Digitally remastered collection of 58 classic tracks from the late rock'n'roll legend spanning 1956-1962. Although he shared the same rockabilly roots as Carl Perkins, Johnny Cash, and Elvis Presley, Roy Orbison went on to pioneer an entirely different brand of country/pop-based rock & roll in the early '60s. What he lacked in charisma and photogenic looks, Orbison made up for in spades with his quavering operatic voice and melodramatic narratives of unrequited love and yearning. In the process, he established rock & roll archetypes of the underdog and the hopelessly romantic loser. These were not only amplified by peers such as Del Shannon and Gene Pitney, but also influenced future generations of roots rockers such as Bruce Springsteen and Chris Isaak, as well as modern country stars the Mavericks.

Various Artists - The Gee Story (1999) {2CD Set, Westside Records WESD223 rec 1954-1962}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 549 Mb | MP3 @320 -> 364 Mb
Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
© 1954-62, 1999 Gee Recordings / Westside Records | WESD 223
Rhythm & Blues / Doo Wop / Oldies / Blues / Rock 'n' Roll

This 2 disc set brings together 63 tracks from this early George Goldner run label. Covering a nice selection of the label's output from 1954 to its demise in 1962, Gee made inroads as a doo-wop specialist, primarily with the recordings of Frankie Lymon and the Teenagers, the Cleftones, and later with the Regents and the Drapers. Plemty of classics aboard from these artists as well as goodies from the Emanons, the Coins, the Five Crowns, the Valtones, Annie Kaye, and Lorraine Ellis, making this a superlative overview of a label that for almost a decade dealing in nothing but new York rhythm and blues.

Volume two of Collectables' Ultimate Christmas Album gathers more classic pop and rock holiday tunes, including the Beach Boys' "Little Saint Nick," Gene Autry's "Here Comes Santa Claus," and Diana Ross & the Supremes' "White Christmas." Most of this volume's best-known tracks are by traditional pop crooners, such as Dean Martin's "Let It Snow! Let It Snow! Let It Snow!," Bing Crosby's "It's Beginning to Look a Lot Like Christmas," and Burl Ives' "Holly Jolly Christmas." However, less-familiar tracks like the Echelons' "A Christmas Long Ago (Jingle Jingle)," Augie Rios' "Donde Esta Santa Claus," and Barry Gordon's "Nuttin' for Christmas" prevent the collection from being too predictable. It's not exactly a straightforward holiday-hits compilation, but The Ultimate Christmas Album, Vol. 2 balances enough standards and obscure tunes to make it a unique collection.

Collectables Records' various-artists compilation The Ultimate Christmas Album has been released both on its own and as a tie-in with a series of radio stations. There are identical editions of the album associated with KLUV, K-Earth 101 FM, and WCBS FM-101.1 in addition to this version, WJMK 104.3 Chicago. The word "ultimate" has been overused and misused in record releases to the point that it doesn't mean very much to see it on the cover of an album. Whether or not one considers this album to justify its title will have a lot to do with individual musical taste. If the potential consumer is a listener to one of the radio stations listed above, which are oldies stations devoted to playing pop/rock music of the 1950s, '60s, and '70s, he or she may agree that the album is the ultimate in holiday music of that period.

Dean Martin finally got access to conductor/arranger Nelson Riddle for an album project, and the result was an easy swinging collection with appealing horn charts and a series of comfortable readings of recent and vintage standards. Especially notable were the two songs borrowed from My Fair Lady, "On the Street Where You Live" and "I've Grown Accustomed to Her Face," which Martin and Riddle re-imagined as straight-forward love songs; "You're Nobody 'til Somebody Loves You" (which Martin would try again in a more contemporary arrangement four years later for one of his biggest hits); and a solo version of "Just in Time," which the singer had recently done with Judy Holliday in the film version of the musical Bells Are Ringing. This Time I'm Swingin'! was a good, confident set by an artist who had figured out how to make competent albums without expending a lot of effort, which was a key to his charm.

The first ever CD collection featuring Jo Ann Greer, one of the most talented and distinctive vocalists of the 1950s, who toured with the Les Brown Orchestra for more than 30 years.

Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.