Tags
Language
Tags

Daniil Trifonov - Silver Age: Scriabin, Stravinsky, Prokofiev (2020)

Posted By: ArlegZ
Daniil Trifonov - Silver Age: Scriabin, Stravinsky, Prokofiev (2020)

Daniil Trifonov - Silver Age: Scriabin, Stravinsky, Prokofiev (2020)
EAC | FLAC | Image (Cue & Log) ~ 583 Mb | Total time: 145:23 | Scans included
Classical | Label: Deutsche Grammophon | # 483 5331 | Recorded: 2019

Daniil Trifinov's, Silver Age, recorded w/ Valery Gergiev & the Mariinsky Orchestra, recalls a time when Russia's composers, poets, & artists were among the most original anywhere in the world. It illustrates the artistic audacity & brilliance of a turbulent era in the country's history w/ works by 3 of its most pioneering composers: Scriabin's Concerto for Piano and Orchestra in F sharp minor Op.20, Prokofiev's Piano Concerto No.2 in G minor Op.16, & Stravinsky's Three Movements from Petrushka.

Valery Gergiev, Kirov Orchestra, Nikolai Putilin, Galina Gorchakova, Olga Borodina - Borodin: Prince Igor (2003/1998)

Posted By: Vilboa
Valery Gergiev, Kirov Orchestra, Nikolai Putilin, Galina Gorchakova, Olga Borodina - Borodin: Prince Igor (2003/1998)

Valery Gergiev, Kirov Orchestra, Nikolai Putilin, Galina Gorchakova, Olga Borodina - Borodin: Prince Igor (2003/1998)
NTSC 16:9 (720x480) | Русский (LinearPCM, 2 ch) | (DTS, 5 ch) | 6.75 Gb+7.01 Gb (2xDVD9) | 194 min
Classical | Philips | Sub: English, Francais, Deutsch, Italiano, Espanol, Chinese

Valery Gergiev directs the Kirov Opera and Ballet in this magnificent 1998 production of Borodin’s "Prince Igor", presented in a new Mariinsky Theatre performing edition and featuring Mikhail Fokine’s original choreography in the famous Polovtsian Dances. Its four acts tell of the struggle between the Russians and Polovtsian nomads, of Prince Igor’s capture and escape from his noble opponent, Khan Konchak, and of love between Igor’s son, Vladimir, and Konchak’s daughter, Konchakovna.

Valery Gergiev, Kirov Orchestra, Anna Netrebko, Vladimir Ognovenko - Glinka: Ruslan and Lyudmila [2003/1995]

Posted By: Vilboa
Valery Gergiev, Kirov Orchestra, Anna Netrebko, Vladimir Ognovenko - Glinka: Ruslan and Lyudmila [2003/1995]

Valery Gergiev, Kirov Orchestra, Anna Netrebko, Vladimir Ognovenko - Glinka: Ruslan and Lyudmila [2003/1995]
NTSC 16:9 (720x480) | Русский (LinearPCM, 2 ch) | (DTS, 5 ch) | 7.46 Gb+7.76 Gb (2xDVD9) | 210 min
Classical | Philips | Sub: English, Francais, Deutsch, Italiano, Espanol, Chinese

There is not much to fault in this quintessentially Russian opera with the lavish staging and fantastic costumes surely a feat to the eye. You cannot find much fault on the musical side of things either as many have expressed their opinion that this remains the finest version of the opera by a mile. The charismatic and almost demonic Gergiev conducts with his systematic, unabated passion for music which is most certainly in his blood and his players definitely do him proud. The cast is also top notch on all counts with Netrebko and Gorchakova particularly impressive.

Valery Gergiev, Kirov Orchestra, Opera Chorus & Ballet, St Petersburg - Tchaikovsky: Mazeppa (2004/1996)

Posted By: Vilboa
Valery Gergiev, Kirov Orchestra, Opera Chorus & Ballet, St Petersburg - Tchaikovsky: Mazeppa (2004/1996)

Valery Gergiev, Kirov Orchestra, Opera Chorus & Ballet, St Petersburg - Tchaikovsky: Mazeppa (2004/1996)
NTSC 16:9 (720x480) | Русский (Dolby AC3, 2 ch) | (DTS, 5 ch) | 7.47 Gb (DVD9) | 174 min
Classical | Philips | Sub: English, Francais, Deutsch, Italiano, Espanol, Chinese

Valery Gergiev directs the Kirov Opera and Ballet in this dramatic staging of Tchaikovsky’s historical opera, based on Pushkin’s verse tale of the legendary Cossack chieftain. Tchaikovsky’s dark musical setting intertwines the political drama of Mazeppa’s ill-fated betrayal of the Tsar with the personal tragedy of his love for Maria, the young daughter of his hapless opponent, Kocubej.

