Toto members Steve Lukather and Joseph Williams release solo albums simultaneously. These band-mates and long-time collaborators both perform on one another’s recordings. Joseph Williams is the current singer of Toto and Denizen Tenant has that real Toto feel to it. The album Denizen Tenant features fellow Toto members David Paich and Steve Lukather and a cast of all-star musicians like Simon Phillips, Nathan East, Michael Landau, Jeff Babko, Lenny Castro and his daughter Hannah Ruick.

The 2009 compilation Africa: The Best of Toto is a double-disc set that contains all of Toto's big hits – "Africa", "Rosanna", "Hold the Line", "I Won't Hold You Back", "99", "Georgy Porgy" – and a bunch of album tracks. This is too much for most casual fans, the kind who just want the aforementioned hits, but for those who want to dig a little deeper this is a good, affordable way to do so.

Angel in the Dark is a lovely recording featuring the graceful vocals and finely crafted songs that everyone expects from Laura Nyro. These sessions were completed in the summer of 1995 and represent the last music Nyro recorded. The title cut and "Sweet Dream Fade" mine the same soul terrain as her late '60s recordings, featuring horns and underlined by heavy guitar riffs. These upbeat pieces perfectly integrate voice, arrangements, and lyrics to create an organic whole, and are two of the best cuts on the album. Slower, piano-based songs like "Triple Goddess Twilight," "He Was Too Good to Me," and "Serious Playground" are mixed in-between these songs. These pieces are quieter and introspective, with Nyro's voice more intimate. It is almost as though she was sitting at the piano, late at night, and singing to herself. There are also several covers including "Will You Still Love Me Tomorrow" and "Let It Be Me." The first of these is over five minutes and has been slowed down so much that it drags. In fact, she slows down all of the covers as if to convert them into heartfelt ballads.

Flesh + Blood suggested that Roxy Music were at the end of the line, but they regrouped and recorded the lovely Avalon, one of their finest albums. Certainly, the lush, elegant soundscapes of Avalon are far removed from the edgy avant-pop of their early records, yet it represents another landmark in their career. With its stylish, romantic washes of synthesizers and Bryan Ferry's elegant, seductive croon, Avalon simultaneously functioned as sophisticated make-out music for yuppies and as the maturation of synth pop…

Released in 1978 after London Town gave McCartney another huge hit, Wings Greatest rounds up McCartney's greatest hits from 1971 to 1978 – which means it skips "Maybe I'm Amazed" but touches on Ram. The main strength of this collection is that it contains many hits that never appeared on any album, and these are among McCartney's very best non-Beatle singles: the eccentric domesticity of "Another Day," the choogling rocker "Junior's Farm," the Bond anthem "Live and Let Die," the piledriving "Hi Hi Hi," and "Mull of Kintyre," a Scottish-styled folk ballad that was his biggest hit in England. And yes, it's fair to peg these as McCartney successes, since some of them were billed as McCartney, not Wings, and as such, this record is a great overview of McCartney's first decade of solo recording, containing many of his very best solo tunes.

Elton John was the biggest pop star of the '70s, grabbing headlines and generating hits throughout the world. As it turned out, this was merely the first act in a remarkable career that kept him at the top of the charts for over 25 years. He charted a Top 40 hit single every year between 1970 and 1996, a sign that he knew how to both change with the times and mold the times to fit him. Initially marketed as a singer/songwriter, John soon revealed he could craft Beatlesque pop and pound out rockers with equal aplomb. He could dip into soul, disco, and country, as well as classic pop balladry and even progressive rock. His versatility, combined with his effortless melodic skills, dynamic charisma, and flamboyant stage shows, became his calling cards and many of his songs became contemporary pop standards.

The Eagles are an American rock band formed in Los Angeles in 1971 by Glenn Frey, Don Henley, Bernie Leadon, and Randy Meisner. With five number-one singles, six Grammy Awards, five American Music Awards, and six number one albums, the Eagles were one of the most successful musical acts of the 1970s. At the end of the 20th century, two of their albums, Their Greatest Hits (1971–1975) and Hotel California, were ranked among the 20 best-selling albums in the United States. Hotel California is ranked 37th in Rolling Stone's list of "The 500 Greatest Albums of All Time" and the band was ranked number 75 on the magazine's 2004 list of the 100 Greatest Artists of All Time.

