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T. Rex - Great Hits (1972) {1986, Japan 1st Press}

Posted By: popsakov
T. Rex - Great Hits (1972) {1986, Japan 1st Press}

T. Rex - Great Hits (1972) {1986, Japan 1st Press}
EAC Rip | FLAC (Img) + Cue + Log ~ 271 Mb | MP3 CBR320 ~ 102 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Glam Rock | SMS Records #MD32-5018

The most iconic band of the U.K. glam rock scene of the '70s, T. Rex were the creation of Marc Bolan, who started out as a cheerfully addled acolyte of psychedelia and folk-rock until he turned to swaggering rock & roll with boogie rhythm and a tricked-up fashion sense. For a couple years, T. Rex were the biggest band in England and a potent cult item in the United States. If their stardom didn't last, their influence did, and T. Rex's dirty but playful attitude and Bolan's sense of style and rock star moves would show their influence in metal, punk, new wave, and alternative rock; it's all but impossible to imagine the '80s new romantic scene existing without Bolan's influence. In 1977, Bolan was killed in a car accident, and the band disbanded. "Great Hits" is a compilation album, initially released in 1972 on EMI label.

T. Rex - Bolan Boogie (1971) {1986, Japan 1st Press}

Posted By: popsakov
T. Rex - Bolan Boogie (1971) {1986, Japan 1st Press}

T. Rex - Bolan Boogie (1971) {1986, Japan 1st Press}
EAC Rip | FLAC (Img) + Cue + Log ~ 310 Mb | MP3 CBR320 ~ 125 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Glam Rock, Folk Rock, Psychedelic Rock | SMS Records #MP32-5102

The first (but certainly not the last) of the compilations issued in the wake of T. Rex's U.K. chart breakthrough, Bolan Boogie was also many of the band's new fans' first chance to acquaint themselves with all that Marc Bolan had done in the past – a point which the compilers certainly kept in mind. The catalog at their disposal was vast, reaching back to the acoustic birth of Tyrannosaurus Rex. Sensibly, however, Bolan Boogie concentrates on the material that lived up its title – aside from one cut drawn from 1969's Unicorn, the entire album dated from the arrival of Mickey Finn, and the attendant headlong dive into electricity launched by the Beard of Stars album, and culminating with the epochal Electric Warrior album. Some incontrovertible classics emerge.

T. Rex - The Slider (1972) {1986, Japanese Reissue}

Posted By: popsakov
T. Rex - The Slider (1972) {1986, Japanese Reissue}

T. Rex - The Slider (1972) {1986, Japanese Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 439 Mb | MP3 CBR320 ~ 158 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Glam Rock, Classic Rock | SMS Records #MD32-5017

Buoyed by two U.K. number one singles in "Telegram Sam" and "Metal Guru," The Slider became T. Rex's most popular record on both sides of the Atlantic, despite the fact that it produced no hits in the U.S. The Slider essentially replicates all the virtues of Electric Warrior, crammed with effortless hooks and trashy fun. All of Bolan's signatures are here – mystical folk-tinged ballads, overt sexual come-ons crooned over sleazy, bopping boogies, loopy nonsense poetry, and a mastery of the three-minute pop song form. The main difference is that the trippy mix of Electric Warrior is replaced by a fuller, more immediate-sounding production.

T. Rex - Electric Warrior (1971) {1985, Japan 1st Press}

Posted By: popsakov
T. Rex - Electric Warrior (1971) {1985, Japan 1st Press}

T. Rex - Electric Warrior (1971) {1985, Japan 1st Press}
EAC Rip | FLAC (Img) + Cue + Log ~ 242 Mb | MP3 CBR320 ~ 96 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Glam Rock, Classic Rock | SMS Records #MD32-5016

Electric Warrior is the sixth studio album by English glam rock act T. Rex. It's the group's second album released under the name "T. Rex", with the first four billed as "Tyrannosaurus Rex". It was released on 24 September 1971 by record label Fly in the UK and Reprise in the US. The album marks a turning point in the band's sound, dispensing with the folk-oriented music of the group's previous albums and pioneering a new, "glammier" style of rock known as glam rock. The album also drew attention to the band in the United States with the top 10 hit "Bang A Gong (Get It On)". This would prove to be the band's only successful single in America, deeming the band a "one-hit wonder" there.

Motorcycle Boy - Popsicle (1991)

Posted By: v3122
Motorcycle Boy - Popsicle (1991)

Motorcycle Boy - Popsicle (1991)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Triple X Records, 51093-2 | ~ 276 or 100 Mb | Scans(jpg) -> 39 Mb
Glam Rock, Rock-n-Roll, Punkabilly

This UK ‘indie’ pop group was formed in 1987 by former Shop Assistants singer Alex Taylor (vocals) with ex-Meat Whiplash personnel Michael Kerr (guitar), Paul McDermott (drums), Eddie Connelly (bass) and outsider, ‘Scottie’ (b. David Scott; guitar). Their debut single for Rough Trade Records, ‘Big Rock Candy Mountain’ (formerly a title for Burl Ives), reached number 3 in the UK independent chart…

Kiss - Dressed To Kill (1975) {1986, Japan 1st Press}

Posted By: popsakov
Kiss - Dressed To Kill (1975) {1986, Japan 1st Press}

Kiss - Dressed To Kill (1975) {1986, Japan 1st Press}
EAC Rip | FLAC (Img) + Cue + Log ~ 204 Mb | MP3 CBR320 ~ 75 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Hard Rock, Glam Rock | Casablanca Records / Polystar Co. #P33C-20005

