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Orpheus Chamber Orchestra Complete Recordings on Deutsche Grammophon [55CDs] Part 9 (2021)

Posted By: ArlegZ
Orpheus Chamber Orchestra Complete Recordings on Deutsche Grammophon [55CDs] Part 9 (2021)

Orpheus Chamber Orchestra Complete Recordings on Deutsche Grammophon [55CDs] Part 9 (2021)
EAC | FLAC | Image (Cue & Log) ~ 1.50 Gb | Total time: 06:28:03 | Scans included
Classical | Label: Deutsche Grammophon | # 483 9948 | Recorded: 1982-2018

Anticipating the 50th anniversary of Orpheus Chamber Orchestra in 2022, we present their complete recordings on DG. The intriguing sound culture of Orpheus, especially of the string section, is often explained as a result of the cooperative mindset of the orchestra and its artistic process of rehearsing.

Wolfgang Sawallisch, Das Bayerisches Staatsorchester, Edita Gruberova, Kurt Moll - Mozart: Die Zauberflöte (2005/1983)

Posted By: Vilboa
Wolfgang Sawallisch, Das Bayerisches Staatsorchester, Edita Gruberova, Kurt Moll - Mozart: Die Zauberflöte (2005/1983)

Wolfgang Sawallisch, Das Bayerisches Staatsorchester, Edita Gruberova, Kurt Moll - Mozart: Die Zauberflöte (2005/1983)
NTSC 4:3 (720x480) | Deutsch| LinearPCM, 2 ch | DTS, 6 ch | 7.89 Gb (DVD9) | 160 min
Classical | Deutsche Grammophon | Sub.: Deutsch, English, Francais, Espanol, Chinese

Mozarts beliebte Oper "Die Zauberflöte" unter der Leitung von Wolfgang Sawallisch - jetzt erstmals auf DVD erhältlich! 1983 live aufgenommen, zeigt diese Produktion aus der Bayerischen Staatsoper eine der bekanntesten Opern überhaupt - Wolfgang Amadeus Mozarts "Die Zauberflöte" in der Inszenierung von August Everding. Edita Gruberova als begehrteste Königin der Nacht der Welt, Francisco Ariza als einer der berühmtesten Taminos unserer Zeit, machen neben anderen Weltstars der Oper (Kurt Moll, Lucia Popp, Wolfgang Brendel, u.a.) diese Produktion zu einem Fest für Augen und Ohren. Eingerahmt und kongenial geleitet wird dieses Ensemble von Wolfgang Sawallisch. "Zeigt das Ernsthafte - vergesst aber den Humor nicht" - mit dieser Einstellung beweist Everding in dieser einzigartigen Inszenierung sein Genie auf dem Gebiet der Opernregie. Diese Zauberflöte ist ein absolutes Muss für alle Opernfans.

Orpheus Chamber Orchestra Complete Recordings on Deutsche Grammophon [55CDs] Part 8 (2021)

Posted By: ArlegZ
Orpheus Chamber Orchestra Complete Recordings on Deutsche Grammophon [55CDs] Part 8 (2021)

Orpheus Chamber Orchestra Complete Recordings on Deutsche Grammophon [55CDs] Part 8 (2021)
EAC | FLAC | Image (Cue & Log) ~ 1.21 Gb | Total time: 05:01:52 | Scans included
Classical | Label: Deutsche Grammophon | # 483 9948 | Recorded: 1982-2018

Anticipating the 50th anniversary of Orpheus Chamber Orchestra in 2022, we present their complete recordings on DG. The intriguing sound culture of Orpheus, especially of the string section, is often explained as a result of the cooperative mindset of the orchestra and its artistic process of rehearsing.

