Cut Capers are a 9-piece Bristol band whose energetic live performance and infectious sound have won them a cult following on the British festival scene. Mixing a swinging vintage-style brass section (think Caro Emerald) with funk, soul and hip-hop. Like all the best bands, (and many of those on Freshly Squeezed Music) their sound is hard to pin down but comparisons have been made to “Madness, The Streets and Lily Allen” among many others (The Bristol Magazine). Cut Capers have established themselves as go-to festival favourites, playing headline shows and main stage performances at some of the UK’s biggest festivals including Glastonbury Festival (official) and Boomtown Fair.

Evan Parker Electro-Acoustic Ensemble - Warszawa 2019 (2021) {Fundacja Sluchaj}
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© 2021 Fundacja Słuchaj & Polish Music Council Foundation
Jazz / Electroacoustic / Avant-Garde Jazz / Saxophone

The ElectroAcoustic Ensemble was formed in 1990 as a sextet to explore the possibilities of real-time signal processing in an improvising context. and shortly became an opus magnum ensemble in the whole of Evan Parker's musical biography. Most of the CDs documenting the development of this exciting large ensemble were released by the legendary ECM label. The last time when EAE brought us its new CD titled Hasselt was nine years ago (PSI). Now, after this very long period, we proudly announce the brand new Evan Parker Electro-Acoustic Ensemble is coming! Beautifully recorded two years ago on the Warsaw-based festival Ad Libitum by Kuba Sosulski and beautifully mixed by Fil Gomez and Evan Parker himself in the middle of 2020 at Arcobarco, Ramsgate, UK. So let's listen and enjoying the ten pieces ensemble led by one of the greatest musicians in the world. Here comes WARSZAWA 2019.

Swingrowers are an accomplished four-piece band from Palermo, Sicily. Made up of Loredana Grimaudo (singer, songwriter), Roberto Costa aka Pisk (DJ, producer), Alessio Costagliola (guitarist, composer), and Ciro Pusateri (saxophonist, composer). The band fuse a multitude of genres from Jazz to hip-hop, electronica to gypsy-swing, and have seen (or heard!) their sound has steadily evolved since their debut into unique electro swing and vintage-inspired pop. They are noted for their irreverent style, which blends the freshness of dance music, with the warm influences of swing from the 20s to 50s.

Italy’s finest export SWINGROWERS are back with their fourth album Hybrid. Swingrowers are an accomplished four-piece band from Palermo, Sicily. Made up of Loredana Grimaudo (singer, songwriter), Roberto Costa aka Pisk (DJ, producer), Alessio Costagliola (guitarist, composer), and Ciro Pusateri (saxophonist, composer). The band fuse a multitude of genres from Jazz to hip-hop, electronica to gypsy-swing, and have seen (or heard!) their sound has steadily evolved since their debut into unique electro swing and vintage-inspired pop. They are noted for their irreverent style, which blends the freshness of dance music, with the warm influences of swing from the 20s to 50s.

Vinnie Colaiuta & Mark Isham - Hard Candy (2021) {A-Tone Recordings}
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© 2021 A-Tone Recordings, an imprint of Extreme Music
Jazz / Electronic / Jazz Fusion / Progressive Electronic

A very versatile drummer, Vinnie Colaiuta is impossible to pigeonhole as just a specialist in only one or two areas. He is capable of playing very credible pop-jazz, or recording with Buell Neidlinger and Marty Krystall in a post-bop quartet. Colaiuta's talents were obvious from an early age. After attending the Berklee School of Music, he worked with Frank Zappa (1978) and then performed with Joni Mitchell for several years. Settling in Los Angeles in 1983, Colaiuta worked for seven years as a very busy studio musician. In 1990 he went back on the road with Sting and in 1994 had his first record date as a leader, the self-titled Vinnie Colaiuta on the Stretch label.

Kamasi Washington & Throttle Elevator Music - Final Floor (2021) {Wide Hive Records WH 0355}
FLAC (tracks) - 16bit/44.1kHz - Digital Download -> 265 Mb | MP3 @320 -> 102 Mb | Cover | 5% repair rar
© 2021 Wide Hive Records } WH 0355
Jazz / Alternative / Contemporary Jazz / Electric Jazz / Jazz-Funk

Final Floor is eleven new tracks featuring saxophonist Kamasi Washington and trumpeter Erik Jekabson with longtime collaborators and songwriters Matt Montgomery and Gregory Howe. Joining them are Mike Hughes on drums, Kasey Knudsen on Alto Saxophone, Ross Howe on Fender Guitar and Mike Blankenship on organ. As the title indicates, this album represents the final original recordings of Throttle Elevator Music. Final Floor has an upscale energy with elements of rock and punk that fuel the overall sound and dynamically bring an edge back to jazz.

New album “Soiree Deluxe”- get in! Tape Five is an international studio project based in Germany created by multi-instrumentalist songwriter-producer Martin Strathausen. Tape Five combines a variety of styles and influences: The focus on Swing or Electro-Swing, but also Bossanova, Latin, Soul and NuJazz with their very own vivid retro interpretation in a classy way. For years, Tape Five has expanding global record sales and millions of Spotify streams, it´s albums frequently appear in the top 40 charts of the big international online-retailers… Selected songs can be found on about a thousand compilations (“Café del Mar”, “Campari Lounge”, “Swing Mania” and many more), they can be heard on Ad-campaigns from Spain and Hongkong to the USA and are playlisted on countless radio stations.

