The first volume in a series projected to analyze the punk phenomenon on a year-by-year basis, British Punk Rock 1977 assembles some of the less well-known but no less influential sides to emerge from that pivotal year. Collecting 20 tracks, it jumps from established cult heroes (Alternative TV's "How Much Longer," Penetration's "Don't Dictate," the Vibrators' "Baby Baby") to forgotten favorites (the Drones' "Corgi Crap," the Sniveling Shits' "I Can't Come," the Pork Dukes' "Bend & Flush"); some of it still holds up, some of it doesn't, but all of it remains a testament to its time and place.

New 4 CD boxset of Wilco's seminal Summerteeth, originally released in 1999. Contains the original album - beautifully remastered, a disc chock full of demos, outtakes and alternative versions, and, for me, best of all, 2 CDs containing a 2 hour show from 1999…

Wonderworld continues in the vein of Sweet Freedom, trying to bring Uriah Heep's appeal to a wider level while still retaining the grandiose trademark elements (the organ-guitar attack, David Byron's operatic shriek) that got them noticed…

The Moody Blues' resumed work together after a four-year hiatus and delivered Octave in 1978, which quickly became a hit but has also proved to be a very problematic album…

An enchanting songstress, Kate Bush reflects the most heavenly views of love on the aptly titled The Sensual World. The follow-up to Hounds of Love features Bush unafraid to be a temptress, vocally and lyrically. She's a romantic, frolicking over lust and love, but also a lover of life and its spirituality. The album's title track exudes the most sensually abrasive side of Bush, but she is also one to remain emotionally intact with her heart and head. The majority of The Sensual World beams with a carefree spirit of strength and independence. "Love and Anger," which features blistering riffs by Bush's mentor and cohort David Gilmour, thrives on self-analysis – typically cathartic of Bush.

Classic rock giants, The Guess Who, are back with their first new studio album in over 20 years! Features what could be the most rokin’ line-up of the band since its ’60s heyday, anchored by original GW drummer Garry Peterson along with vocalist Derek Sharp, superstar bassist Rudy Sarzo (Quiet Riot/Ozzy), guitarist Will Evankovich, and multi-instrumentalist Leonard Shaw! Fans have been rocking out with this line-up since 2008, and the band has plans to keep those audiences on their feet with a heavy touring schedule starting in mid September and carrying through the end of 2018! Release date - september 14, 2018.

The title tells the story on this EP – here former Jayhawks leader Gary Louris performs six songs from his solo debut Vagabonds, accompanied only by his acoustic guitar. These solo performances don't bring much that's new to these songs, but given how good Louris' songwriting was on Vagabonds, that's no insult; accompanied by a full band, they were compelling stuff, and Louris makes them work nearly as well with just his voice and a six-string. The emotional intimacy of "We'll Get By," "To Die a Happy Man," and "She Only Calls Me on Sunday" suits the spare interpretations on this EP just fine, and while these tracks often sound as if they're little more than demos, they're good demos of very good songs, and Louris' strength as a vocalist truly shines on this disc. Acoustic Vagabonds is a casual but pleasing set that will certainly satisfy anyone who has a taste for Louris' music, though they ought to give Vagabonds a spin before moving on to this supplement.

Raging Silence is the 17th album by British Rock group Uriah Heep. It marked the studio debut of Canadian vocalist Bernie Shaw. It was produced by Richard Dodd. The title is an allusion to the Manfred Mann's Earth Band album The Roaring Silence. It was the first Uriah Heep studio album to have a contemporary release on CD. It opens with the old Argent hit "Hold Your Head Up", although Mick Box was pleased to be able to add a guitar solo. This track was the lead single from the album. The second single was "Blood Red Roses", written by the band's erstwhile vocalist Pete Goalby. The 7" came as a poster-sleeve (UK cat. Legacy LGY 101) and had "Rough Justice" as the B-side. The 12" p/s came with a patch and also added a previously unavailable live version of "Look At Yourself" (UK cat. Legacy LGYT 101).