Jean-Claude Malgoire, La Grande Ecurie et la Chambre du Roy, Kantorei Saarlouis - Mozart: Requiem (2005)

Posted By: ArlegZ
Jean-Claude Malgoire, La Grande Ecurie et la Chambre du Roy, Kantorei Saarlouis - Mozart: Requiem (2005)

Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy, Kantorei Saarlouis - Mozart: Requiem (1791 Vienna - Rio de Janeiro 1821) (2005)
EAC | FLAC | Image (Cue & Log) ~ 267 Mb | Total time: 51:09 | Scans included
Classical | Label: K617 | # K617180 | Recorded: 2005

…Süssmayr, of course, was not the only, or even the first, person engaged by Constanza Mozart to work on her late husband’s unfinished masterpiece. Her first choice was Josef Eybler, another of Mozart’s students, and the one that Mozart had considered more capable. Eybler worked on the orchestration of the portions of the score for which Mozart had written vocal parts and a continuo bass line, but balked at providing original music for the missing sections of the Requiem. Süssmayr then took over, enjoying the advantage of having discussed Mozart’s intentions for the completion of the score with him. It’s entirely possible that the young assistant had a second advantage, namely that he was not sufficiently aware of the implications of the monumental task that Eybler had abandoned and that he was undertaking. There’s an unresolved dispute over his decision to bring the score to a close by repeating the music of the first fugue.

Orpheus Chamber Orchestra Complete Recordings on Deutsche Grammophon [55CDs] Part 7 (2021)

Posted By: ArlegZ
Orpheus Chamber Orchestra Complete Recordings on Deutsche Grammophon [55CDs] Part 7 (2021)

Orpheus Chamber Orchestra Complete Recordings on Deutsche Grammophon [55CDs] Part 7 (2021)
EAC | FLAC | Image (Cue & Log) ~ 1.17 Gb | Total time: 04:52:25 | Scans included
Classical | Label: Deutsche Grammophon | # 483 9948 | Recorded: 1982-2018

Anticipating the 50th anniversary of Orpheus Chamber Orchestra in 2022, we present their complete recordings on DG. The intriguing sound culture of Orpheus, especially of the string section, is often explained as a result of the cooperative mindset of the orchestra and its artistic process of rehearsing.

Charles Mackerras, Scottish Chamber Orchestra - Wolfgang Amadeus Mozart: Così fan tutte (1994)

Posted By: ArlegZ
Charles Mackerras, Scottish Chamber Orchestra - Wolfgang Amadeus Mozart: Così fan tutte (1994)

Charles Mackerras, Scottish Chamber Orchestra - Wolfgang Amadeus Mozart: Così fan tutte (1994)
EAC | FLAC | Image (Cue & Log) ~ 779 Mb | Total time: 188:44 | Covers included
Classical | Label: Telarc | # 80360 | Recorded: 1993

This recording of Così fan tutte was made when the cast was preparing for performances at the 1993 Edinburgh Festival, so the cast had the advantage of enough rehearsal time together to relax into the opera's humor. Their easy rapport is most evident in the spirited recitatives, which sparkle with spontaneity and wit. The fact that the principals are talented comedians makes their unforced interactions genuinely fun, and they sound like they are thoroughly enjoying themselves. Although they are not all international superstars, the performances are stellar. The soloists bring out the humanity and complexity of the opera, and artfully convey their characters' emotional development.

I Musici - Mozart: Serenata Notturna, 3 Divertimenti (1984)

Posted By: ArlegZ
I Musici - Mozart: Serenata Notturna, 3 Divertimenti (1984)

I Musici - Mozart: Serenata Notturna, 3 Divertimenti (1984)
EAC | FLAC | Image (Cue & Log) ~ 238 Mb | Total time: 46:12 | Scans included
Classical | Label: Philips | # 412 120-2 | Recorded: 1983

After hearing I Musici perform, Arturo Toscanini remarked, "Twelve individual instrumental masters, and together the finest chamber orchestra in the world." This Italian ensemble has long attracted international attention for their emphasis on brilliance, strength of attack, and high level of discipline, beginning with their first performances of seventeenth and eighteenth century Italian music. The group was formed in March 1952 by 12 students at the Accademia di Santa Cecilia, Rome, who developed a common interest in pre-Classical music during conservatory meetings. Upon origination the ensemble was composed of six violins, two violas, two cellos, a double bass, and a harpsichord; there were three women and nine men.