April Moon is the second studio album by the English female singer-songwriter Sam Brown. It was originally released in 1990, on the label A&M. The album was produced by Sam Brown, and her brother Pete Brown. On release, the album was received favourably by the majority of music critics. Brown's last commercially successful solo album, it went on to peak at #38 on the UK Albums Chart and reached #30 on the Australian ARIA Charts. The album launched three charting singles in the UK. "With a Little Love" peaked at #44 on the UK Singles Chart; "Kissing Gate" at #23; "Mindworks" at #77. Then-Pink Floyd member David Gilmour sang backing vocals on the track "Troubled Soul" (he had also appeared on Brown's debut album, Stop!, in 1988).

The second simple box of Al Stewart albums rounds up five latter-day records from the '80s and '90s: 24 Carrots, Live at the Roxy Los Angeles 1991, Russians and Americans, Last Days of the Century, and Famous Last Words. Apart from 24 Carrots, which generated the adult contemporary staple "Midnight Rocks," there aren't any hits here, but each of these well-tailored records speaks to Stewart's eccentric charms, so for the converted fan – i.e., the ones who know all the albums in the Original Albums Series box – this is an easy, affordable way to dig deeper.

The Complete Greatest Hits is an awkward title, but it's more or less accurate. Less because there are two new recordings here ("World of Light," "Paradise") at the end that couldn't qualify as hits. More because it does contain all of the group's greatest hits, from their Warner recordings from the '70s ("A Horse With No Name," "Tin Man," "Ventura Highway," "Lonely People," and "Sister Golden Hair") to their smooth recordings for Capitol in the early '80s ("You Can Do Magic," "The Border"). Not counting Rhino's superb box set, Highway, this is the first collection to do this, and it makes for an excellent listen and a great, succinct summary of their strengths.

Perhaps it’s all down to Stevie Nicks being at peace with her legacy, perhaps she was coaxed back toward the ‘70s by producer David A. Stewart, perhaps it’s the presence of Lindsey Buckingham on “Soldier’s Angel,” or perhaps it’s the fact that she excavated a 1976 song called “Secret Love” for this album, but In Your Dreams is Stevie’s first solo album to embrace the sound of Fleetwood Mac at their prime. Nicks never exactly ran away from the Mac, but her ‘80s solo hits were tempered by a steely demeanor and her subsequent solo albums strove too hard to recapture the magic that In Your Dreams conjures so easily.

2014 five CD box set containing a quintet of albums from the Scottish singer/songwriter. Each album is housed in a mini LP sleeve. Includes the albums Bedsitter Images, Love Chronicles, Zero She Flies, Year Of The Cat, Time Passages. A pair of hits – "Year of the Cat" and "Time Passages," arriving two years apart during the late 1970s – defined Al Stewart as a louche soft rock troubadour for millions of listeners. While that description is not inaccurate – Stewart had a fondness for lush studio production – it doesn't encompass everything the Scottish singer/songwriter accomplished during his lengthy career. Initially part of the British folk underground of the '60s, Stewart didn't shy away from controversy in his early years, becoming notorious for singing "f***ing" on his 1969 album Love Chronicles.

Crazy Life was Gino Vannelli’s debut album for A&M. Word has it that Gino, frustrated with being unable to secure a record deal in Los Angeles, hung out early in the morning at A&M’s lot and waited for someone of importance to show up. When a startled Herb Alpert encountered Vannelli in the parking lot, he agreed to an audition, signed Vannelli, and produced the debut album. Crazy Life was the gamble that A&M took on this relatively unknown talent, one that would pay off in future years with hits like "People Gotta Move" and "I Just Wanna Stop" for A&M.
Looking back on much of Gino’s mid-era A&M output, Crazy Life actually sounds less dated than many of his other albums. All the elements were there in the beginning: jazz inflections, "pop" vocals about love and relationships…