2010 five CD box set containing a quintet of albums from the British Art-Rockers. Box includes Soft Machine Third, Fourth, Fifth, Six & Seven.

RADIANCE is a new work by Stephan Mathieu comprising twelve album-length pieces, each of them following the concept of stasis, the unfolding of time and sustained frequencies, deep listening, and immersive soundscapes.

Cocaine Death is a 2008 compilation by Dominick Fernow and his most well known mononym, Prurient. It collects different songs from previous projects but only previous.

Soft Machine were one of the very first groups to fuse Jazz with Rock in the late 60s and were hugely appreciated in Europe for their unique sound. This previously unreleased show was recorded for Germany's famous NDR Jazz Workshop series featuring the line-up of Mike Ratledge, Karl Jenkins, Roy Babbington and John Marshall with Art Themen and Gary Boyle. This long sought-after performance has never been seen since its original broadcast in 1973 and is the highest quality video document that exists of the group, featuring clear and beautiful visuals and superb live stereo sound!

Kim Byoung Duk. His name may sound unfamiliar to the general public, but Kim Byoung-duk was the pioneer of art rock and experimental music in Korea in the 1990s. He pursued meditative music that combined jazz and contemporary music, both artistic and experimental. “These days, a growing number of young people in Western countries are taking an interest in the genre of ambient music like that of Kim Byoung-duk or New Age,” said an official from “Daehan Electronics.” “We wanted to introduce the unique, Korean-style experiment to the world.”

Cardboard sleeve (mini LP) reissue features the high-fidelity SHM-CD format (compatible with standard CD players). The cardboard sleeve faithfully replicates the first pressing US LP artwork (gatefold). Includes a description and lyrics. A wild, freewheeling, and ultimately successful attempt to merge psychedelia with jazz-rock, Soft Machine's debut ranges between lovingly performed oblique pop songs and deranged ensemble playing from drummer/vocalist Robert Wyatt and organist Mike Ratledge.

The second album by Milk Cult, who were an offshoot of Steel Pole Bath Tub. First song features singer Mike Patton grunting for fun. This was released on Basura! Records.

Continuing to work with Conny Plank, who once again provides a compelling job as producer and engineer, Kraftwerk went right ahead and named their new album after their two remaining members – an understandable enough move. Like the first two albums, Ralf and Florian still has not seen official re-release, for all that one can practically taste Kraftwerk's leap into the beyond on it. Given that this was the last album before the most famous lineup was formed and Autobahn was released, it's appropriate to listen to Ralf and Florian as a harbinger for the future, though perhaps all too easy. Take it on its own terms – a further investigation of electronic possibilities in a more open-ended, less constantly structured fashion than would be the case later – and Ralf and Florian becomes most enjoyable.

Shock The Monkey Aaron Ellis Remix is the 2016 album by monkeymonkeymonkey (the artist name is actually the word "monkey" repeated 45 times). It could be a group, it could be one person, it could be no one. Some of these songs are done with power and precision while other songs, no one knows what the fuck they're doing.

This Return to Forever set finds guitarist Al DiMeola debuting with the pacesetting fusion quartet, an influential unit that also featured keyboardist Chick Corea, electric bassist Stanley Clarke and drummer Lenny White. On this high energy set, short interludes separate the main pieces: "Vulcan Worlds," "The Shadow of Lo," "Beyond the Seventh Galaxy," "Earth Juice" and the lengthy "Song to the Pharoah Kings."…

The audio companion to David Toop's excellent book advances the case he made, that Les Baxter, Aphex Twin, The Beach Boys, Herbie Hancock, King Tubby and My Bloody Valentine are all related by their effect on sound pioneering. A double-disc set, Ocean of Sound impresses not only with its incredible diversity of musical styles, but with how easily these artists work next to each other. The second disc includes consecutive contributions by Paul Schütze, the Velvet Undergound, Holger Czukay of Can, The Beach Boys, African Headcharge and Sun Ra. Besides illustrating Toop's point beautifully, the album is an excellent addition to the collection of any wide-ranging ambient fan.

Of Thick Tum is the 1992 debut album by San Diego noise rock band Trumans Water. They create a lot of terror in their songs that may sound as random as their song titles but it makes sense in the end and in the afterlife. This CD was released by Homestead Records.

Spasm Smash XXXOXOX Ox And Ass is the second album by San Diego's Trumans Water, released on Homestead Records. Like their album title, the song titles on their albums make no sense and this is no exception but the music is incredible.

Matthis Pascaud (né en 1989), originaire de la Charente (Angoulême), débute la musique à l'âge de 6 ans au conservatoire d'Angoulême par les percussions classiques. Il suivra un enseignement musical tout au long de sa scolarité via les classes CHAM primaires (école René Desfarges) et secondaires (collège Jules Verne).

Citing the likes of Debussy, Captain Beefheart, and Nina Simone as her main influences, it's clear from the outset that Anna Calvi isn't your average, run-of-the-mill singer/songwriter. She may have been tipped for success by everyone from the broadsheet music press to Brian Eno, but her blend of sultry blues-rock and dark, mysterious flamenco is a million miles away from the chart-friendly output of her fellow Sound of 2011 nominees. Her self-titled debut, therefore, is unlikely to reap the same commercial rewards as the likes of Jessie J and Clare Maguire, its uncompromising, gothic, David Lynch-esque nature certainly won't spawn any bite-size TV ad soundtracks or airplay favorites your mom can sing along to. But in a music scene dominated by female solo artists, Calvi's romantic but often sinister ten songs certainly helps her to stand out from the crowd. Opening track "Rider to the Sea," sets the scene immediately, a brooding instrumental whose atmospheric twanging guitars would provide the perfect score should Quentin Tarantino's much rumored Kill Bill 3 ever come to fruition. Calvi's haunting and intense vocals first come to the forefront on "No More Words," a gloriously menacing number which evokes the shimmering distorted harmonies of My Bloody Valentine. But it's on the grandiose "Desire" when Calvi really unleashes the impassioned post-punk tones that have drawn favorable comparisons with the likes of Patti Smith and PJ Harvey.