The great guitar enthusiast and humble disciple of Django Reinhardt, Thomas Dutronc returns with the project he has always dreamed of: "Frenchy". After four albums and hundreds of concerts in France, Thomas returns with a "French themed" album addressing the greatest classics of the French musical heritage. Dutronc honors the work of the great French songwriters whose melodies have toured the world. Features Diana Krall, Iggy Pop, Billy Gibbons, Jeff Goldblum, Haley Reinhardt and more.

Charles Aznavour was a French and Armenian singer, lyricist, actor and diplomat. Aznavour was known for his distinctive tenor voice: clear and ringing in its upper reaches, with gravelly and profound low notes. In a career as a composer, singer and songwriter, spanning over 70 years, he recorded approximately more than 1,200 songs interpreted in 9 languages. Moreover, he wrote or co-wrote more than 1,000 songs for himself and others.

Aznavour was one of France's most popular and enduring singers. He sold 180 million records during his lifetime and was dubbed France's Frank Sinatra, while music critic Stephen Holden described Aznavour as a "French pop deity". He was also arguably the most famous Armenian of his time. In 1998, Aznavour was named Entertainer of the Century by CNN and users of Time Online from around the globe. He was recognized as the century's outstanding performer, with nearly 18% of the total vote, edging out Elvis Presley and Bob Dylan. Jean Cocteau once said: "Before Aznavour despair was unpopular".

"Collected" by Charles Aznavour is a wonderful collection of hits and classics by the French artist that touches your soul at every moment. It's an overview of his work during the sixties, seventies and duets with Johnny Hallyday on 'Il Faut Savoir' and with Frank Sinatra on 'Young At Heart'. Also his English versions of 'How Sad Venice Can Be', 'The Old Fashioned Way', 'She' and four more English songs are included on this Set.

Spring 2016 will be the 50th anniversary of the music for A Man and a Woman, Francis Lai's birth-certificate as a film-music composer. To commemorate the event, Play-Time is proud to present this 7CD boxed set entitled Francis Lai Anthology, a collection whose simple aim is to present the (very) original soundtracks composed by the great Lai, now carefully restored for the occasion. Each album in the set has its own concept: Lelouch-Belmondo for example, with the music from Itinerary of a Spoiled Child and Love is a Funny Thing, or Lelouch-Hallyday, notably for the electrifying score from L'Aventure, c'est l'aventure (Money Money Money), a pop tsunami that was never published after the film's release… until now. The set also includes the CD Double polars (from the films Body of my Enemy and The Crook), the iconic original score of Bilitis, here for the first time in its splendid unabbreviated version, and also a CD devoted to the productive association between Francis Lai and René Clément (with the music from their films And Hope to Die and The Baby sitter). Along the way, the contents reveal previously unreleased music and other rarities: the complete signature-tunes that Lai composed for FR3 Television; pieces written for short films (notably works directed by Claude Pinoteau); and an iconoclastic reading of Les Etoiles du Cinéma, specially recorded by the brilliant pianist and composer Jean-Michel Bernard in tribute to his master.

Léo Ferré (1916-1993) was a French-born Monégasque poet and composer, and a dynamic and controversial live performer, whose career in France dominated the years after the Second World War until his death. He released some forty albums over this period, composing the music and the majority of the lyrics. He released many hit singles, particularly between 1960 and the mid-seventies. Some of his songs have become classics of the French chanson repertoire, including "Avec le temps", "C'est extra", "Jolie Môme" or "Paris canaille".

True cabaret, as most would agree, is French. It is Parisian, and even more specifically, comes from the Montmartre region of Paris. We feature such stars as Catherine Sauvage, Charles Trenet, Josephine Baker and Edith Piaf. There are many more treats to be found on this cordon bleu compilation of delights, so it only remains to wish the listener ‘Bon Appétit’.

French chanteuse Mireille Mathieu is classically known for her illustrious French crooning during the '60s and '70s. In the early '60s, French pop vocalist Johnny Hallyday's manager Johnny Stark noticed Mathieu's enchanting vocalic beauty and later built her into her own star with the classic urchin hairdo and loud, vibrant costumes. She was quickly hailed as the next Edith Piaf and her 1965 performance run at the Paris Olympia sparked her recording relationship with Barclay Records. Singles such as "Mon Credo," "C'est Ton Nom," and "Qu'elle Est Belle" made Mathieu an international star in Europe while achieving mild success in the Americas, but her cover of Englebert Humperdinck's "The Last Waltz" was an impressive French interpretation that made her impact charts in Britain. Humperdinck returned the favor by choosing to sing Mathieu's "Les Bicyclettes de Belsize."

211 tracks, with all her most popular songs ( La Vie en Rose; Milord; Non, Je Ne Regrette Rien, etc.), all CDs have picture sleeves and when the images on the spines are arranged together they form a picture of Edith + 84-page booklet in english and french, housed in maroon & gold picture box.

Natalie Dessay reinvents the cult repertoire of poet Claude Nougaro. A project arranged, directed and directed by the emblematic Yvan Cassar, who was the director of Nougaro's last two albums.

One of the most enigmatic figures in rock history, Scott Walker was known as Scotty Engel when he cut obscure flop records in the late '50s and early '60s in the teen idol vein. He then hooked up with John Maus and Gary Leeds to form the Walker Brothers. They weren't named Walker, they weren't brothers, and they weren't English, but they nevertheless became a part of the British Invasion after moving to the U.K. in 1965. They enjoyed a couple of years of massive success there (and a couple of hits in the U.S.) in a Righteous Brothers vein. As their full-throated lead singer and principal songwriter, Walker was the dominant artistic force in the group, who split in 1967. While remaining virtually unknown in his homeland, Walker launched a hugely successful solo career in Britain with a unique blend of orchestrated, almost MOR arrangements with idiosyncratic and morose lyrics. At the height of psychedelia, Walker openly looked to crooners like Sinatra, Jack Jones, and Tony Bennett for inspiration, and to Jacques Brel for much of his material. None of those balladeers, however, would have sung about the oddball subjects – prostitutes, transvestites, suicidal brooders, plagues, and Joseph Stalin – that populated Walker's songs.

Golden Love Songs: Lonely Without You is a compilation of some of the most romantic pop songs of our nation. While no label or date is listed for this, it is said to have been released in 1994.

Aline is a 1979 compilation album by French artist Daniel Bevilacqua, who became known as Christophe. This was remastered and reissued in 2004 by the Dreyfus label.

One of Italy's best-loved artists, Adriano Celentano has been equally successful in film and music. Whether singing Elvis Presley-inspired rock, as he did as a member of the Rock Boys in 1957, or romantic balladry, Celentano found a dedicated market for his music. Reaching the top of the Italian music charts with his debut single "Il Tuo Bacio e Come un Skirt" in 1959, he matched its success with the million-selling "24000 Baci (24,000 Kisses)" in 1961; "Il Ragazzo Della Via Gluck," which went on to be translated and re-recorded in 18 languages, in 1966; and Prisencolinensinainciusol in 1972.

American expatriate Joe Dassin was one of France's most popular singers during the late '60s and '70s, initially building his name with stylized adaptations of folk and country material from his birthplace. As his career blossomed, Dassin turned increasingly to traditional-style chansons penned by some of the genre's best writers, scoring an all-time classic with his 1975 smash "L'Eté Indien." Notorious for his perfectionism, Dassin could play the introverted romantic, but his persona also played off of American archetypes and imagery. His premature death of a heart attack in 1980 robbed French pop of one of its greatest modern-day practitioners.