For a Few Fuzz Guitars More is the sequel to A Fistful of Fuzz and like the first volume, features plenty of fuzz guitar. The feel of this collection is garagier (if that's a word) than A Fistful of Fuzz, but both volumes draw primarily from the late 1960s…

Come all ye lovers of fuzz guitar and soak up the psych-tinged blues-rock sounds of Moses. Those who worship at the altar of power trios like Cream, the Jimi Hendrix Experience, and Blue Cheer should have no problem sidling up to Changes, the debut album by this Danish threesome. Originally released in 1971, Changes was recorded in just two days, and the no-frills production approach extends to the arrangements and song structures; this is straight-ahead, damn near primal-sounding music, with not one extra note or instrument added. Simple blues riffs are at the heart of each song, and while a few of the tracks veer toward the lengthy side, there's little variation from that format.

"Midnight Lightning" is a posthumous compilation album by American rock guitarist Jimi Hendrix. It was released in November 1975 by Reprise Records in the United States and Polydor Records in the United Kingdom. It was the sixth studio album released after his death and the second to be produced by Alan Douglas and Tony Bongiovi. The songs used on the album consist of post-Jimi Hendrix Experience recordings that originally featured Billy Cox on bass and either Mitch Mitchell or Buddy Miles on drums.

Kingdom Come is the debut studio album by American heavy metal band Sir Lord Baltimore, released on Mercury Records in 1970. It was reissued on PolyGram in 1994, on Red Fox in 2003, and on Anthology Recordings in 2007. The 1994 and 2003 re-releases also contained 1971's Sir Lord Baltimore, and were titled Kingdom Come/Sir Lord Baltimore. The re-release has a different track listing than the source material, transposing the original records' A- and B-sides. This compilation featured the same cover image used on Kingdom Come, only with that album's title removed.

The Top 100 '60s Rock Albums represent the moment when popular music came of age. In the earliest part of the decade, bands were still regularly referencing earlier sounds and themes. By the middle, something powerful and distinct was happening, which is why the latter part of the '60s weighs so heavily on our list. A number of bands evolved alongside fast-emerging trends of blues rock, folk rock, psychedelia and hard rock, adding new complexities to the music even as the songs themselves became more topical. If there's a thread running through the Top 100 '60s Rock Albums and this period of intense change, it has to do with the forward-thinking artists who managed to echo and, in some cases, advance the zeitgeist. Along the way, legends were made.

Captain Beyond's second album must have confused the diehards. Where their self-titled debut had upheld the basic progressive heavy rock blueprint of lengthy instrumental explorations, constant tempo changes, and opaque, yet cinematic lyrics, Sufficiently Breathless downplays them for a subtler, song-oriented production. The predominant mood is snappy and businesslike; no track runs over five and a half minutes. This newfound conciseness certainly benefited such heavy-rocking efforts as "Distant Sun," even as the band stuck to their diverse guns on the moody, acoustic title track and the sleek Latin funk rock of "Bright Blue Eyes" and "Everything's a Circle."

Gold started out as a San Francisco and Daly CIty garage band. They slowly developed into a top notch performing group that caught the attention of Bill Graham. Bill had them appear at an audition night then hired them to open a Fillmore-West show for Mike Bloomfield…

A pretty good album even know the vocalist struggles a bit - they band were competent musicians and crank out solid rockers…

A combination of concert footage, television appearances, record company promo clips and new video footage shows the Doors, a top '60s rock band.

2006: A year that should change a lot in the life of three Icelandic schoolboys. The year that gave birth to a future classic rock trio named THE VINTAGE CARAVAN. Their self-released debut album »The Vintage Caravan« (2011), and especially their sophomore record »Voyage« (2012; re-released in early 2014) caused an earthquake in the heavy music scene, and brought them a new record deal with Nuclear Blast in 2013. Also their reputation as a powerful live band soon got around and gave them numerous possibilities to open up for acts such as BLUES PILLS and GRAND MAGUS.

Illinois Speed Press was a guitar-driven rock quintet on this, their first recording. Produced by Chicago's producer and mentor, James William Guercio, this album sounds at times like Chicago Transit Authority without horns. ISP is important in rock history primarily as the band from which co-leader Paul Cotton emerged to replace Jim Messina in Poco, whom he would help guide to commercial success. "Get in the Wind," later recorded by Poco in a completely different form, rocks hard in this version, while Cotton's "P.N.S. (When You Come Around)" hints at the sound of From the Inside era Poco. The bouncy acoustic number "Here Today" is another highlight, standing out amidst the bluesy rock that makes up the bulk of this recording. The liner notes, designed like a newspaper, were written by Firesign Theatre.

Swapping out his rhythm section, Andrew Stockdale proves beyond a shadow of a doubt that he's the mastermind of Wolfmother on Cosmic Egg, creating a second record that is essentially a replication of the first, equally enamored with all the thick, heavy rock of the '70s, specifically Sabbath and Zeppelin, tempered with a little bit of Jack White caterwaul. All the sounds remain the same, but the songs have changed: with the occasional exception, such as the Stripes-ian salute "White Feather," Stockdale backs away from simple, brutal riff-driven songs, preferring churning exercises in heavy fantasy, sometimes colored with some Deep Purple organ.

Recorded over three nights in August 1972, Deep Purple's Made in Japan was the record that brought the band to headliner status in the U.S. and elsewhere, and it remains a landmark in the history of heavy metal music. Since reorganizing with singer Ian Gillan and bassist Roger Glover in 1969, Deep Purple had recorded three important albums – Deep Purple in Rock, Fireball, and Machine Head – and used the material to build a fierce live show. Made in Japan, its selections drawn from those albums, documented that show, in which songs were drawn out to ten and even nearly 20 minutes with no less intensity, as guitarist Ritchie Blackmore and organist Jon Lord soloed extensively and Gillan sang in a screech that became the envy of all metal bands to follow. The signature song, of course, was "Smoke on the Water," with its memorable riff, which went on to become an American hit single.