My Classical Way is a 2010 album. This recording was released on Frazzy Frog Music by Marc Antoine.

In interviews at the time, John Klemmer indicated he had taken a yearlong sabbatical of sorts to decide which musical direction he wanted to head in while writing the material for 'Touch'. He then went into the studio to record with a stellar group of musicians, many who had not previously appeared on one of his releases to date. These included key sidemen from Tom Scott's L.A. Express (John Guerin on drums and Chuck Domanico on bass) as well as established solo artists Dave Grusin on Fender Rhodes and David Batteau on backing vocals. It was a case of the right music, with the right musicians, at the right time.

A '92 session mixing fusion, R&B, and light jazz by Art Porter with a host of guest stars and participants, including Jeff Lorber, Paul Jackson, Jr., Buzz Feiten, Paul Pesco, Paulinho Da Costa, and Valeri Davis. There are also some vocals and elaborate production.

1999 marked 20 years since the band's unique combination of distinctively Japanese elements – June Kuramoto's classical-flavored koto, Johnny Mori's booming Taiko drum – with funky pop, urban, and jazz sensibilities first hit the instrumental music charts, and 25 years since saxophonist and East L.A. native Dan Kuramoto first formed the ensemble. Their Windham Hill Jazz debut (and 11th release overall) Between Black and White finds them once again blending contemporary root music, mystical Eastern exotica, and melodically rich smooth jazz that further deepens their larger commitment to global unity on the cusp of the new millennium. Hiroshima once again dares to push the envelope and engage diversity from track to track.

Dave Grusin, Makoto Ozone, Philippe Saisse, Bob James, Richard Tee, Bill Sharpe and Keiko Matsui.

Doc Powell has a way of hiring a lot of talented musicians to play on his albums and not giving them enough room to stretch out. On Life Changes, the players include Patrice Rushen (electric and acoustic piano), Randy Brecker (trumpet), Kirk Whalum (tenor sax), and Billy Preston (organ, acoustic piano). With such talent on board, Powell could have easily delivered a killer soul-jazz album, but regrettably, the George Benson-influenced guitarist plays it safe and makes sure that improvisation is kept to a bare minimum. NAC/smooth jazz programmers don't like a lot of blowing, and Powell obviously kept that in mind when he produced and arranged "Life Changes".

The term “Renaissance Man” dates back to the time of Leonardo da Vinci, who was described as a man of “unquenchable curiosity” and “feverishly inventive imagination.” Paul Brown’s four decade journey through the worlds of pop, R&B and jazz is the modern day musical equivalent. Starting as a drummer, he became an engineer for R&B legends (Diana Ross, Luther Vandross, Aretha Franklin) before evolving into a two time Grammy winning urban jazz producer (with over 60 #1 radio airplay hits) and finally a popular guitarist, artist and performer in his own right.

The Ultimate Smooth Jazz #1's Vol.9 contains the definitive Artists & Jazz. The Best hits from Kayla Waters, Cindy Bradley, Special EFX and many more.

Instrumental jazz for the holidays. GRAMMY nominated guitarist, bassist and producer Jack Jezzro has been one of Nashville's most versatile performers and studio musicians for over 30 years. As a bassist, he was a member of the Nashville Symphony Orchestra from 1981-1991 and continues to be a member of the Nashville String Machine, playing on hundreds of albums including those by Garth Brooks, Faith Hill, Bruce Springsteen, Carrie Underwood, George Strait, Rascal Flatts, Dolly Parton, and more.

Grunge pioneers who took the heavy sludge of '70s metal and infused it with the raw aesthetic of '80s punk to become an important band of the '90s. Collection includes: 'Louder Than Love' (1989); 'Badmotorfinger' (1991); 'Superunknown' (1994); 'Down On The Upside' (1996).

A musical aphrodisiac of smooth jazz and world fusion melodic blends punctuated by exotic rhythms for guitar, keyboard and African percussion for a sizzling romantic interlude.

When Scott Hamilton appeared in the mid-'70s fully formed with an appealing swing style on tenor (mixing Zoot Sims and Ben Webster), he caused a minor sensation – few other young players during the fusion era were exploring pre-bop jazz at his high level. He began playing when he was 16 and developed quickly, moving to New York in 1976. Hamilton played with Benny Goodman in the late '70s, but he has mostly performed as a leader, sometimes sharing the spotlight with Warren Vaché, Ruby Braff, Rosemary Clooney, the Concord Jazz All-Stars, or George Wein's Newport Jazz Festival All-Stars. Other than a few sessions for Famous Door and Progressive, Hamilton has recorded a prolific string of dates for many labels – often more than two a year – that are notable for their consistency and solid swing.

Ricardo had 3-4 albums that went number one on the Jazz genre back in the late 80's early 90's, and this one is one of them.Sky Light is a very well balanced album with Ricardo's usual impressive technique both on Violao (Acoustic Guitar) and on Guitarra (Electric Guitar).The themes are also very well balanced between fast-paced cuts such as 1) You Can Get What You Want, 4) The Rio Thing or 8) Hangin' Out, to beautiful Jazz ballads like 5) Magical Fantasy, 6) Cats or 9) Her Eyes.

Abandoned Garden is an album by American vocalist Michael Franks. Released in 1995 by Warner Bros. Records, it was Franks' thirteenth studio album and his final album of new material with Warner Bros. The album is a dedication to the memory of Brazilian jazz musician, singer and composer Antônio Carlos Jobim. Franks had drawn artistic inspiration throughout his career from Jobim, and had collaborated with him in the past.