Monica Huggett, Orchestra of the Age of Enlightenment - Mozart: Violin Concertos (1999)

Posted By: ArlegZ
Monica Huggett, Orchestra of the Age of Enlightenment - Mozart: Violin Concertos (1999)

Monica Huggett, Orchestra of the Age of Enlightenment - Mozart: Violin Concertos (1999)
EAC | FLAC | Image (Cue & Log) ~ 523 Mb | Total time: 66:50+57:24 | Scans included
Classical | Virgin Veritas | 5 61576 2 | Recorded: 1991, 1993

Anyone interested in a high-quality performance of Mozart's violin concertos on period instruments needs to look no further than this inexpensive set. All the youthful exuberance of the music comes through brilliantly in this interpretation, enhanced by the transparent texture of period instruments. Everything from tempi to dynamics is well-chosen and well-rendered, and nothing stands out as being out of place.

Ian Page, The Mozartists - Mozart in London (2018)

Posted By: ArlegZ
Ian Page, The Mozartists - Mozart in London (2018)

Ian Page, The Mozartists - Mozart in London (2018)
EAC | FLAC | Image (Cue & Log) ~ 716 Mb | Total time: 144:50 | Scans included
Classical | Signum Classics | SIGCD534 | Recorded: 2015

The Mozartists present an unprecedented survey of Mozart’s childhood stay in London from 1764-65. The wide-ranging programme includes Mozart’s remarkable first symphony (composed when he was eight years old), along with his two other London symphonies and his first concert aria. The repertoire also explores music that was being performed in London during Mozart’s stay, including works by J. C. Bach, Thomas Arne, Abel, Pescetti, Perez, George Rush and William Bates, many of which have not previously been recorded.

Gottfried von der Goltz, Freiburger Barockorchester - Mozart: Youth Symphonies (2019)

Posted By: ArlegZ
Gottfried von der Goltz, Freiburger Barockorchester - Mozart: Youth Symphonies (2019)

Gottfried von der Goltz, Freiburger Barockorchester - Mozart: Youth Symphonies (2019)
EAC | FLAC | Image (Cue & Log) ~ 332 Mb | Total time: 64:48 | Scans included
Classical | Label: Aparté | # AP215 | Recorded: 2019

It is true that images have the power to keep a trace of the past. Gottfried von der Goltz and the Freiburger Barockorchestra prove with this recording that music too conceals the secret of the memory deep within. Though rarely played, much less recorded, Mozart’s youth symphonies bear the reminiscence of the child the composer used to be, as well as including the seeds of his future masterpieces.

Robin Ticciati, Orchestra of the Age of Enlightenment - Mozart: La clemenza di Tito (2018) [BDRip]

Posted By: Vilboa
Robin Ticciati, Orchestra of the Age of Enlightenment - Mozart: La clemenza di Tito (2018) [BDRip]

Robin Ticciati, Orchestra of the Age of Enlightenment - Mozart: La clemenza di Tito (2018) [BDRip]
BluRay-rip | AVC | MKV 1280x720 / 2735 kbps / 29,97 fps | 138 min | 3,10 Gb
Audio: Italiano / AC3 / 6ch / 48.0 KHz / 448 Kbps
Classical | Opus Arte | Sub: English, French, German, Japanese, Korean

Mozart's final opera returns to Glyndebourne after an absence of nearly 20years in a 'stark, compelling and very well acted' production directed byClaus Guth. Richard Croft sings the title role 'with exemplary stylistic poiseand tonal sweetness', and Anna Stéphany is a Sesto 'touchingly full of angstand remorse… with terrific élan and immaculate technical control' in thearias (The Telegraph) - her "Parto, Parto" 'simply breathtaking' (The Guardian). Guth's vision sets the 1st-century Roman story in a two-storeyoffice suite bureaucracy 'exquisitely lit by Olaf Winter', aptly framing thescheming of Vitelia, sung by Alice Coote 'in terrific form'. The OAE underRobin Ticciati 'brings out the sheer beauty' of Mozart's score (Express).

