC beat guru Rudi Protrudi, the Fuzztones got immediate attention for their authentic sonic replication of the 1960s garage punk style and grotesque b-movie artwork (read: The Cramps). Their sonic attack is well documented in the grooves of this faithful re-release of the 'Tones deadly debut.

With this recording the acclaimed ensemble Le Nuove Musiche, led by director Krijn Koetsveld, have at last completed a monumental undertaking nearly a decade in the making: the complete cycle of Claudio Monteverdi’s books of madrigals. Fittingly, the last instalment in this series is the final Ninth Book (Libro IX), which was published posthumously in 1651 and looks back on the breadth of the composer’s career with lighter pieces in the established forms of his day (prima prattica), in Monteverdi’s own innovative style (seconda prattica), and in a new genre that had begun to eclipse the madrigal in Monteverdi’s twilight years.

With this recording the acclaimed ensemble Le Nuove Musiche, led by director Krijn Koetsveld, have come full circle and at last completed their monumental undertaking of a complete cycle of Claudio Monteverdi’s books of madrigals. In bringing this endeavour to a close the group have returned to their starting point, recording a fresh take of perhaps the most famous set, Monteverdi’s groundbreaking Books V & VI, previously released by Le Nuove Musiche one decade ago at the start of this musical journey.

Le Nuove Musiche, led by acclaimed director Krijn Koetsveld, continue with their exceptional series of Claudio Monteverdi’s complete madrigals. Here, they look back to the very beginning of Monteverdi's works, when the young composer was still under the influence of his teacher Marc'Antonio Ingegneri. At this time, the madrigal was already a popular art form, one that Monteverdi was beginning to add his name to, before – as we know – he would go on to radically extend it with the introduction of the seconda prattica. These two books show that Monteverdi was an assured and dexterous composer in the established genre. He could follow the conventions of madrigal-writing – concentrating on the recitation of the text, adding in affects by altering the melody, rhythm and harmony – with skill and originality.

The level of musicianship is top-notch all around, from Flanigin's magnetic Baby Face Willette-style Hammond magic to Smith's thunderous drumming to Vaughan's steady-as-a-rock rhythm and lead playing….The album, Live at C-Boy's, was recorded at C-Boy’s Heart & Soul, an atmospheric club on South Congress Street in Austin, Jimmie's hometown.

From A Live FM Broadcast Recorded At The Montreux Jazz Festival, Switzerland, 9th July 1990.

Tales from the North is the much-anticipated new album from leading Uilleann piper Calum Stewart. Inspired by his native North of Scotland, Tales from the North is a celebration of legend, landscape, people and adventure.

Morrissey is never one to do things the accustomed way, instead throughout his career he's carved a niche in the musical landscape which only he can occupy. This Is Morrissey. A collection of studio classics, live tracks and the alternative Mael mix of the ever-popular ‘Suedehead', all chosen by the man himself. He explains all on this brand new interview with this neat little summary of the tracks he's chosen: "The album is so full of life, and worthy questions, and great choruses, and quite playful."