Valery Gergiev, Kirov Orchestra, Robert Lloyd, Olga Borodina - Mussorgsky: Boris Godunov (2002/1990)

Posted By: Vilboa
Valery Gergiev, Kirov Orchestra, Robert Lloyd, Olga Borodina - Mussorgsky: Boris Godunov (2002/1990)

Valery Gergiev, Kirov Orchestra, Robert Lloyd, Olga Borodina - Mussorgsky: Boris Godunov (2002/1990)
NTSC 4:3 (720x480) | Русский (LinearPCM, 2 ch) | (DTS, 5 ch) | 7.22 Gb+6.67 Gb (2xDVD9) | 210 min
Classical | Philips | Sub: English, Francais, Deutsch, Italiano, Espanol, Chinese

Modest Mussorgsky's opera in prologue and four acts is performed by the Kirov Opera with performances from Olga Borodina, Alexei Steblianko and Sergei Leiferkust. Boris Godunov has obtained the throne of Russia by murdering the rightful heir Dmitry. An old monk, Pimen, witnessed this, and convinces his apprentice Grigory to avenge Dmitry's death. In the following years Grigory poses as Dmitry, raising an army against Boris, who is now convinced that he is being punished for the murder.

Valery Gergiev, Kirov Orchestra, Gegam Grigorian, Maria Gulegina - Tchaikovsky: Pique Dame (2006/1992)

Posted By: Vilboa
Valery Gergiev, Kirov Orchestra, Gegam Grigorian, Maria Gulegina - Tchaikovsky: Pique Dame (2006/1992)

Valery Gergiev, Kirov Orchestra, Gegam Grigorian, Maria Gulegina - Tchaikovsky: Pique Dame (2006/1992)
NTSC 4:3 (720x480) VBR | Русский (Dolby AC3, 2 ch) | (DTS, 5 ch) | 7.64 Gb (DVD9) | 179 min
Classical | Philips | Sub: English, Francais, Deutsch, Italiano, Espanol, Chinese

In terms of vocal power, lyrical beauty and idiomatic authenticity, the casting for this 1992 live recording of the Kirov production of Pique Dame ("The Queen of Spades") could hardly be bettered. Gegam Grigorian (Herman) hits his fearsome, anguished high notes with the accuracy of a laser and Maria Gulegina (Liza) has a voice the size of the QEII but uses it with great subtlety–her opening duet with Pauline floats like gossamer, and her declarations of love for Herman at the end of Act 1 are spine-tingling. Kirov superstars Sergei Leiferkus (Tomsky) and rich-toned Olga Borodina (Pauline) also sound divine.

Valery Gergiev, Kirov Orchestra, Vladimir Galusin - Rimsky-Korsakov: Sadko [2006/1994]

Posted By: Vilboa
Valery Gergiev, Kirov Orchestra, Vladimir Galusin - Rimsky-Korsakov: Sadko [2006/1994]

Valery Gergiev, Kirov Orchestra, Vladimir Galusin - Rimsky-Korsakov: Sadko [2006/1994]
NTSC 16:9 (720x480) VBR | Русский (Dolby AC3, 2 ch) | (DTS, 5 ch) | 7.56 Gb (DVD9) | 174 min
Classical | Philips | Sub: English, Francais, Deutsch, Italiano, Espanol, Chinese

“Gergiev conducts a sweeping performance, with a typically superb cast of the Kirov's revival years, full of rising stars - Diadkova, Ognovenko, Bezzubenkov and the superb character tenor Gassiev. Charming also is the staging, reproduced from airy, painterly 1920s sets. Museum opera, maybe; but then museums are there to preserve treasures. And this is an absolute gem.”(Music Magazine)

Daniil Trifonov - Scriabin - Stravinsky - Prokofiev: Silver Age (2020)

Posted By: delpotro
Daniil Trifonov - Scriabin - Stravinsky - Prokofiev: Silver Age (2020)

Daniil Trifonov - Scriabin - Stravinsky - Prokofiev: Silver Age (2020)
WEB FLAC (tracks) - 543 Mb | MP3 CBR 320 kbps - 333 Mb | 02:25:24
Classical | Label: Deutsche Grammophon

Daniil Trifonov pays homage to music created during a pivotal period in Russian history.

Valery Gergiev, Mariinsky Orchestra - Igor Stravinsky: Petrushka; Jeu de cartes (2018)

Posted By: ArlegZ
Valery Gergiev, Mariinsky Orchestra - Igor Stravinsky: Petrushka; Jeu de cartes (2018)

Valery Gergiev, Mariinsky Orchestra - Igor Stravinsky: Petrushka; Jeu de cartes (2018)
EAC | FLAC | Image (Cue & Log) ~ 256 Mb | Total time: 57:51 | Scans included
Classical | Label: Mariinsky ‎| # MAR0594 | Recorded: 2009, 2014

The pairing of Igor Stravinsky's ballets Petrushka (1911) and Jeu de cartes (1937) may afford insights into his development of neoclassical style, which was anticipated in the former work and stated fully in the latter. Indeed, the bright and tuneful music of both ballets tends toward playfulness, clever parody, and colorful scoring, all characteristic of neoclassicism, and the scenarios – a marionette that comes to life in Petrushka, and the personification of playing cards in Jeu de cartes – suggest a further connection, perhaps even to Stravinsky's notions of musical objectivity.