"The Young Ones" is a soundtrack album by Cliff Richard and the Shadows to the film of the same name. It is their first soundtrack album and Richard's sixth album overall. It was produced by Norrie Paramor, with music by Ronald Cass and Stanley Black. The album topped the UK Albums Chart for six weeks (with another eleven weeks at number two) and charted for 42 weeks in total when the chart was a top twenty. The album became the first UK soundtrack to sell more than one million copies in total, combining UK and international sales.

Forty-two songs cut between November 1940 and August 1946, and the perfect companion to Bear Family's It's Magic box set – anyone who's been even tempted to own that will have to get this more modestly priced precursor to that material. Day's period singing with Les Brown is, today, regarded with a degree of love and affection reserved for Ella Fitzgerald's era with Chick Webb, or Frank Sinatra's work with Harry James and Tommy Dorsey. Yet Sony Music's own releases devoted to Doris Day and Les Brown spread the music around to several different CDs, and suffered from sound that, today, seems substandard. These newly remastered tracks, offered in chronological order, including one previously unissued song ("Are You Still in Love with Me"), not only display a far richer, warmer sound, but have been presented with the kind of care that is normally reserved for the best parts of a label's catalog – which these sides definitely are. Day's voice during this period (she was 16 when she cut her first sides with Brown) was an astonishingly expressive instrument.

Frank Sinatra was arguably the most important popular music figure of the 20th century, his only real rivals for the title being Bing Crosby, Elvis Presley, and the Beatles. In a professional career that lasted 60 years, he demonstrated a remarkable ability to maintain his appeal and pursue his musical goals despite often countervailing trends. He came to the fore during the swing era of the 1930s and '40s, helped to define the "sing era" of the '40s and '50s, and continued to attract listeners during the rock era that began in the mid-'50s. He scored his first number one hit in 1940 and was still making million-selling recordings in 1994. This popularity was a mark of his success at singing and promoting the American popular song as it was written, particularly in the 1920s, '30s, and '40s.

Long before he'd evolved into a fully-fledged cult figure, Joe Meek was the UK's first fully independent record producer. This unique 2CD set traces his career from his earliest sessions, as a sound balance engineer in the mid-'50s, to his emergence as a major songwriter and hit maker in the early '60s. It includes many of Meek's biggest records, including five UK # 1s by, Anne Shelton, Lonnie Donegan, Frankie Vaughan, Emile Ford and John Leyton, plus several other major million selling hits! Indeed, more than half of the sixty sides included herein were significant UK hits. This set also includes several collectors' rarities, previously unavailable on CD, most notably Gary Miller's unfeasibly-rare 'Moby Dick'. John Fraser's 'Golden Cage' and Geoff Goddard's 'Girl Bride'. If you are looking for what is by far the most interesting Joe Meek-related compilation for years then this is it!

Enjoy this Compilation with the most successful Golden Oldies singers like Ben E. King, The Everly Brothers, Chicago and many more!

Like 1999's tribute to Gram Parsons, Return of the Grievous Angel, this successful collection revives the tired "tribute" concept and applies it in homage to a key figure in country music. Interpreting songs from across Hank Williams's short and troubled career, a range of high-profile artists use different approaches with equally gratifying results. Tom Petty, Sheryl Crow, and Hank Williams III play familiar songs with traditional arrangements (Ms. Crow's yodel is an eye opener); Beck, Mark Knopfler, and Keb' Mo' stay closer to their own idioms. Keith Richards's reedy vocal makes "You Win Again" all his own, and Bob Dylan, who has only rarely lent his services to these sorts of projects, leads his touring band through a blues shuffle on "I Can't Get You Off of My Mind." The estimable Lost Highway label has assembled an illustrious cast to sing the praises of the artist who inspired its name, and in doing so it has created a far better testament to its musical mindset than can ever be captured in the term Americana.

Enjoy this Compilation with the most successful Good Old Days: 40s & 50s Music singers like Bobby Darin, Dinah Washington, Bing Crosby; Fred Astaire and many more!

