The Best of the Allman Brothers offers a brief but effective introduction to the band, featuring such hits as "Ramblin' Man", "Crazy Love", "Melissa", "Jessica", and "Statesboro Blues".

Live at the Olympic: The Last DJ is a live DVD by American musician rock band Tom Petty and the Heartbreakers, first released in September 2003. The film features the band's 2002 album The Last DJ performed in its entirety. Also featured are several of the band's other songs, and "You Wreck Me" from Petty's 1994 solo album Wildflowers. It was directed by Martyn Atkins.

Given that Kill to Get Crimson follows Mark Knopfler's yearlong collaboration with Emmylou Harris – inaugurated by the album All the Roadrunning and followed by a tour, subsequently documented on the live set Real Live Roadrunning – it might be reasonable to presume that it bears a slightly heavier folk influence, as if Emmylou had rubbed off on the guitarist…

El Loco is the seventh studio album by the American rock band ZZ Top, released in 1981. The title means "The Crazy One" in Spanish. The band's guitarist/singer Billy Gibbons has said that the recording of this album was the first time the three members of the band were isolated from one another in the studio, rather than recording simultaneously in the same room. It also foreshadowed ZZ Top's synthesizer-driven direction later in the decade, with early experimentations in synthesizer backing on certain tracks.

Unblackened is a live acoustic album by American heavy metal band Black Label Society. It was recorded live on March 6, 2013, at Club Nokia in Los Angeles, and released on September 24, 2013

Most rock & roll bands are a tightly wound unit that developed their music through years of playing in garages and clubs around their hometown. Steely Dan never subscribed to that aesthetic. As the vehicle for the songwriting of Walter Becker and Donald Fagen, Steely Dan defied all rock & roll conventions…

The 3CD, Super Deluxe adds 12 tracks not included on the original release. Bonus tracks are a combination of live tracks, studio cuts and outtakes. The entire album is also available in 5.1 Surround Sound on the Blu-Ray plus additional tracks. The Allman Brothers' second album, is a mixture of chunky grooves and sophisticated textures. It showcases both Gregg Allman's and Dickey Betts' skills as songwriters…

Gov't Mule's sound is a throwback to the '70s heyday of Southern rock, and their style is peppered with references to the best of the Allmans, with a liberal dose of early ZZ Top thrown in for good measure. Their second album shows no signs of a sophomore slump, featuring playing and songwriting every bit as strong as their debut outing. Warren Haynes' guitar work, if anything, is even more adventurous this time around, particularly effective on the opener "Blind Man in the Dark," "Thelonius Beck," and "Birth of the Mule."

Greatest Hits is a lean yet complete overview of Tom Petty & the Heartbreakers' biggest singles from their first prime. Sure, it's possible to pinpoint a few great songs missing, but the group had a lot of great songs during the late '70s and '80s…

Released in the summer of 1968 – a year after the summer of love, but still in the thick of the Age of Aquarius - Creedence Clearwater Revival's self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty's Americana fascinations. While many of Fogerty's obsessions and CCR's signatures are in place – weird blues ("I Put a Spell on You"), Stax R&B (Wilson Pickett's "Ninety-Nine and a Half"), rockabilly ("Susie Q"), winding instrumental interplay, the swamp sound, and songs for "The Working Man" – the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of "Susie Q," the backward guitars on "Gloomy," and the directionless, awkward jamming that concludes "Walking on the Water."

Since Full Moon Fever was an unqualified commercial and critical success, perhaps it made sense that Tom Petty chose to follow its shiny formula when he reunited with the Heartbreakers for its follow-up, Into the Great Wide Open…

Although Let Me Up (I've Had Enough) found the Heartbreakers regaining their strength as a band and discovering a newfound ease at songcraft, it just didn't sell that well. Perhaps that factor, along with road fatigue, led Tom Petty to record his first solo album, Full Moon Fever…

Produced by Dave Stewart, Southern Accents is an ambitious album, attempting to incorporate touches of psychedelia, soul, and country into a loose concept about the modern South…