This 3CD release with original artists and recordings is one of the Disky label's best-selling box sets. 54 Great tracks. Fleetwood Mac, Argent, Deep Purple, Ike & Tina Turner, The Bee Gees, The Beach Boys, Edgar Winter, Donovan, Cher, The Band, The Animals, Isaac Hayes, Jimi Hendrix, Curtis Mayfield, Black Sabbath, Albert King, The Searchers and more, and more…

All 6 concerts complete!! - despite 3 songs from the third shows are restored from audience recording since these 3 songs was unavaillable - but great to have them and the sound/source are fair…

Being a label from the Netherlands, we just have to release albums by Dutch bands. However, we set the bar pretty high, and that's why we only sign Dutch bands that we think are really, really cool. DeWolff is such a band. DeWolff is a three-headed rock 'n roll monster from the Netherlands' Deep South. The band was formed when in 2007, when they were barely teenagers, by brothers Pablo (singer/guitarist) and Luka van de Poel (Drums) and Hammond organist Robin Piso. Named after Harvey Keitel's character, Winston Wolfe, in Pulp Fiction, their luscious and expansive neo-psychedelia saw them burst out of the city.

Pet Sounds: 10 Years of Rodent Rock is a double CD compilation that contains 34 tracks and is a combination of a 'greatest hits' type collection along with songs from the archives that have never been released on CD before. If like me you have enjoyed Hendrix music, and the solid rock of ZZ Top, you will love this album.

Consisting of live material recorded at venues ranging from the Berkeley Community Theatre and the San Diego Sports Arena to the Isle of Wight Festival, Hendrix In The West captures the guitarist exploring new directions in sound during 1969-70. Robert Christgau, the Dean of American Rock Critics, called Hendrix's versions of "Red House" and, "Johnny B. Goode" on this album "definitive." Out of print in the US since 1974 and for more than two decades internationally, Hendrix In TheWest, has remained one of the most requested albums by fans to return to the commercial marketplace. Hendrix In The West will be reissued as an expanded single disc featuring previously unavailable performances. The album's iconic cover features a classic Jim Marshall photograph of the guitarist and the twenty-four page book is filled with rare and previously unseen images captured by Marshall s distinctive lens.

Ultimate Rock: 72 of the biggest rock anthems and harder to find rarities across 4 CDs, all housed in a fold out cardboard digi-pack sleeve. Alice Cooper, Argent, Blue Oyster Cult, Kansas, Judas Priest, Mott The Hoople, David Bowie, Primal Scream, Meat Loaf, The Stranglers, Santana, Manic Street Preachers, Jeff Buckley, Ted Nugent, Joe Satriani, Al Stewart, Cheap Trick, Spirit, Johnny Winter, The Guess Who, Fleetwood Mac and more, and more…

Cornerstones 1967–1970 is a 1990 compilation album by Jimi Hendrix. It features 18 of his greatest hits, including live renditions of "Fire" and "Stone Free" from the Atlanta International Pop Festival, July 4, 1970. It was released on the Polydor label in the United Kingdom and other parts of Europe. The album entered the UK Albums Chart in November 1990 at No. 5, its highest position during a sixteen week stay in the chart. All songs were recorded between October 23, 1966 and August 1970. This was the only compact disc release at the time to have the studio version of "The Star Spangled Banner" (that appeared on the Rainbow Bridge LP).

Haze County is the 2019 album by Crypt Trip. Heavy Psych Sounds are the label that released this.

Jimi Hendrix's headlining appearance at the Atlanta Pop Festival would be the largest U.S. audience he would ever play to. Most people assume it was Woodstock, which was a larger festival, but by the time Jimi took the stage at around 9 a.m. on Monday morning, the Woodstock crowd was down to about 25,000 stragglers. Estimated between 300,000 and 400,000, the actual crowd at Hendrix's Atlanta Pop performance was hard to pin down due to the fact that many of the festivalgoers turned up after dark, in an effort to stay out of the stifling heat of Atlanta in the summertime. The trio of Jimi, Mitch, and Billy Cox had been touring for about two and a half months solid when July 4 rolled around, and they sound really tight kicking off the show. "Fire" starts the set, and one immediately notices how differently Billy Cox plays it versus Noel Redding. "Spanish Castle Magic" has Jimi trying out some new solo ideas and he really starts feeling it on a very improvisational, extended "Red House." A rare live performance of "Room Full of Mirrors" is followed by an absolutely incredible version of "Hear My Train A Comin'".

