In Style is the 1979 by American rock singer David Johansen. Originally released by Blue Sky/Epic, this is a CD released by the American Beat label in 2007 with the original album plus a single version of "Swaheto Woman".

Here Comes The Night is the 1981 album by American rock singer David Johansen. Originally released by Blue Sky/Epic, this was released by the American Beat label in 2007 with the full length album plus a live version of
"Here Comes The Night".

“My fifth record is in many ways inspired by the hugely ambitious progressive pop records that I loved in my youth (think Peter Gabriel’s So, Kate Bush’s Hounds of Love, Talk Talk’s Colour of Spring and Tears for Fears’ Seeds of Love). Lyrically, the album’s eleven tracks veer from the paranoid chaos of the current era in which truth can apparently be a flexible notion, observations of the everyday lives of refugees, terrorists and religious fundamentalists, and a welcome shot of some of the most joyous wide-eyed escapism I’ve created in my career so far. Something for all the family!”– Steven Wilson

All We Know of Heaven, All We Need of Hell is the upcoming second album by American rock band PVRIS. It is set to be released August 25, 2017. The first single "Heaven" was released April 30, 2017. Before release, Alternative Press included the album on their list of the most anticipated albums of the year. George Garner of Q said the album "marks an intensification of that latent darkness and musical expansiveness" as heard on White Noise.

Acoustic versions of Nadja songs from such albums as 'Touched,' 'Bodycage,' and 'Truth Becomes Death.' Originally intended to be released on LP as as Part Seven of Aidan Baker's "Drone Compendium" 7LP.

Following on from their ARIA nominated Top 5 debut album 'The Positions' and ARIA #2 EP 'Let Me Be Clear', Gang of Youths are set to release their second studio album, 'Go Farther In Lightness', a nod towards the optimism and kindness the band have found by surviving their various ordeals, this new record continues the work that has already so indelibly imprinted on fans across the world. Go Farther In Lightness bears the scars of the band's painful history, flashing their wounds with the same candor as The Positions but seeking to draw new lessons from their struggle to endure. Attempting to compartmentalise the past five years into 16 tracks is no mean feat, but the band come away with songs which encourage listeners to persevere as they've tried to, empathising with those who've brushed up against death, suffering and loss every step of the way.

Following 2016's acclaimed album KIN and EP Serenade, The Duke Spirit march on with poignant new album Sky Is Mine. Produced by the band themselves, and mixed by Bruno Ellingham (Massive Attack), it also features guest vocals by long time friends Josh T Pearson (Lift to Experience) on the woozy How Could, How Come, and Duke Garwood on album closer Broken Dream.

On Painted Ruins, Grizzly Bear continue to revel in the dynamic between relaxed and urgent. Breathy vocals, arrangements that move from stripped-down and subdued to grand and cathartic—it's all there. But they’ve also found a new groove. “Wasted Acres” is bathed in lush, buzzing atmospheres, but its almost loungey swing fits like a worn-in pair of jeans. The intricate drumming that propels “Three Rings” also falls right in the pocket. But those newfound comforts are most apparent in the thrumming bass of the New Wave-kissed “Mourning Sound” and on "Glass Hillside,” where the band channels Steely Dan’s jazzier moments.

Following the success of their self-titled debut, the Ozark Mountain Daredevils' sophomore release, It'll Shine When It Shines, continues on their already established path of California-style country-rock. This release contained what would ultimately prove to be their greatest hit, "Jackie Blue," which ended up peaking at number three on the pop chart. Although "Jackie Blue" is by far the least countrified track on the album, it embodies the casual, understated groove of the band that could be found on any of the Daredevils' releases…

After the success of the re-released first album of Twenty Sixty Six And Then MIG comes up now with a complex Collectors Premium edition of two further classics by Geff Harrison.
After the break-up of Twenty Sixty Six And Then, Geff Harrison became the singer with among other bands Kin Ping Meh, before he made his dream come true: to collaborate with a big orchestra, the London Symphonic-Rock Orchestra. Ralph Siegel was persuaded to finance the whole project. Trevor Jones who had also worked with the Moody Blues sat in the producer’s chair…

On their fourth album, Everything Everything retain their thrilling ability to offset creative maximalism with irresistible melody and consuming dance-floor grooves. Opening pair “Night of the Long Knives” and “Can’t Do” instantly reassert that fine balance between accessibility and invention, but there’s a new sense of moderation too. “A Fever Dream” builds layer by layer like a patient, seductive house track, and the meditative “White Whale” finds some optimism in a modern world that horrified the band on 2015’s Get To Heaven.

Gargantua’s music provides a mind-boggling abundance of colors, moods and compositional schemes. Dense polyphonic structures are interwoven with seemingly harmless, “mock-heroic” tunes, morphing into either jagged interplay of guitar and replicated violin, or irreverent choral enunciations, electronic soundscapes and piano staccatos. Carnival fights here with Lent, seriousness with the grotesque, corporeality with sterility, baroque excess with ascetic introspection. This is a truly “Pantagruelian” vision of music that is self-conscious, self-mocking and highly goal-oriented. And surprising as it may sound, its intransigent, mathematical logic does not prevent the Polish artists from playing with a sharp rocky edge…

MatchBall: Das Fan-Album is a soundtrack album to a short-lived series about balls (non-testicular) released in 1994. It features music by Ultravox, Chris Rea, Dr. Alban, Katrina & The Waves and Right Said Fred among them.

With the subtitle "Songs from the Vault," you'd be forgiven if you thought 24 Karat Gold was an archival collection of unreleased material and, in a way, you'd be right. 24 Karat Gold does indeed unearth songs Nicks wrote during her heyday – the earliest dates from 1969, the latest from 1995, with most coming from her late-'70s/early-'80s peak; the ringer is a cover of Vanessa Carlton's 2011 tune "Carousel," which could easily be mistaken for Stevie – but these aren't the original demos, they're new versions recorded with producer Dave Stewart. Running away from his ornate track record – his production for Stevie's 2011 record In Your Dreams was typically florid – Stewart pays respect to Nicks' original songs…

The Naked Truth is a live album by Dutch hard rock band Golden Earring, released in 1992. All songs were performed with acoustic instruments. The album has been released over the decade with additional tracks under the titles The Complete Naked Truth and Fully Naked…