Someone once said there are two ways of listening to music - with your body and with your mind. When you're hit by the groove, you're listening with your body, compelling you to dance. Engaging with the music in this way is quite different to how you'd respond to, say, Nick Drake or Billie Holiday, where the music seems to deny a physical response.
All of which is a roundabout way of trying to explain what this eternally hip Belgian pianist's album is all about. Opening with a four-to-the-floor drum and bass riff, 'Silver (Who Stole the Groove?)' uses a sample taken from the classic Blue Note album Doin' the Thing (at the Village Gate) by Horace Silver. It becomes a repeated motif as Bert Joris's trumpet, Moulin's Fender Rhodes piano and Christa Jérome's voice weave textures around the hypnotic beat…

For a band that named itself after the first dog in outer space – and previous albums called Sounds of the Satellites and Silver Apples of the Moon – you'd think Laika would make spacey ambient music with a focus on quirky beats. And they do, sometimes. The emphasis, though, of Good Looking Blues, the London quartet's third album, is to give equal attention to Margaret Fiedler's smooth, somewhat gothic-and-soul-influenced vocals and the band's mixture of rock, slow electronic, and sit-on-your-couch dance music. Fiedler, who went to grade school with Liz Phair in Winnetka, Illinois and later played in a Smiths-sounding college band with Moby, speak-sings dark fictional stories about life's basic themes: love, sex, death, and work. But it's not quite that simple. For instance, on one of the album's standouts, "Black Cat Bone," she tells a story of a woman who kills her evil husband with voodoo: "Rocks for my pillow and sand for my bed/For better or worse, I left him for dead." Laika's talent is crafting a particular mood.

Marcella Puppini is a singer-songwriter. She is the founder of The Puppini Sisters, a radio presenter on Shoreditch Radio, an orchestra conductor and the lead singer of Marcella and The Forget Me Nots. Ex designer for Vivienne Westwood in late 90s London, ex Mayoress of Camden, founder, in 2004, of close-harmony trio The Puppini Sisters who are considered as the world’s authority on vocal harmony for their unique arrangements and vocal technique, with over half a million copies sold throughout the world and collaborations with Michael Bublè. Musical Director of large scale Burlesque and Variety shows in some of London’s best theatres and clubs, leader and founder of indie-rock-Weimar Marcella and The Forget Me Nots, and the only female guest conductor of the prestigious Russian Jazz band The George Garanian Big Band.

The Puppini Sisters' fifth studio album, The High Life, is the trio's first with Emma Smith joining original members Marcella Puppini and Kate Mullins. Aside from new membership, the vocal group stays the course, offering more of their close-knit, three-part harmonies on versions of big-band classics, a couple of original songs, and swing era-inspired rearrangements of more contemporary hits. The trio holds a few surprises in its selections of the latter, such as a medley of the Sugarhill Gang's "Rapper's Delight" and Sia's "Chandelier," and a fluid cover of Missy Elliott's "Work It." Their take on "Rapper's Delight" works especially well, riding the original's natural swing.

Caro Emerald's album The Shocking Miss Emerald is the follow up to her smashing debut album Deleted Scenes From The Cutting Room Floor, which sold over 2 million albums worldwide, making Miss Emerald one of the Top 5 most successful female artists in Europe. This stellar new cd picks up where her debut left off, serving an album of edgy, vivid, romantic and intense songs, all tied together with a 40s Parisian haute couture bow. Caro Emerald is a modern woman with a timeless classic style, an approach to life she has translated into her music. She brings retro jazz-blues into the 21st century by blending arrangement with sampling, scratching and pop to create her signature sound. Caro believes 'you should be able to listen to a song and hear something different every time.'

Ze Records boasted an early-'80s roster that included the varied likes of Alan Vega, Kid Creole & the Coconuts (who was also the imprint's house producer), Was (Not Was), John Cale, the Waitresses, and Christina. The label's musical focus was often on the poppy and eclectic offshoots of New York punk, with more raw acts like Lydia Lunch, James Chance & the Contortions, and Suicide balancing things out with some typically askew contributions. Even though this second label roundup does not feature those fine proponents of Gotham's underground ethos, it still provides a fairly thorough overview of Ze's best acts.

Enjoy an evening of swing music and dancing at the Black Cotton Club, London’s original speakeasy night. Hosted by legendary DJ duo Lady Kamikaze and El Nino, expect plenty of rare records and gangster sounds from the Twenties to the Forties, sets by guest DJs and live acts – there will be plenty of rare sounds and vintage mischief to celebrate. Don’t forget to don your best vintage from the Twenties to the late Fifties. 2009 two CD collection that brings together remastered and rediscovered gems from rare and original 78's with the best contemporary music influenced by 30's Jazz age sounds. Capturing a new zeitgeist, Disc One (White Mink) brings together the best of today's artists like France's platinum-selling Caravan Palace the Nu-Jazz star Parov Stelar, the UK's Jesse Rose and Austria's Waldeck with influential but hard-to-find early classics of the genre like "Princess Crocodile" by F.M. Einheit and Gry. Disc Two (Black Cotton) is the fruit of many years crate-digging for rare 78's that have then been tried and tested on the Club's dance floor.