Lowell Greer, Philharmonia Baroque, Nicholas McGegan - Mozart: Horn Concertos; Rondeau K 371; Rondo K 514 (1988)

Posted By: Designol
Lowell Greer, Philharmonia Baroque, Nicholas McGegan - Mozart: Horn Concertos; Rondeau K 371; Rondo K 514 (1988)

Wolfgang Amadeus Mozart: Horn Concertos; Rondeau K 371; Rondo K 514 (1988)
Lowell Greer, horn; Philharmonia Baroque Orchestra; Nicholas McGegan, conductor

EAC | FLAC | Image (Cue&Log) ~ 294 Mb | Mp3 (CBR320) ~ 151 Mb | Scans included
Classical | Label: Harmonia Mundi | # HMU 907012 | Time: 01:02:13

"Greer is a highly accomplished player of the natural horn… I find Greer's playing very musicianly: unusually graceful in the phrasing of the quick movements, with gentle, thoughtful playing in K417 and some lovely smooth and clear lines in K495, while the slow movements are all beautifully done—the Romance of K447 refined and graceful, that of K495 often truly poetic with happy details of timing. And there is no shortage of wit in the finales, or of high spirits. Greer improvises his cadenzas: in the first movement of K495 he does, rightly I think, simply a longish flourish, with no reference to the themes of the movement." (Stanley Sadie, Gramophone Magazine)

Leif Ove Andsnes, Mahler Chamber Orchestra - Mozart Momentum 1785: Piano Concertos Nos.20-22; Piano Quartet No.1 (2021)

Posted By: ArlegZ
Leif Ove Andsnes, Mahler Chamber Orchestra - Mozart Momentum 1785: Piano Concertos Nos.20-22; Piano Quartet No.1 (2021)

Leif Ove Andsnes, Mahler Chamber Orchestra - Mozart Momentum 1785: Piano Concertos Nos.20-22; Piano Quartet No.1 (2021)
EAC | FLAC | Image (Cue & Log) ~ 452 Mb | Total time: 02:15:37 | Scans included
Classical | Label: Sony Classical | # 19439742462 | Recorded: 2020

Mozart Momentum 1785 is the first of two releases on which pianist Leif Ove Andsnes and the Mahler Chamber Orchestra are exploring the remarkable years of 1785/86 in W.A. Mozart's life. It includes piano concertos Nos 20-22, the Piano Quartet in G minor, Masonic Funeral Music and Fantasia in C minor for solo piano.

Alexander Janiczek, Scottish Chamber Orchestra - Wolfgang Amadeus Mozart: Serenades (2014)

Posted By: ArlegZ
Alexander Janiczek, Scottish Chamber Orchestra - Wolfgang Amadeus Mozart: Serenades (2014)

Alexander Janiczek, Scottish Chamber Orchestra - Wolfgang Amadeus Mozart: Serenades (2014)
EAC | FLAC | Image (Cue & Log) ~ 339 Mb | Total time: 69:28 | Scans included
Classical | Linn | BKD287 | Recorded: 2006

Director Alexander Janiczek proves the perfect choice to direct the music of his fellow Austrian as he delivers a superb performance in this, his second, recording with the Scottish Chamber Orchestra.

Trio Zimmermann - Wolfgang Amadeus Mozart: Divertimento K.563; Franz Schubert: String Trio D.471 (2010)

Posted By: Designol
Trio Zimmermann - Wolfgang Amadeus Mozart: Divertimento K.563; Franz Schubert: String Trio D.471 (2010)

Trio Zimmermann - Mozart: Divertimento K.563; Schubert: String Trio D.471 (2010)
Frank Peter Zimmermann, violin; Antoine Tamestit, viola; Christian Poltéra, cello

EAC | FLAC | Image (Cue&Log) ~ 278 Mb | Mp3 (CBR320) ~ 144 Mb | Scans included
Genre: Classical, Chamber Music | Label: BIS | # BIS-SACD-1817 | Time: 00:59:25

Considering that Mozart's Divertimento in E-flat is far and away the greatest string trio ever written, and one of the unquestionable monuments of chamber music generally, it doesn't get the attention that it surely deserves from either record labels or collectors. Perhaps the dearth of regularly constituted string trios (as opposed to quartets) has something to do with it, but the fact remains that there is no greater testament to Mozart's genius than this epic, nearly 50-minute-long masterpiece in six movements that contains not a second that fails to rise to the highest level of textural gorgeousness and supreme melodic inspiration. Happily, most performances understand how special the music is, and give it their best effort. This one is no exception. The Zimmerman Trio plays with remarkably accurate intonation and a ravishing tone that's also mindful of the Classical style. Schubert's single-movement trio makes the perfect coupling. It seems to grow right out of the Mozart until the end of the exposition, when Schubert suddenly sails in with some typically arresting harmony.