Enjoy this Compilation with the most successful 100 Greatest Golden Oldies singers like Ben E. King, Judy Collins, The Animals, Otis Redding, Chicago and many more!

Enjoy this Compilation with the most successful 60s Music singers like Ben E. King, The Doors, The Yardbirds, Otis Redding and many more!

Rock'n'roll was born in the United States - and 1958 was the year it was exported to the rest of the world. Buddy Holly, who kicks off our first disc with 'Rave On', hit British shores in March with the force of a musical hurricane. Following closely behind him were the like of The Chordettes, Bobby Day, The Everly Brothers and Connie Francis, all included here on this 2 disc compilation.

Brothers Don and Phil Everly successfully straddled the line between country and rock-and-roll (with a healthy dollop of R&B) beginning with their first hit record, 1957’s “Bye Bye Love.” Still an oldies-radio staple today, the Felice and Boudleaux Bryant classic began a long stretch of successes for the duo. Archie Bleyer, of Cadence Records, signed the boys in February 1957 and was keenly aware of their potential to appeal to both teenaged and adult markets. At his behest, the Everlys recorded both rockers and ballads, bringing their lustrous, tight harmony blend to both styles. Bleyer’s gambit worked. Hits like “Wake Up, Little Susie” and “When Will I Be Loved” merged classic country-and-western and rock-and-roll into an inspirational whole, while their longing, ethereal vocal blend on “All I Have to Do is Dream” and “Devoted to You” established them as timeless balladeers.

Simply a grand and eloquent performance put together by Verve records highlighting the best years of Ella Fitzgerald – that sassy, charming legendary singer in jazz. The Best of the Songbooks features a captivating lineup of some of jazz's greatest composers and arrangers. It is here that Fitzgerald records and sings songs of Cole Porter, Richard Rogers and Lorenz Hart, Duke Ellington, Irving Berlin, George & Ira Gershwin, Harold Arlen, Jerome Kern, and Johnny Mercer.

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. Small jazz groups brought out the best in Billie Holiday - especially groups as good as the one heard on this classic 1957 recording. Ben Webster, Harry "Sweets" Edison and the other members of this stellar ensemble were not just gifted soloists but sensitive accompanists as well. Lady Day was rarely more ably supported than she was on this program of sturdy standards, including three gems by the Gershwin brothers -and she rarely sounded more luminous. Originally released in 1957.

It features all the 'usual suspects' like Helen Shapiro, Susan Maughan, Julie Grant, Billie Davis (who sings the title track), Carol Deene, The Breakaways, The Vernons Girls, Maureen Evans, Kathy Kirby, Anita Harris, Jackie Trent, Louise Cordet, Lynn Cornell, Glenda Collins, etc., not forgetting Dusty, when she was still a Springfield.Juxtaposed against newcomers like Grazina, Candy Sparling, Simone Jackson, Christine Quaite, Susan Singer, Patsy Ann Noble, Patti Lynn, Penny Calvert, Suzy Cope, Hayley Mills, Valerie Mountain, Sally Green, etc.Also, members of the established 'old guard', embracing the new Brit Girl sound, Alma Cogan, Petula Clark, Marion Ryan, Lita Roza, Cleo Laine, Jackie Lee, Ruby Murray, Pat Reader, Lorne Lesley, etc.This is a unique collection of hits and obscure collectors' rarities, many of the latter appearing here for the first time on CD.

On Broadway, Right Now!, Mel Tormé and Margaret Whiting perform songs from the 1960 Broadway shows "Do Re Mi", "Wildcat", "Camelot", and "Irma La Douce". The results range from jazzy ("All You Need Is A Quarter") to zany ("What's New At The Zoo?") to staggeringly beautiful ("Far Away From Home/Angelina"). The 2010 reissue is fleshed out with solo recordings of other Broadway tunes, recorded at other sessions in 1959 and 1960.