Three-time Grammy-award-winner BRIAN SETZER’s new concert Blu-ray/CD, ROCKABILLY RIOT: OSAKA ROCKA! – LIVE IN JAPAN–filmed on February 18 at Namba Hatch in Osaka, Japan–is set for release November 4, 2016 via Surfdog Records…

Carl Perkins found his way to Sam Phillips and the Sun Studio during the summer of 1954 after Perkins heard Elvis's record of "Blue Moon of Kentucky" on the radio. "There's a man in Memphis who understands what we're doing. I need to go see him," said Perkins, who had been playing-and writing-rockabilly before Elvis made his first recordings. Carl Perkins recorded 42 songs for Sun Records from 1954 until 1958 when he signed with Columbia. This album is comprised of all but one of those 42 songs.

Fantastic collection of all 24 of the legendary late singer's hit singles on Monument Records from the 1960's plus a couple more stereo mixes. The set also contains a few of Roy's covers of classic songs like 'Distant Drums', 'What'd I Say', 'Let The Good Times Roll', 'Beautiful Dreamer' and 'Love Hurts'. There are other notable songs here too, many of them obscure songs, all of which confirm what a talented singer Roy was. The second disc includes all the b-sides, so collectors can be satisfied that they have all his single output from the era.

"That'll Flat… Git It!" is one of the best compilations of the 1950's rockabilly. Each volume contains nearly 30 songs, mostly rockabilly classics and unknown great artists. In spite the tracks were remastered, you can hear some noise, especially in the end of the tracks. This is because many songs were taken from original vinyl singles.

Brian Setzer's Rockabilly Riot! Live from the Planet compiles concert recordings Setzer made while on the Rockabilly Riot! tour in 2011 and 2012. Included are performances from such diverse locales as Japan, Sweden, Australia, and, of course, the United States…

Imelda May's fourth studio album, 2014's Tribal, finds the Irish chanteuse balancing an '80s-influenced new wave rockabilly energy with a few of old-school '50s ballads and a bit of country twang. Produced by Mike Crossey, who previously helmed projects by Arctic Monkeys, Jake Bugg, and others, Tribal features all of the elements that have made May such a breakthrough artist since her 2003 debut, No Turning Back. Here we get her bright, puckered vocal attack showcased on a bevy of instantly infectious cuts. As with her past albums, Tribal is split down the middle between songs written by May and songs penned by her husband and longtime creative partner, guitarist Darrel Higham.