Ultimate Rock: 72 of the biggest rock anthems and harder to find rarities across 4 CDs, all housed in a fold out cardboard digi-pack sleeve. Alice Cooper, Argent, Blue Oyster Cult, Kansas, Judas Priest, Mott The Hoople, David Bowie, Primal Scream, Meat Loaf, The Stranglers, Santana, Manic Street Preachers, Jeff Buckley, Ted Nugent, Joe Satriani, Al Stewart, Cheap Trick, Spirit, Johnny Winter, The Guess Who, Fleetwood Mac and more, and more…

Cornerstones 1967–1970 is a 1990 compilation album by Jimi Hendrix. It features 18 of his greatest hits, including live renditions of "Fire" and "Stone Free" from the Atlanta International Pop Festival, July 4, 1970. It was released on the Polydor label in the United Kingdom and other parts of Europe. The album entered the UK Albums Chart in November 1990 at No. 5, its highest position during a sixteen week stay in the chart. All songs were recorded between October 23, 1966 and August 1970. This was the only compact disc release at the time to have the studio version of "The Star Spangled Banner" (that appeared on the Rainbow Bridge LP).

Siena Root is group well known for its rainbow spectra of appearances, its many great guest artists, its broad musical range and its unique interpretations of classic rock music. Six full length studio albums, one double live album, one DVD and three 7” singles have been released so far, each one marking the development and refinement of the bands spectra of music style. Siena Root came to life in Stockholm in the late 90’s and is today considered one of the pioneering Swedish bands in old school rock music. The live act came to be an uncompromising show, using all the heavy vintage equipment that most bands lack the strength and passion to carry along.

The debut LP from the group Coven is noteworthy for reasons more historical than musical. That is not to say it is a bad record; it is more of an interesting record that is unique and listenable. With an elaborate package released on Mercury in 1969, a good trivia question can be made of the fact that bassist Oz Osborne performs on this album, whose opening track is "Black Sabbath."…

The debut LP from the group Coven is noteworthy for reasons more historical than musical. That is not to say it is a bad record; it is more of an interesting record that is unique and listenable. With an elaborate package released on Mercury in 1969, a good trivia question can be made of the fact that bassist Oz Osborne performs on this album, whose opening track is "Black Sabbath."…

One of the first acts signed to the fledgling Harvest label in 1969, Bakerloo were very much a product of their time, a hard-hitting progressive blues band whose predilections ranged from a straightforward assimilation of Willie Dixon to some positively dazzling flashes of instrumental prowess…

"Big Brother & the Holding Company," is an early recording by Big Brother and the Holding Company, a psychedelic blues rock San Francisco-based band during the late 1960's. The record survives largely because of their great, great chick singer, Janis Joplin, of course, who joined them on a Chicago gig. Although Joplin fans will know that she did not, unfortunately, survive the 1970's, as she passed on October 4, 1970 (aged 27), in Los Angeles, California. But in her brief career, despite her troubled life, she left behind a stunning, gutsy repertory of work that has long since floated free of, and outlived, Big Brother. This record, however, was laid down about six months before she (and they) achieved lasting blazing stardom at the 1967 Monterrey Pop Festival.

In many facets, Big Brother and the Holding Company's Cheap Thrills is the quintessential album to spring from the outcome of the Summer of Love. Best known as Janis Joplin's major-label debut, the 1968 set arrived when the countercultural movement was in full swing and before co-optation, drugs, and violence signaled the fall of the era. Ranked #338 on Rolling Stone's 500 Greatest Albums of All Time, it puts a female singer in the prominent position traditionally given to a male and showcases a band pouring a potent cocktail of fiery psychedelic, blues, and folk sounds that informed the unfettered creativity of the San Francisco scene. Produced by John Simon, Cheap Thrills also features one of the most iconic and elaborate album covers in history.

Jimi Hendrix's headlining appearance at the Atlanta Pop Festival would be the largest U.S. audience he would ever play to. Most people assume it was Woodstock, which was a larger festival, but by the time Jimi took the stage at around 9 a.m. on Monday morning, the Woodstock crowd was down to about 25,000 stragglers. Estimated between 300,000 and 400,000, the actual crowd at Hendrix's Atlanta Pop performance was hard to pin down due to the fact that many of the festivalgoers turned up after dark, in an effort to stay out of the stifling heat of Atlanta in the summertime. The trio of Jimi, Mitch, and Billy Cox had been touring for about two and a half months solid when July 4 rolled around, and they sound really tight kicking off the show. "Fire" starts the set, and one immediately notices how differently Billy Cox plays it versus Noel Redding. "Spanish Castle Magic" has Jimi trying out some new solo ideas and he really starts feeling it on a very improvisational, extended "Red House." A rare live performance of "Room Full of Mirrors" is followed by an absolutely incredible version of "Hear My Train A Comin'".

Captain Beyond is a one-of-a-kind progressive album with rock, heavy metal, and jazz influences with a "space rock" lyrical bend. Formed by former members of Deep Purple (Rod Evans, vocals), Iron Butterfly (Rhino, lead guitar, and Lee Dorman, bass), and Johnny Winter (Bobby Caldwell, drums) Captain Beyond is an album that flows from riff to riff, drumbeat to drumbeat, often with various time signatures within the same song. Taking a tip from the Moody Blues, songs flow directly into each other without benefit of any lag time between selections. Taken as a whole, the album is kind of a rush, as quick, riff-laden guitar lines predominate for a few songs before slowing down temporarily into a lull until the next takeoff. Lyrically, the album differentiates itself by exploring themes of the outer world and meanings of existence, often with references to the moon, sea, sun, and so on.

Blues is a posthumous compilation album by Jimi Hendrix, released April 26, 1994, on MCA Records. The album contains eleven blues songs recorded by Hendrix between 1966 and 1970. Out of these eleven, six were previously unreleased. The tracks include seven of Hendrix's compositions along with covers of famous blues songs such as "Born Under a Bad Sign" and "Mannish Boy". Most of the album's material consists of leftover studio tapes that Hendrix might have never intended to release. This collection was re-released again in October 2010 as part of the Hendrix family's project to remaster Jimi's discography.

The Mourning LP is among my absolute favourites. The main attraction here, as most will agree, is the monster track at the end…

Blues-Rock veterans, the Stoney Curtis Band, returned to the studio in Las Vegas this summer in follow-up to their 2012 double-live release. The resulting CD, Halo Of Dark Matter, is a high-energy collection of guitar-oriented jams, that recalls the stadium guitar heroes of the 70's. This fifth record in Stoney's discography takes things up a couple of notches as his songwriting and soloing skills ascend to yet a higher plateau. The Stoney Curtis Band has been working the clubs between Los Angeles and Las Vegas, for over 10 years, honing their own brand of psychedelic Blues-Rock, readying their show for the road ahead.

An unreleased album from this post "DAY BLINDNESS" band, recorded in 1969/70. This album is a heavy bluesy psychedelic masterpiece of the highest order. It is virtually the second "DAY BLINDNESS" album with slight personal changes, but musically in a more heavy psychedelic direction…