Carles Benavent is one of the most acclaimed Spanish musicians, a world-class bass player who has performed and recorded with Miles Davis, Chick Corea, and Paco de Lucía, and the biggest names in flamenco, like Camarón de la Isla. “Vida” (life) is what Roger gave to all projects that we shared together. All songs composed by Carles Benavent, except "Jeunes filles au jardin", by Frederic Mompou; "Per Carles", by Roger Mas; and Ziryab, by Paco de Lucía.

2018 debut album, by prodigious keys player, composer and producer Joe Armon-Jones, is buoyant, celebratory and welcoming. With a background in jazz, he draws from influences in dub, hip-hop and soul. Different traditions are infused and commingled together. Soulful brass arrangements are colored with carefully-tuned atmospherics; individual flashes of brilliance are bound into the album's bigger picture. He's part of London's young, jazz-influenced music scene. Drawn from that same close-knit circle, the album features the likes of Moses Boyd, Nubya Garcia and Oscar Jerome. It's playing with those - along with Ezra Collective, which he co-founded, and touring with the likes of Ata Kak and Pharoahe Monch - which has honed his playing and grown his ideas. It's made for a record with an unmistakable depth. He draws on deep musical understanding, making music which is warm and has a feeling of joy. A document of his vision for bringing together his different influences, it's also a testament to hard-earned, head-turning musical virtuosity.

In the early 70's a band named Catalyst was formed in the heart of Philadelphia. The core of the group was Odean Pope, Sherman Ferguson, Eddie Green and Al Johnson (who was replaced by Tyrone Brown after their first album). The band drew from a wide range of musical styles; jazz, funk, R&B, avant garde and fusion all found their way into the creative sonic tapestry of Catalyst. With the given talents of Catalyst they could have and should have been bigger but sadly they found themselves with little promotion or recognition outside the proximity of Philadelphia. Thankfully Catalyst were able to leave behind four extraordinary recordings that will appeal to both jazz heads and those in the hip hop community.

TERANGA BEAT proudly presents composer Kyriakos Sfetsas and his Greek Fusion Orchestra, an artist with a truly multifaceted body of work. Sfetsas formed GFO in 1976, in order to accomplish an ambition dating back to his 1960's Avant Garde period in Paris: to create a piece of work that would expand the boundaries of Greek traditional music. The result is a Progressive-Jazz Fusion masterpiece comprising complex and intriguing compositions, and performed by Athens' best musicians of the day.

Jonathan Scales’ newest release, PILLAR—his sixth album, and fourth release on taste-maker label Ropeadope—is a testament to the grit and tenacity he possesses, while also serving as an introduction of his new, full-time rhythm battery consisting of bassist E’Lon JD and drummer Maison Guidry. These two formidable young lions hold their own in the company of an incredible cast of special guests, including bassists Victor Wooten, Oteil Burbridge and MonoNeon, trumpeter Christian Scott aTunde Adjuah, saxophonist Jeff Coffin, keyboardist Shaun Martin, percussionist Weedie Braimah and banjo pioneer Béla Fleck. It is the inclusion of Béla Fleck on this record that stands out most notably in context of Scales’ own personal story, and in this regard, PILLAR represents a remarkable victory for the music lover inside of the 33-year-old Asheville, NC based artist.

TRIX was formed in 2004, led by drummer Noriaki Kumagai (ex-Casiopea), with bassist Mitsuru Sutoh (ex-T-Square) and now guitarist Yuya Komoguchi and keyboardist AYAKI has joined the group. Their very ear-catcy music with thrilling techniques, and entertaining stage performance have been widely accepted among fans. Some of their songs are featured as the main theme of TV programs.

TRIX was formed in 2004, led by drummer Noriaki Kumagai (ex-Casiopea), with bassist Mitsuru Sutoh (ex-T-Square) and now guitarist Yuya Komoguchi and keyboardist AYAKI has joined the group. Their very ear-catcy music with thrilling techniques, and entertaining stage performance have been widely accepted among fans. Some of their songs are featured as the main theme of TV programs.

On Laughing Water, the fusion ensemble Jazz Is Dead one-ups the band that it sets out to honor. Laughing Water is a superior remake of the Grateful Dead's rather ordinary rock album Wake of the Flood.

