Slow Dazzle was the fifth album and the second for Island Records by former Velvet Underground member John Cale, released in 1975. The cover photography was by Keith Morris. It is also the second consecutive album to feature both Brian Eno and Phil Manzanera of Roxy Music.

With tune titles like "Glasgow Mega-Snake," "Acid Food," and "I Chose Horses," it should be clear Mogwai hasn’t taken any easy, mellowing departures on Mr. Beast. Sure, the album opens with the calming guitar atmospherics of "Auto Rock," but then "Glasgow Mega-Snake" comes bounding out with a crushing jog of a beat and a trademark granite slab of guitars. The Scots also indulge incrementally more beautiful and terrifying dreamscapes, especially the down-turned piano topping that hovers above a guitar storm on "Emergency Trap" and the layers of clear-toned melody that chime over a swirl of choked, feedback-drenched power on "Folk Death 95." There has long been talk of Scottish miserablism, and this colors and grinds the idea blissfully.

Santana is the primary exponent of Latin-tinged rock, particularly due to its combination of Latin percussion (congas, timbales, etc.) with bandleader Carlos Santana's distinctive, high-pitched lead guitar playing. The group was the last major act to emerge from the psychedelic San Francisco music scene of the 1960s and it enjoyed massive success at the end of the decade and into the early '70s. The musical direction then changed to a more contemplative and jazzy style as the band's early personnel gradually departed, leaving the name in the hands of Carlos Santana, who guided the group to consistent commercial success over the next quarter-century…

Fish Rising is the debut solo album by English guitarist Steve Hillage, recorded and released in 1975. The album was recorded just prior to Hillage's departure from the band Gong, and many of the players on this album are from that band.

WAVES // AND // FLOW is the first album of FISSION a jazz rock quartet from France. Guided by the guitar melodies, the four musicians build space and musical landscapes through incredibly tight improvisations.

Zëss had long been plagued by its incompleteness and its recording was deferred for years. Four decades after its first draft, the work has finally been recorded in an orchestral version that gives it both its true dreamlike dimension and its transcending power. For Zëss is above all the visionary reflection of an immemorial dream haunting the most obscure part of our souls. Zëss treads a line between a vital overflowing and the edges of the unlivable. It is an incandescent and heady oratorio where consciousness questions its other side in a measureless journey. Zëss indicates the ultimate reversal out of which bursts a beyond of music that only music can reach. Magma’s whole story condensed…

Charming Hostess is a whirl of eerie harmony, hot rhythm and radical braininess. Our music explores the intersection of text and the sounding body– complex ideas expressed physically, based on voice and vocal percussion, handclaps and heartbeats, sex-breath and silence. We live where diasporas collide, incorporating piyyutim and Pygmy counterpoint, doo-wop and niggunim, work songs and Torah chanting. The texts speak of mysticism and sex; angels and demons; and the trials and joys of love and sex…

This Is Not A Dream is the 1995 CD by Dadamah. This was put out by the Kranky label.

Untitled is the 2010 album by Dälek, altough the way the cover is designed, it makes it out as if the title for this is called Latitudes with it being released by the Southern label. However, the claim is it's called Untitled, it was released on Latitudes and it is distributed by Southern. Get it, whatever way you call it.

Collection includes 3 solo albums by percussionist and vibraphonist Marc Wagnon and also one collaboration with Mike Clark & Paul Jackson.

Metaprogramação is the 2019 album by Brazilian band Deafkids. This was released on the Neurot label.

LOOMINGS was born under the impulse of Jacopo COSTA, an Italian musician living in Strasbourg. Thanks to the vitality of the local music scene, it has the possibility to realize its creations with the help of several musicians with varied artistic trajectories. The voices of Maria DENAMI and Clara WEIL – one from the lyrical repertory, the other anchored in the current music – are added to the jazzy groove of Nicolas KLEE (electric bass) and Nils BOYNY (keyboards), as well as the percussions and electronic machines of Enrico PEDICONE and Jacopo himself : the result of this crossing, at once poetic, ironic and powerful, invites the most adventurous spirits to discover new sonorous territories.

Few label founders loom as large in the history of underground music as P.S.F Record's Hideo Ikeezumi. Over three decades and more than 200 titles, Ikeezumi's intensely critical ear guided and assembled a body of music that transcended genre; he exclusively championed artists that were uncompromising in their visions, unconcerned with trends or commercial success.

Transcontinental Conspiracy is the 1996 album by Vas Deferens Organization & Brad Laner, which ended up being their only album together. This was released by Quaquaversal Vinyl.

This is the way a Joan Armatrading best-of collection should be assembled in the first place. The numerous single-disc compilations never came close to being representative of her achievement as a recording artist. Culling 43 tracks over eight years and 11 albums is even better in many ways than issuing an Armatrading box set. All of the expected material from the early years is included on disc one, such as "Cool Blue Stole My Heart," "Travel So Far," "Dry Land," "Down to Zero," "Love and Affection," "Help Yourself," "Woncha Come on Home," "Show Some Emotion," "Willow," "Barefoot and Pregnant," "Bottom to the Top," "You Rope You Tie Me," "Your Letter," and many more, including "The Flight of the Wild Geese" from the soundtrack to the film. It covers Armatrading's prolific period from 1975-1979, where a lot of old hippies, now upwardly mobile professionals seeking mellow escapes from their relentless and often ruthless pursuit of "the good life," got off the bus and remained stuck, listening only to her early records along with those of the Jacksons, Eagles, and James Taylor. The only problem with this is that Armatrading was just beginning to gain a confidence that led her to become really adventurous, taking huge chances with both her songwriting and production styles in the 1980s. She became a pop singer whose lyrics were anything but pop and whose music expanded the boundaries of pop to include reggae, jazz, and slippery folk music.