Creedence Clearwater Revival officially split in early 1972. Their final album, the much-maligned Mardi Gras, was in the can, so it hit the stores that spring, leaving the surviving members free to have solo projects pop up in the fall of that year. Doug Clifford, the band's drummer, retained the services of Stu Cook, who decided to switch from bass to rhythm guitar – a notable shift, but not as notable as Clifford's emerging from behind the drums to be a lead vocalist…

Alexander has always been in the game it seems. He’s played with everyone from Southside Johnny and the Asbury Jukes to Elvis Costello and Allen Toussaint. With Knockin’ Glenn and company take their in-your-face, guitar driven, horn-laced music to the next level…

Following the success of their self-titled debut, the Ozark Mountain Daredevils' sophomore release, It'll Shine When It Shines, continues on their already established path of California-style country-rock. This release contained what would ultimately prove to be their greatest hit, "Jackie Blue," which ended up peaking at number three on the pop chart. Although "Jackie Blue" is by far the least countrified track on the album, it embodies the casual, understated groove of the band that could be found on any of the Daredevils' releases. Although when examined closely the album is really three neatly separate albums by three maturing songwriters (John Dillon, Steve Cash, and the underrated Larry Lee), the thread of their relaxed atmosphere and light harmonies runs throughout the album, binding it together as a cohesive whole.

Double live albums were commonplace during the '70s, even for bands that weren't particularly good in concert. As a travelin' band, Lynyrd Skynyrd made their fame and fortune by being good in concert, so it made sense that they released a double-live, entitled One More from the Road, in 1976, months after the release of their fourth album, Gimme Back My Bullets. That might have been rather quick for a live album – only three years separated this record from the group's debut – but it was enthusiastically embraced, entering the Top Ten (it would become one of their best-selling albums, as well). It's easy to see why it was welcomed, since this album demonstrates what a phenomenal catalog of songs Skynyrd accumulated.

David Cantonwine, Donnie McCormick, Joseph Rogers, Tommy Carlisle, and Wayne Sauls were collectively known as Eric Quincy Tate, whose self-titled debut album was released in 1971, produced by Jerry Wexler, Tom Dowd, and Tony Joe White. The album also featured The Memphis Horns, The Dixie Flyers, and Tony Joe White. Released on Cotillion and out of print for decades, it was released by Rhino Handmade in 2006 with seven bonus tracks.

Permanent Vacation is the ninth studio album by American rock band Aerosmith, released in August 1987 by Geffen Records. The album marks a turning point in the band's career. It is their first album to employ professional songwriters, instead of featuring material solely composed by members of the band. This came as a suggestion of executive John Kalodner, who also pushed the band to work with producer Bruce Fairbairn, who remained with them for another two albums. It was also the first Aerosmith album to be promoted by heavy music video airplay on MTV. Though Done with Mirrors was intended to mark Aerosmith's comeback, Permanent Vacation is often considered their true comeback album, as it was the band's first truly popular album since their reunion.

Rock Legends is a 2007 compilation by Southern rock legends Lynyrd Skynyrd. This was released in Europe by Mercury/Universal.

The Allman Brothers Band's comeback album, and their best blues-based outing since Idlewild South that restored a lot of their reputation. With Tom Dowd running the session, and the group free to make the music they wanted to, they ended up producing this bold, rock-hard album, made up mostly of songs by Dickey Betts (with contributions by new keyboardman Johnny Neel and lead guitarist Warren Haynes), almost every one of them a winner. Apart from the rippling opening number, "Good Clean Fun," which he co-authored, Gregg Allman's contribution is limited to singing and the organ, but the band seem more confident than ever, ripping through numbers like "Low Down Dirty Mean," "Shine It On," and "Let Me Ride" like they were inventing blues-rock here, and the Ornette Coleman-inspired "True Gravity" is their best instrumental since "Jessica".

In Memory Of Duane Allman is a 1991 bootleg CD by The Allman Brothers Band. The recording is from the closing night at the Fillmore East on June 26, 1971 and has since been released as part of The 1971 Fillmore East Recordings box set in 2014. This was released by the Lost Rose label.

Blending rock, blues, country, and jazz, the godfathers of Southern rock in all its wild, woolly glory. 1998 9CDs Japanese Box contains studio and live albums and a compilation from 1969 to 1979.

Street Corner Stuff is the 1976 album by Peddler. This was released on the United Artists Records subsidiary Chi Sound and is a vinyl rip.

The eighth and ninth studio albums (there was a live recording between them) from the Atlanta Rhythm Section got a belated U.K. CD release in 2010. These closed out the act's affiliation with Polydor Records and are condensed onto a single CD here, as well as digitally remastered. It's another in the classy series of ARS reissues from BGO, which has treated the Southern pop act's catalog with utmost respect on four previous discs that bring the group's original albums back in print for collectors and music fans who want more than the 17 hits on Polydor's well-chosen 1982 vintage Best Of. Liner notes from Campbell Devine tend to be fawning but include a comprehensive history of the band, recounting its story leading up to and even after the recording of these tunes. Musically, ARS captured a unique style halfway between the smooth West Coast pop of the late '70s and the Southern rock of the era.

Sweathog was a San Francisco-based quartet whose sound was fairly far removed from the music normally associated with that city. They were a powerful ensemble instrumentally, keyboardist/singer Lenny Lee (aka Lenny Lee Goldsmith), guitarist/singer Bob Jones, bassist/singer Dave Johnson, and drummer Frosty (aka Barry Smith, aka Bartholomew Smith) all top players in their field – Frosty had played with Lee Michaels on his third and fourth albums, while Jones had played on Harvey Mandel's Cristo Redentor and Righteous in the late '60s, and Goldsmith was an ex-member of the Five Americans. They were not bad as singers, either, with Goldsmith handling the leads. Their music was a mix of Southern-style soul, early-'70s funk, and blues, all wrapped around a virtuoso rock sound.

The Allman Betts Band have announced a new record, Bless Your Heart, due out Aug. 28.