Made up of seasoned players like Jimmy Herring from the Aquarium Rescue Unit, former Santana bassist Alfonso Johnson, and Dixie Dregs alums keyboardist T Lavitz and drummer Rod Morgenstein, Jazz Is Dead doesn't function so much as a Grateful Dead cover band than as an outfit that uses Dead gems as jumping-off points for a sonic journey that leads the listener not into well-traveled grooves, but into an enthralling soundscape without rules, vocals, or fixed time signatures. Superior playing and that special brand of ESP that all good jam bands possess further enrich these adroit and artful reinterpretations of Dead songs. "St Stephen" and "The Eleven" come out sounding like a cross between Indian bazaar music and the Allman Brothers (Herring spent a year filling in for an ailing Dickie Betts in the Allmans). Recorded live at the IMAC Theater in Huntington, New York, this disc captures all the nuances and guitar wizardry that Herring can wring out of his instrument, but one suspects that this band is even more spectacular live.

Superette is the debut album from revered bassist and composer Chris Lightcap's electrifying experimental band featuring guitarists Curtis Hasselbring and Jonathan Goldberger and drummer Dan Rieser, along with special guests Nels Cline and John Medeski. A recording for those who seek genre-defying exploration in music, Lightcap and company fearlessly guide the listener through soundscapes of surf, harmolodics, Mali-trance, psych and beyond, delivering a riveting sonic journey. Noted jazz critic Nate Chinen stated at WBGO: The obvious debt to West African pop traditions here cohabits with elements of shimmery surf-rock and gnarly jazz fusion. It's intrepid stuff but more importantly, it moves.

Jonathan Scales’ newest release, PILLAR—his sixth album, and fourth release on taste-maker label Ropeadope—is a testament to the grit and tenacity he possesses, while also serving as an introduction of his new, full-time rhythm battery consisting of bassist E’Lon JD and drummer Maison Guidry. These two formidable young lions hold their own in the company of an incredible cast of special guests, including bassists Victor Wooten, Oteil Burbridge and MonoNeon, trumpeter Christian Scott aTunde Adjuah, saxophonist Jeff Coffin, keyboardist Shaun Martin, percussionist Weedie Braimah and banjo pioneer Béla Fleck. It is the inclusion of Béla Fleck on this record that stands out most notably in context of Scales’ own personal story, and in this regard, PILLAR represents a remarkable victory for the music lover inside of the 33-year-old Asheville, NC based artist.

This work contains the 50 minute epic "Track Of Days". Prog Fusion at its best. Reminiscent of Happy The Man, Pat Metheny, UK, Bruford, Yes, Genesis, Gentle Giant and others.

For his third record, the Finnish keyboard virtuoso Aapo Heinonen has created a refreshingly unique sound, a relaxed whirlwind of fusion-grooves, Latin swing and modal-jazz-melodies - all embedded into stimulatingly complex arrangements. The album still displays Heinonen's recognisable sensual charm. But it feels a lot more cinematic and ambitious than any of his previous offerings. Heinonen admits he had doubts whether he was ready for these incisive changes. But true to his convictions, he never let that stop him.

American electric bass guitarist Anthony Jackson has been playing with European musicians for quite some time – note his collaboration with the Turkish-born pianist Fahir Atakoglu in the 2000s. Here he teams with Greek musician and fellow bass guitarist/composer Yiorgos Fakanas for a set of retro-jazz fusion music that is far from typical. Armed with a large ensemble of contemporary all-stars and lesser known Europeans, Jackson and Fakanas create new music reflective of '70s New York supercharged funk à la the Brecker Brothers, and the mid-period John McLaughlin style of classically oriented jazz that incorporates horns, acoustic strings, and synthesizers. With keyboardist Mitch Forman, guitarist Frank Gambale, and drummer Dave Weckl, the band expands horizons past strictly European traditional or ethnic strains.

The son of Haitian emigrants, Jowee, was raised in Montreal and learnt to play the saxophone whilst attending his father’s (who was a minister) church later heading to Boston’s prestigious Berklee College of Music and onto New York to begin his musical journey in earnest. Currently residing in Paris, his much travelled, multi-lingual, multi-instrumentalist releases his new album Love Matters! through Jazz Village / [PIAS] on September 14th.