Uros Petkovic is the producer and composer known as Jazzotron, who has burst onto the Electro-swing scene in particularly flamboyant fashion. With an eclectic musical experience Petkovic is already a big name on the Balkan music scene, but has only recently emerged within the Electro-Swing consciousness. A master violinist and guitarist, his titillating first forays into the style have left us all hot under the collar! With a unique blend of traditional swing vibes, creamy vocals, and a tantalising injection of his native Serbian flavours in the form of strong looping violin sojourns, these beats are getting the Electro-Swing community excited.

Summer In Electro And Swing Jazz contains the definitive Artists & Jazz, Chillout, Lounge, Latin. The Best hits from Christian Lisi, Minor Swing Quintet, Lo Greco Bros, Alice Ricciardi, Papik, Ely Bruna and many more.

Whilst names such as Ricardo Bomba, Villa Box, Fogo Baiano, Electric Boogies and Batista Junior may not be household names, they tell an untold, yet rich and important part of musical history in Brazil. If the 80s has a bad reputation amongst traditionalists in Brazil then the 1990s are even more derived and deplored. This going against the grain and plucking gold from such forgotten periods is what makes this such a charming, unique, character-loaded and fascinating collection of music. It’s a release that is loaded with smooth grooves, bubbling bass, glistening synthesisers, funk strutting guitar lines and sheen of production that undeniably marks it of its time.

Casanova Lounge 9 Musical Moments Of Love And Passion contains the definitive Artists & Lounge. The Best hits from Jazzamor, Iris Camaa, Marina Decourt Don Gorda Project and many more.

Did you stumble upon some of our music and don't know where to look next? Look no further! This album is a collection of tracks which our fans, over the years, voted to the TOP. Now, finally, available in one neat little bundle for you to enjoy…

For a band that named itself after the first dog in outer space – and previous albums called Sounds of the Satellites and Silver Apples of the Moon – you'd think Laika would make spacey ambient music with a focus on quirky beats. And they do, sometimes. The emphasis, though, of Good Looking Blues, the London quartet's third album, is to give equal attention to Margaret Fiedler's smooth, somewhat gothic-and-soul-influenced vocals and the band's mixture of rock, slow electronic, and sit-on-your-couch dance music. Fiedler, who went to grade school with Liz Phair in Winnetka, Illinois and later played in a Smiths-sounding college band with Moby, speak-sings dark fictional stories about life's basic themes: love, sex, death, and work. But it's not quite that simple. For instance, on one of the album's standouts, "Black Cat Bone," she tells a story of a woman who kills her evil husband with voodoo: "Rocks for my pillow and sand for my bed/For better or worse, I left him for dead." Laika's talent is crafting a particular mood.

Summer in Electro And Swing Jazz (Light Music Selection) contains the definitive Artists & Jazz, Electronic. The Best hits from JazzInCase, Ely Bruna, Sugarpie And The Candymen, Bomba Titinka and many more.

An album that shows the inventiveness of an "essential" recording of Fine Electro-Jazz for all Café Del Mar' collectors. It compiles the efforts of several top European producers, the sounds and styles on display here have strong links to London's electronic scene, the Parisian/American jazz-house community, and Germany's earthy breakbeat maestros. Toni Simonen has succeeded in creating a tight compilation which will excite aficionados of electro beats while even jazz fans will not have any trouble keeping up their interest. Highlights are numerous, from Jakatta' "The other world," Tom Middleton and The Karminski Experience "The Sea". Employing deep house, tittering breaks, and down-tempo attitudes that virtually re-invented the entire electro jazz movement, taking cues from ambient and its chin-stroking underground, songs like "Timeless" or "Zeus" seem to highly respond to the jazz excursions while carrying all the emotional weight of an inspiring collection Sometimes spiced with vocals, and always supported with backings that are sensitive and spare enough to let the work of the main soloist take center stage!