In March, Universal Music will reissue a trio of Status Quo albums first released in the late 80s and early 1990s. These new CD editions offer a generous amount of bonus material. Perfect Remedy (1989) and its follow-up Rock ‘Til You Drop (1991) are both expanded to three-CD deluxe editions while Thirsty Work (1994) is a two CD set. The bonus content includes B-sides, 12-inch mixes, edits, outtakes, live performances and more.

In March, Universal Music will reissue a trio of Status Quo albums first released in the late 80s and early 1990s. These new CD editions offer a generous amount of bonus material. Perfect Remedy (1989) and its follow-up Rock ‘Til You Drop (1991) are both expanded to three-CD deluxe editions while Thirsty Work (1994) is a two CD set. The bonus content includes B-sides, 12-inch mixes, edits, outtakes, live performances and more.

In March, Universal Music will reissue a trio of Status Quo albums first released in the late 80s and early 1990s. These new CD editions offer a generous amount of bonus material. Perfect Remedy (1989) and its follow-up Rock ‘Til You Drop (1991) are both expanded to three-CD deluxe editions while Thirsty Work (1994) is a two CD set. The bonus content includes B-sides, 12-inch mixes, edits, outtakes, live performances and more.

Moby Grape '69 is the third album by the psychedelic rock band Moby Grape. It is the first album after the departure of co-founder Skip Spence. Spence nonetheless is heard on one song, "Seeing", presumably from the Wow/Grape Jam sessions, and positioned as the final song on Moby Grape '69. As Peter Lewis describes the album, "We made Moby Grape '69, in an attempt to rebound from the Wow album, which was over-produced. And it's a cool album. Although we could have rehearsed it a little more, we still believed in it. But I think we were waiting for Skippy to come back, and he never did." The album peaked at a disappointing number 113 on the Billboard chart. While it did not sell well at the time of its release, in a recent (2008) review, it is pointed out that the album would be particularly appreciated by persons who like the music of Poco and The Eagles. For Moby Grape fans at the time, the album was perhaps too country in musical orientation. In some respects, the album was ahead of its time, predating the more popular first country rock releases by Poco and The Eagles.

Despite its age, this collection remains the best introduction to the wonderfully bizarre sounds of Jethro Tull – a unique combination of folk music, progressive rock, heavy metal, and of course, Ian Anderson's ubiquitous flute. Drawing exclusively from the band's '70s heyday, opener "Living in the Past" sets the retrospective tone, leading the way into the signature guitar riff of "Aqualung," the band's multifaceted pièce de résistance. Though lyrically indecipherable, "Locomotive Breath" is equally timeless, and the moment when John Evan's fanciful piano intro gives way to Martin Barre's guitar feedback remains thrilling. With his acoustic guitar in hand, Ian Anderson becomes a medieval bard, drawing the listener into worlds of legend both threatening ("Sweet Dream," "Witches Promise") and joyously carefree ("Thick as a Brick," "Skating Away on the Thin Ice of the New Day"). The unbelievable kaleidoscope of sound which makes up "Songs from the Wood" is simply too original and intricate for words to describe.

2011 limited edition LP replica release by Phoenix Records. Classic wasted stoner rock from 1971. Joint 1st in Julian Cope’s Top 50 Japanese album chart (along with Flower Traveling Band’s Satori). Speed, Glue & Shinki's landmark debut album, 1971's Eve, is one of the greatest contradictions of its time (maybe all time): a primitive, deranged, and at times downright sloppy mutation of acid blues and proto-metal, akin to the Bloomfield/Kooper/Stills Super Session crashing headlong into earliest Zeppelin and Sabbath records, as performed by musicians whose instrumental chops were actually beyond reproach…but you'd never be able to tell from this!