Deva Premal is a musician known for her meditative spiritual new-age music, which puts ancient Buddhist and Sanskrit mantras—as well as chants in other languages—into atmospheric contemporary settings. Premal met her partner in life and music, Miten, at the Osho International Meditation Resort in Pune, India in 1990, where she was studying reflexology, shiatsu, cranio-sacral therapy, and massage.They have been touring together since 1992, offering concerts and chant workshops worldwide.

This live German recording of Messiah is based on a manuscript Handel marked up for a performance of the work in Dublin, adding a variety of new dynamic markings and ensemble indications. There's no reason to regard it as quite the definitive version of the work that it is proposed to be by the booklet here; it can equally well be considered an experiment on Handel's part in dealing with the new stylistic currents of his day.

Mozart's arrangement of Handel's Messiah, made in 1789, relates to his involvement in the circle of musical connoisseurs surrounding the Baron Gottfried van Swieten, Viennese nobleman and aficionado of the monuments of Baroque music. It is, as the booklet here aptly puts it, a "cover version" (the German participle, charmingly enough, is "gecovert") of Handel's work, neither a radical rethinking nor a light rescoring. Mozart adds a good deal of wind scoring, often arranging things so that the winds peek out with a wink toward the end of an aria.

Formed in 1969 in the lace city of Nottingham, England - Paper Lace were just one of hundreds of bands looking for the big time. Their big break came in 1974, when after winning the nationwide talent show "Opportunity Knocks", they were spotted by the songwriting team of Mitch Murray & Peter Callander. The first single "Billy - Don't Be A Hero" topped the U.K. charts for 3 weeks in March 1974. The follow up single,"The Night Chicago Died" hit the number one slot on both the U.S.& Canadian charts [#3 in the U.K]. An album - " Paper Lace and Other Bits of Material" followed. The 3rd. single release "The Black Eyed Boys" narrowly missed the U.K. top 10 [#11]. In 1978 Paper Lace had a top 20 version of "We've Got the Whole World in Our Hands" in conjunction with local football team Nottingham Forest F.C.

This 2009 Blues Bureau International release rounds up highlights from Chris Duarte’s previous albums for the label (hence, the “something old”) and adds the previously unreleased “Outside Man” and three live cuts (“something new”). The new cuts are as reliable slices of modern blues-rock as the previously released tracks, so this winds up being a solid sampler of a sturdy group of records.

THE CLASH LIVE: REVOLUTION ROCK is an exciting new documentary film directed by long-time Clash collaborator and Grammy-winning producer Don Letts (Westway To The World) that chronicles the electric live performances of one of the most influential bands to emerge from the UK…

James Brown - Try Me! (1959) {Universal Music Japan Mini LP UICY-9280 rel 2003}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 141 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 1959, 2003 Polydor / Universal Music Japan | UICY-9280 | Cardboard Sleeve | 24bit remastering | Mono
Funk / R'n'B / Soul / Funky Jam

Limited to 5000 copies.Paper sleeve. TRY ME, credited to James Brown and his Famous Flames was originally released as KING 12-635 in 1959. It was Brown's second album, and as with most of his non-live pre-1970's albums, it contains previously released singles. Here it's some of his final Federal and later-to-be King sides. Two of TRY ME's album-only cuts were later released as KING singles.

As he gained more and more respect and critical recognition in the early years of the 21st century, Dave Holland took a leap and expanded his music outward into a big band format. The word "expanded" is key here, for what Holland has mostly done on What Goes Around is send his quintet format through an expansion process, where there are more pieces in the puzzle, yet the same overall conception of sound remains. All but one of the pieces here are rewrites of earlier, previously recorded selections, dating from 1983 all the way to 2000. All of the charts are composed with a sureness and a grounding in tradition that belies the fact that this is Holland's first big band album.

Anna Bolena premiered in 1830 and was Donizetti’s first great success–and it remains one of his finest works. Aside from his usual endless fount of melodies, we find through-composed scenes wherein recitative seamlessly melds into arioso and into aria or ensemble. Anna manages to come across as a real character, as does the unfortunate Jane Seymour, who has the (bad) luck to be Henry VIII’s new love; and Henry’s music, too, is composed effectively for this royal villain. Less successfully portrayed but still with a couple of fine arias and some stunning ensemble music is Anna’s brother Percy. He’s an earthbound character but his music is wonderful and difficult (it was composed for the legendary Rubini).

Anthony Lawrence Carey is an American-born, European-based musician, composer, producer, and singer/songwriter. One of his earliest musical experiences was in a band called Blessings, in which he played until 1974 when Ritchie Blackmore hired him as keyboardist for Rainbow…

This mammoth five-disc set is a wide-ranging overview of Serge Gainsbourg's career as a songwriter, composer, and arranger. It also showcases his ability to make actual singers out of actresses and models – there are a few duets here with Brigitte Bardot, and others. Those who are encountering Gainsbourg for the first time will no doubt be intimidated by this set, it is a lovely package that moves basically in chronological order; but the three-disc De Gainsbourg à Gainsbarre set is more focused and a lot more affordable.