Collection includes: 'Talking Heads 77' (1977); 'More Songs About Buildings And Food' (1978); 'Fear Of Music' (1979); 'Remain In Light' (1980); 'Speaking In Tongues' (1983); 'Stop Making Sense' (1984); 'True Stories' (1986).

Blut (Trilogie Des Blutes)s is the 1995 album by Haus Arafna. This 2006 reissue merges the album with Nachblutung. This was released by Galakthorr.

Fiona Apple defied categorization or any easy career path, almost running the pattern in reverse, opening her career as a highly touted and popular alternative singer/songwriter, then transitioning into a cult artist. Apple certainly benefited from the open-door policy of modern rock in the mid-’90s, following the path of crossover alt-rock piano-based songwriters like Tori Amos, but Apple was hardly an Amos copycat: she had a strong jazz undertow in her vocal phrasing and melodies, she had richer arrangements, she had a poppier bent to her songs. All these things helped her 1996 debut, Tidal, find a wide audience, one that increased considerably in the wake of the controversial video for the single “Criminal,” but Apple made it abundantly clear that she wasn’t an amateur provocateur with her sophomore album, When the Pawn Meets the King, an album that increased her critical reputation and cult, which would be pillars of support during her intense battles while making her third album, Extraordinary Machine. Collection includes: 'Tidal' (1996); 'When The Pawn…' (1999); 'Extraordinary Machine' (2005), and 'The Idler Wheel…' (2012).

Even among Deadheads, there's always been a sense that Jerry Garcia's studio albums have been somewhat ignored. Part of this ties back to the often repeated urban legend that the Grateful Dead were never as good in the studio as they were live – an argument that has some truth but tends to downplay the merits of the studio albums, which had their own distinct attributes. This also applies to Garcia's studio records, but as a whole they're more problematic than the Dead's catalog…

Andy Tillison is a British keyboardist and singer best known for his work in the progressive rock bands Parallel or 90 Degrees and The Tangent. What do you do when your partner loves a musical style which you don't play as a musician yourself that much. Well I guess you can always try to record an album on which this type of music can be heard. Well this might be what happened between Andy Tillison and his fiancé in a nutshell. The result he named Electric Sinfonia No. 2 and released it as Andy Tillison Multiplex. On a disc which lasts almost fifty minutes, Andy comes up with a musical style which at first could be described as jazz rock. However after I heard all of the five tracks, more styles certainly came to mind. Elements taken out of Canterbury music, fusion, classical music and progressive rock in a way can be heard as well…

Based in Montréal (Québec, Canada). Blituri are an instrumental chamber rock six-piece founded in 2013 by multi-instrumentalist Vincent Lachambre, who is also the main composer. Their self-titled debut album was released independently in October 2014. Dedicated to the creation of a unique musical style, the ensemble offers original compositions combining harmonic sophistication, rhythmic density and caustic intensity.

Nearly God is Tricky's unofficial second album – he calls it a collection of brilliant, incomplete demos. When Tricky signed his contract with Island, it allowed him to release an album a year under a different name and Nearly God is the first of these efforts. Tricky recorded the record with a diverse cast of collaborators – in addition to his partner Martina, there's Terry Hall, Björk, Neneh Cherry, Cath Coffey, Dedi Madden, and Alison Moyet (Damon Albarn pulled his track just before the album's release). Building on the ghostly, dark soundscapes of Tricky's debut, Maxinquaye, Nearly God narrows the focus of his first record by making the music slower, hazier, and more distubing. It's not as coherent as Maxinquaye, but that's part of its appeal. Nearly God is a haunting, fractured, surreal nightmare that doesn't always make sense, but never fails to make an impact.

Dane On does not mean you can step on chichi man but it is the 2016 CD by Baklaava. This was orgamanized by Grimoire and is.

寓意的な誤解 (Allegorical Misunderstanding) is the 1993 album by 不失者 (Fushitsusha). This uncensored gush of avant-garde noise reality is Avant.

More than 20 years after Captain Beefheart's last musical outing, the Magic Band (sans the Captain) reconvened for the 2003 All Tomorrow's Parties festival. Actually, it's a Magic Band that never was, consisting of Drumbo (John French) on drums, vocals, and harmonica; Rockette Morton (Mark Boston) on bass; and guitarists Mantis and Feelers Reebo (Gary Lucas and Denny Walley, respectively). (For the live shows, Robert Williams – another Magic Band alumnus – took over the drum chair when Drumbo had to sing and play harp.) Of course, these guys knew the material, but they don't just play the tunes, they attack them, summoning up the controlled chaos that made the original Captain Beefheart recordings such singular achievements.

In the 1970s lower Manhattan's Max's Kansas City was the place to be, a perpetual meeting place for scene-makers and their satellites. In the summer of '70, The Velvet Underground was the house band, and their nightly gigs, propelled by Lou Reed's mesmerizing vocals, are the stuff of legend. Documented on a cassette player by one of the Velvet's entourage, this recording has since become the most famous "bootleg" ever, capturing one of Reed's last-some say final-performances with the band before going solo. It both immortalizes a precise moment in pop culture history, and also spotlights one of rock's most influential bands at the peak of their extraordinary powers.

Esben and the Witch have had an interesting career trajectory. Their debut, Violet Cries was a dreamy, melancholic mix of post-rock and dream pop that sat somewhere between those two genres without really being either one. It worked and worked well, and the band sounded hungry and ready for more. That was seven years ago, and the band are now preparing to release their fifth album, entitled Nowhere.

Critically acclaimed Chicago band initially connected to the No Depression neo-country scene, later emerging as an experimental-pop powerhouse. Collection includes: 'A.M.' (1995); 'Being There' (1996); 'Mermaid Avenue, Vol. 1' (with Billy Bragg) (1998); 'Summerteeth' (1999); 'Mermaid Avenue, Vol. 2' (with Billy Bragg) (2000); 'Yankee Hotel Foxtrot' (2002); 'A Ghost Is Born' (2004); 'Kicking Television: Live in Chicago' (2005); 'Sky Blue Sky' (2007); 'Wilco' (2009); 'The Whole Love' (2011).

The seven-disc Stanley Clarke anthology, The Complete 1970s Epic Albums Collection, brings together all six of the influential jazz bassist's original albums for Epic. Included here: 1974's Stanley Clarke, 1975's Journey to Love, 1976's School Days, 1978's Modern Man, 1979's I Wanna Play for You, as well as the 1991 concert compilation Live (1976-1977). These are highly recommended jazz, funk, and fusion releases and must-haves for any Clarke fan.

Official release for one time live bootleg. Daevid and the Errors in full flow, wild and rather wonderful. Tracks 1-11, 13 were recorded at Schubas, Chicago on 12th August 2000, tracks 12, 14 and 15 at the Knitting Factory, New York on August 9th 2000. This is the fifth of a 20CD series, each release a limited pressing of 1000 copies only - no more will be pressed.