Grey Daze, Chester Bennington’s pre-Linkin Park band, release Amends, the Phoenix-born band’s eagerly-awaited album featuring newly recorded music with re-mastered vocals from the group’s long out-of-print, and largely undiscovered catalog.

When one thinks of the Dream Syndicate, it’s not just the wild abandon with which singer / guitarist Steve Wynn, drummer Dennis Duck, bassist Mark Walton, and lead guitarist Jason Victor perform - it’s the carefully constructed songwriting of Wynn that comes to mind. By now every rock critic in the country has predetermined who he or she feels Wynn reminds them of and what they think of that style of songs. This time, don’t! Which brings us to The Universe Inside. Every article or review ever written will claim “this is new and different”- well, it is! Just look at the song lengths: 20:27, 7:36, 8:56, 9:55 and 10:53. Ok, sure - the Syndicate have occasionally committed a long song to vinyl, John Coltrane Stereo Blues was 9 minutes with live versions over the ten-minute mark.

Brothers in Arms is the fifth studio album by the British rock band Dire Straits, released on 13 May 1985 by Vertigo Records internationally, and by Warner Bros. Records in the United States. Brothers in Arms charted at number one worldwide, spending 10 weeks at number one on the UK Albums Chart, nine weeks at number one on the Billboard 200 in the United States, and 34 weeks at number one on the Australian Album Chart. The album is the eighth-best-selling album in UK chart history, is certified nine-times platinum in the United States, and is one of the world's best-selling albums, having sold over 30 million copies worldwide. The album won two Grammy Awards in 1986, and also won Best British Album at the 1987 Brit Awards. Q magazine placed the album at number 51 in its list of the 100 Greatest British Albums Ever. Brothers in Arms would become Dire Straits' final album until they reunited and recorded 1991's On Every Street.

Runaway Horses is the third solo album by the American singer Belinda Carlisle, released in October 1989 by MCA Records. The album features songs written by Rick Nowels, Ellen Shipley, Charlotte Caffey and a song co-written by Carlisle herself. The album contains an array of guest artists, including George Harrison and Bryan Adams. The album peaked at number 37 on the U.S. Billboard 200. The album debuted on the UK Albums Chart on October 30, 1989 at number four which was the album's peak position, matching that of her previous album. The album spent a total of 39 weeks in the UK Top 100 and was certified platinum. The album was also a success in Australia peaking at number six, and was certified double platinum.

This incredibly diverse collection was Chicago’s sixth studio album and their final studio-recorded double album to date. Cited for its jazz excursions, Chicago VII reached No. 1 in the US and included three stand-out hits including Searchin’ So Long, Wishing You Were Here and the first single penned by trumpeter Lee Loughnane Call on Me, which reached No. 6 in the US.

Following the band's Global Citizen performance, The Rolling Stones have released a new song, "Living In A Ghost Town". This is the band's first new material in 8 years. The track was written by Mick & Keith which was created/recorded in Los Angeles and London while in isolation. The song has received positive reviews from critics and was recorded during sessions for a forthcoming studio album that the band has been working on since 2015.

Laura Marling’s exquisite seventh album Song For Our Daughter arrives almost without preamble or warning in the midst of uncharted global chaos, and yet instantly and tenderly offers a sense of purpose, clarity and calm. As a balm for the soul, this full-blooded new collection could be posited as Laura’s richest to date, but in truth it’s another incredibly fine record by a British artist who rarely strays from delivering incredibly fine records. Taking much of the production reins herself, alongside long-time collaborators Ethan Johns and Dom Monks, Laura has layered up lush string arrangements and a broad sense of scale to these songs without losing any of the intimacy or reverence we’ve come to anticipate and almost take for granted from her throughout the past decade.

Captain Beefheart and The Magic Band have a place firmly in the hearts of many who love their music. Never to shy from controversy this version of the Magic Band sees the Captain in a relatively contented situation. Recorded in May 1974, this ‘live’ performance features tracks that were not in the usual Live set.With a new recording contract Don Van Vliet put a band together to present his new material , gentle ballads such as ‘This is The Day’, sidled up to old favourites ‘Crazy Little Thing’ and the epic ‘Mirror Man’,Don even gives us a consummate version of the Jazz classic ‘Sweet Georgia Brown’ and before you know it he’s launching into the ‘bubblegum pop’: ‘Peaches’. A rare collection of Don’s mid seventies material recorded on a night to remember in Cambridge Massachusettes.

Jojo Rabbit's soundtrack features a mix of classical compositions, jazz numbers, and pop tunes - including a couple German versions of notable songs. Written and directed by Taika Waititi (Thor: Ragnarok), Jojo Rabbit is what he describes as an "anti-hate satire", using the outlandish idea of a kid with Adolf Hitler as an imaginary friend to expose the evils of fascism and bigotry.

Rock Songs is a 1999 2CD compilation with some of the best rock music you could ever want. It may very well consist of songs within the Columbia/Sony catalog but it may be all of the rock you need or could handle. This was released by Sony Music Media.

Timothy John Pearson Renwick (born 7 August 1949 in Cambridge, Cambridgeshire, England) is an English guitarist. He is best known for his association with Al Stewart in his early career and for his long-standing role as lead guitarist for the Sutherland Brothers & Quiver. He also performed with Pink Floyd on their 1987 and 1994 tours, as well as accompanying the band at their Live 8 performance. Tim Renwick is the first solo album by English guitarist Tim Renwick, released in 1980. Gary Brooker was among the guest artists playing on the album.

Flashback is the second box set compilation by Electric Light Orchestra (ELO), released in 2000. In 2000, Jeff Lynne found a new impetus to work on the music of his old band and returned to the recording studio to work on an ELO project for the first time in some 15 years just prior to the comeback album Zoom in 2001. This work resulted in a digitally remastered compilation released in late 2000. Unlike its predecessors, this project, Flashback, was personally approved and endorsed by Lynne. The set includes songs featured from all 11 studio albums up to that point, including an edit of "Great Balls of Fire" from their live album The Night the Light Went On in Long Beach, plus some new recordings amongst the band's extensive back catalog, most notably a reworking of Lynne's only UK number one hit "Xanadu". The album includes liner notes by David Wild with quotes on each song from Lynne and a booklet inside.

The end of the 60s was an important period in jazz, as well as rock music, in Poland and the rest of the world, with the development of many styles and trends in popular music. In 1970 the jazz rock fusion band, Laboratorium was formed in Kraków. Their music soon developed in jazz rock fusion, and so were pioneers in this music in Poland. In their first years, Laboratorium's music was acoustic, cleverly avoiding any limiting definitions. At the beginning of the 70's there was very limited access to Western recordings but this did not prove an obstacle for the band, because of the musicians searching and experimenting in the field. On the contrary and because of their relative isolation, Laboratorium developed an unique sound which was often noted in various critical reviews…

This sequel to Saturday Night Fever lacked the box office clout of the original, and the soundtrack album was likewise a disappointing seller, but it actually contains some of the better Bee Gees work of the 80s, notably the sad ballad "Someone Belonging to Someone."

One of those real rare hard rock group often considered as heavy progressive, Jenghiz Khan produced one sole album that is now a highly-priced collectible item. With an amazing cartoon-like gatefold cover of the Great Conqueror having cut the group member's heads, this obscure quartet is also the start of bassist Rapsat's lengthy career (he had recorded with another "prog" group Laurelie the same year) as a French-speaking rock singer/songwriter. The album is the hard rock that one can expect from the era with an amateur trait, but also some undeniable progressive tendencies. The album has received a CD issue sometime ago and is now most likely scarce also. ~ Hugues Chantraine, Belgium