Club des Belugas is one of the leading Nujazz bands in Europe, perhaps in the world. They combine contemporary European Electro, Lounge & Nujazz Styles with Brazilian Beats, Swing and American Black Soul of the fifties, sixties and seventies using their unique creativity and intensity. Since 2002 they released 10 studio albums, a 2CD live album, a live DVD, 10 singles and 1 EP.

Awesome third album from the Israeli group, recorded in three different studios around the world – Berlin / London and Tel Aviv. The album blends neo-soul, modern rnb, electronic beats, eastern sounds and psychedelic touches. Fans of Hiatus Kaiyote and Little Dragon should check this. Buttering Trio’s anticipated third album aptly titled “Threesome” arrived recently through the excellent Raw Tapes label. Influenced, as always, by worldwide rhythms and ideas, you’ll hear a multitude of sounds ranging from Indian ragas, tribal music, archetypical melodies infused with complex beat-making, organic songwriting, and warm vocals. “Our third and new album is the reflection of the sobering evolvement of ourselves. We approached the making of the album with clarity and intention, working on a regular basis with a very specific vision, a vision of an album that ultimately combines the beauty of studio-beat-making and organic song writing."

Taking in influences as diverse as Massive Attack, Django Reinhardt, and Gorillaz, Panic is the second studio album from Caravan Palace, the Parisian electro-swing six-piece responsible for transferring the traditional sounds of gypsy jazz to the modern-day dancefloor. Caravan Palace is a self-described électro-swing group from Paris, France, that made its full-length debut in 2008. Comprised of Charles Delaporte (bass, programming), Arnaud Vial (guitar, programming), Hugues Payen (violin, programming), Zoé Colotis (vocals), Antoine Toustou (electronics, trombone), and Chapi (clarinette), the group is chiefly inspired by Django Reinhardt but also cites Vitalic, Cab Calloway, Justice, Lionel Hampton, and Daft Punk among its influences.

Swingrowers are known for their mixture of JAZZ, SWING, POP and ELECTRO, they have extensively toured Europe and North America, opening sell-out shows for Parov Stelar, Chinese Man & Caravan Palace. On top of delivering official remixes for Caro Emerald and Swing Republic, Swingrowers also boast musical collaborations with The Lost Fingers, Gypsy Hill, DJ Pony Montana and have had their own songs remixed by Bart&Baker and Jamie Berry. Following on from their debut album ‘Pronounced Swing Grow’ers' in 2012, Swingrowers have released their second album ‘REMOTE’ in early 2015. OUTSIDEIN is Swingrowers' third full-length studio album, showcasing the band's expert musicianship and most meticulous production to date. Mixing genres from jazz to electronica, from gypsy-swing to full-on rock'n'roll with a melodic pop sensibility, this tightly-knit Italian outfit oozes style and attitude in live shows and records alike.

Caravan Palace is the debut studio album by the electro swing group Caravan Palace, released on 20 October 2008. The album performed best in the band's native France where it reached a peak chart position of No. 11 in August 2009, and remained on the French albums chart for 68 consecutive weeks. In 2009 it was awarded a gold certification from the Independent Music Companies Association.

The late and lamented Derek Bailey has suggested that due to the current state of jazz—"a comfortable reminder of the good old days was one of his more sympathetic characterizations—a complete separation of jazz and improvised music is in effect. Aorta's sophomore effort, Janus, makes a good case for the validity of Bailey's point. The Swedish band, centered around NY-based guitarist Anders Nilsson, immediately presents in the opening "Operation: Janus" the elements which make up its music, none of which are considered jazz.

Out of Sweden comes new jazz sounds from guitarist Anders Nilsson's group Aorta, a group that glances briefly back at the late '60s and '70s, then forges ahead, showing some possible directions for the music to go if it is to remain vital. Aorta probably won't be doing a week at the Vanguard any time soon, but if there's any music that can even remotely be called jazz and has any chance of capturing the ears of teens and twenty-somethings (the holy grail in music sales), this is it.