Trapeze were an English rock band formed in March 1969, by vocalist John Jones and guitarist/keyboardist Terry Rowley (who named the band), with guitarist Mel Galley, singer/bassist Glenn Hughes, and drummer Dave Holland. The band had a fairly fluid line up, finally dissolving in 1994, and although they never found commercial success themselves, several members went on to join better known bands, including Deep Purple, Black Sabbath, Whitesnake, Judas Priest, and Uriah Heep. The core and most familiar line-up of the band was Glenn Hughes, Mel Galley, and Dave Holland. After Glenn Hughes' departure in June 1973, Galley and Holland kept the band together with constantly varying members until 1979, when Holland went on to join Judas Priest. Holland tried to revive the band in 1990, after leaving Priest, but the band finally broke up in 1994. Their first three albums remain their best known and most commercially successful.

Fire Wind is the second album released by Electric Sun. Electric Sun was a heavy metal formed by Uli Jon Roth after his departure from the Scorpions in 1978. They recorded three albums between 1979 and 1985. The first album, Earthquake, was released in 1979 and features guitarist/vocalist Roth, bassist Ule Ritgen and drummer Clive Edwards. Edwards departed quickly after recording the first album. Fire Wind came next in 1981, featuring new drummer Sidhatta Gautama. The band toured for a few years afterwards. While the first two albums were a trio format, the third album was more of an ensemble project.

With their fifth album, »Peace«, GRAVEYARD guides the listener through an ever-changing musical landscape filled with their trademark take on classic rock. From the opening track’s blistering declaration that ‘It Ain’t Over Yet’ to the final note of heart beating bass on the epic and moody rocker ‘Low (I Wouldn’t Mind)’ the band manage to squeeze out every last creative drop of what there is to know, hear and love about GRAVEYARD in 2018.

Collection of rare early tracks from 1969-1971 from this legendary UK guitar psych rock band. The first five tracks on this CD were recorded by Dark in '71, just before their legendary LP as the band entered their peak period. Tracks 6-11 were taped by the original line-up in '69 and '70, when they were still at school. Quality of these tracks is poor,but demand dictates their release.

Masterpiece from hard-progressive music. 20-bit remastered CD reissue on the PROGRESSIVE LINE label. This is the world's rarest LP… 50 copies were made in 1972, each one costs GBP2000+. It is a limited edition CD from the master tapes with 4 extra tracks from 1971. Dark is simply a must have item. Post-Wicked Lady guitarist.

If you are looking for raw, psychedelic hard-rock, look no further! Kissing Spell present the complete recordings (1969-1972) from Wicked Lady, the legendary UK underground power trio leaded by ace guitarist Martin Weaver, later a member of Dark on their '' Round the Edges'' album. The stuff of a legend, this is a real fest of fuzz, wah-wah and heavy riffs that will blow the mind of any hard-psych collector.

Moby Grape Live is a 2010 album, released by Sundazed Records, of previously unissued live recordings of the band Moby Grape. Included are recordings of the band in its prime in 1966 and 1967, as well as 1969 recordings, subsequent to the 1968 collapse and departure of founding member Skip Spence. A particularly notable inclusion is the band's performance at the historic Monterey International Pop Festival. According to critic Mark Deming, "While Moby Grape's studio work might offer a clearer picture of the strength of their songs, Historic Live Moby Grape does a brilliant job of revealing what made them great as a band, and the best tracks here should prompt any serious fan of late-'60s rock to reaffirm Moby Grape's status as one of the finest acts of their time." According to another reviewer, "After the essential debut record, this is the Moby Grape record I would recommend next."

After nearly two decades of making all-instrumental stoner rock, San Diego trio Earthless unveil their first-ever album with vocals. Not content to merely slay the heads with his wah-wah-soaked six-string prowess, guitarist Isaiah Mitchell steps to the mic with a distinct Southern twang on the classic rock-flavored "Gifted by the Wind," the extended power boogie track "Electric Flame," and the sultry, slow-burning closer "Sudden End," while his bandmates lay down an endless groove for the ages.

Is There Anybody Out There? The Wall Live 1980–81 is a live album released by Pink Floyd in 2000. It is a live rendition of The Wall, produced and engineered by James Guthrie, with tracks selected from the August 1980 and June 1981 performances at Earls Court in London. The album was first released in The Netherlands by EMI Records on 23 March 2000, who released a limited edition in the United Kingdom on 27 March. The general release followed on 18 April 2000 with US and Canadian distribution by Columbia Records.

THE COMPLETE STUDIO RECORDINGS IN ONE COLLECTION FOR THE FIRST TIME. PINK FLOYD celebrate the 40th year of their first record release with a boxed set containing all 14 of their studio albums, on Monday, December 10th, 2007. OH BY THE WAY sees all 14 classic CD albums presented in the popular and collectable ‘mini vinyl’ sleeves (original vinyl covers but CD size).

Although vintage British psychedelia is viewed by many these days as an Alice In Wonderland-style enchanted garden full of beatific flower children innocently gathering flowers or chasing butterflies, there was always a more visceral element to the scene. Pointedly free of such fripperies as scarlet tunic-wearing gnomes, phenomenal cats and talismanic bicycles, the power trio format that was popularised by the likes of Cream and the Jimi Hendrix Experience spawned a host of imitators. As the Sixties drew to a close and pop evolved slowly but inexorably into rock, psychedelia gave way to a sound that was harder, leaner, heavier, louder.

The 1967-68 outtakes on The Place and the Time (Sundazed) were first released as bonus tracks on 2007 reissues of Moby Grape's Columbia LPs, including withdrawn versions of 1967's spectacular Moby Grape and '68s Wow. Here, on one CD, these rarities - among them rowdy audition tracks and Moby Grape outtakes - are a dynamic alternate portrait of the star-crossed San Francisco band at work, fusing pop, soul, blues and country with psychedelic zeal.

High Moon Records' deluxe reissue of the final studio album from one of rock musics most gifted and enigmatic legends - on CD for the first time in a deluxe Digipak with a full-color, 32-page booklet, and expanded with 12 bonus tracks. Reel To Real captures Arthur Lee and Love at the peak of their rock/funk/soul powers. Originally released in 1974 on RSO Records, this beautifully packaged, deluxe reissue features vibrant, remastered audio from the original tapes, a 28-page, 9x12-inch LP booklet with an illuminating essay by Rolling Stone s David Fricke, and a trove of candid, unpublished photos.

2CD set. Remastered in 2015, and on CD for the first time ever officially with rare bonus track "Treetrunk"! Two post-Jim Morrison albums from 1971 and 1972 by the surviving three members.

Moby Grape '69 is the third album by the psychedelic rock band Moby Grape. It is the first album after the departure of co-founder Skip Spence. Spence nonetheless is heard on one song, "Seeing", presumably from the Wow/Grape Jam sessions, and positioned as the final song on Moby Grape '69. As Peter Lewis describes the album, "We made Moby Grape '69, in an attempt to rebound from the Wow album, which was over-produced. And it's a cool album. Although we could have rehearsed it a little more, we still believed in it. But I think we were waiting for Skippy to come back, and he never did." The album peaked at a disappointing number 113 on the Billboard chart. While it did not sell well at the time of its release, in a recent (2008) review, it is pointed out that the album would be particularly appreciated by persons who like the music of Poco and The Eagles. For Moby Grape fans at the time, the album was perhaps too country in musical orientation. In some respects, the album was ahead of its time, predating the more popular first country rock releases by Poco and The Eagles.