By the release of their third album, 1975's Dressed to Kill, Kiss were fast becoming America's top rock concert attraction, yet their record sales up to this point did not reflect their ticket sales. Casablanca label head Neil Bogart decided to take matters into his own hands, and produced the new record along with the band. The result is more vibrant sounding than its predecessor, 1974's sludgefest Hotter Than Hell, and the songs have more of an obvious pop edge to them. The best-known song on the album by far is the party anthem "Rock and Roll All Nite," but it was the track "C'Mon and Love Me" that became a regional hit in the Detroit area, giving the band their first taste of radio success. Since the band was on the road for a year straight…

Kiss - Kiss (1974) {1986, Japan 1st Press}

Posted By: popsakov
Kiss - Kiss (1974) {1986, Japan 1st Press}

Kiss - Kiss (1974) {1986, Japan 1st Press}
EAC Rip | FLAC (Img) + Cue + Log ~ 235 Mb | MP3 CBR320 ~ 87 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Hard Rock, Glam Rock | Casablanca Records / Polystar Co. #P33C-20003

Kiss' 1974 self-titled debut is one of hard rock's all-time classic studio recordings. Kiss is chock full of their best and most renowned compositions, containing elements of Rolling Stones/New York Dolls party-hearty rock & roll, Beatles tunefulness, and Sabbath/Zep heavy metal, and wisely recorded primal and raw by producers Richie Wise and Kenny Kerner (of Gladys Knight fame). Main songwriters Stanley and Simmons each had a knack for coming up with killer melodies and riffs, as evidenced by "Nothin' to Lose" and "Deuce" (by Simmons), "Firehouse" and "Black Diamond" (by Stanley), as well as "Strutter" and "100,000 Years" (collaborations by the two).

Ian Hunter - All-American Alien Boy (1976)

Posted By: Designol
Ian Hunter - All-American Alien Boy (1976)

Ian Hunter - All-American Alien Boy (1976)
EAC | FLAC | Image (Cue&Log) ~ 278 Mb | Mp3 (CBR320) ~ 133 Mb | Scans included
Classic Rock, Glam-Rock, Jazzy Rock | Label: Columbia | # CK 34142 | Time: 00:41:18

All American Alien Boy is the second solo album by Ian Hunter. Because of management issues, Mick Ronson did not appear on this album; instead, Hunter brought in keyboardist Chris Stainton to act as a balancing force in the studio. Unlike his previous album, the album didn't feature any of his trademark rockers (apart from "Restless Youth") and he opted for a more jazzy direction including budding bass legend Jaco Pastorius.

Matt Steele & The Corvette Sunset – Half Girl Half Ghost (2018)

Posted By: El Misha
Matt Steele & The Corvette Sunset – Half Girl Half Ghost (2018)

Matt Steele & The Corvette Sunset – Half Girl Half Ghost (2018)
Pop Rock, Power Pop | FLAC (tracks) | Cover | 25:39 | 186 MB + 5% Recovery
Label: Not On Label | Tracks: 8 | Rls.date: 2018

Matt Steele & The Corvette Sunset blend the emotionally-charged, confessional balladry of Ryan Adams with the frantic, frazzled, up-tempo power-pop of Elvis Costello, retaining just a tinge of Steele’s moonshine-soaked Kentucky roots.

Be Bop Deluxe - Axe Victim (1974) {2008 Harvest Japan Mini LP TOCP-70358}

Posted By: ruskaval
Be Bop Deluxe - Axe Victim (1974) {2008 Harvest Japan Mini LP TOCP-70358}

Be Bop Deluxe - Axe Victim (1974) {2008 Harvest Japan Mini LP TOCP-70358}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 387 Mb | MP3 @320 -> 144 Mb
Full Artwork @ 600 dpi (png) -> 119 Mb | 5% repair rar
© 1974, 2008 Harvest / EMI Music Japan / Toshiba | TOCP-70358 | Mini LP
Rock / Art Rock / Contemporary Pop

When Be Bop Deluxe's first album was released during the glam rock wave in 1974 and the band (then comprised of Bill Nelson and Ian Parkin on guitars, Robert Bryan on bass, and Nicholas Chatterton-Dew on drums) turned up on the back of the record cover in heavy makeup, it was viewed as being in the David Bowie mold, which certainly took in Nelson's thin but confident tenor vocals and the uptempo rock approach, and even ballads like "Adventures in a Yorkshire Landscape" that sounded a lot like Bowie's "Rock 'n' Roll Suicide."

Tané Cain - Tané Cain (1982) {2015, Remastered}

Posted By: popsakov
Tané Cain - Tané Cain (1982) {2015, Remastered}

Tané Cain - Tané Cain (1982) {2015, Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 362 Mb | MP3 CBR320 ~ 214 Mb
Full Scans (JPG, 600 dpi) | RAR 5% Recovery
Pop Rock, Power Pop, New Wave | Rock Candy #CANDY287

Tané Cain's self-titled debut album is a perfect example of a release that should have been a big hit, but for whatever reason, did very little commercially. Cain has an impressive voice, and the material – most of it sleek, commercial pop/rock that was co-produced and co-written by Jonathan Cain and has a Pat Benatar-ish quality – is generally excellent. Though Cain denied sounding anything like Benatar, the fact is that she is somewhat Benatar-ish on melodic jewels such as "Crazy Eyes," "Vertigo," and the haunting "My Time to Fly." Nonetheless, Cain is her own person, and she has a smoother, more restrained approach than Benatar – you won't find anything as gritty, metallic, and guitar-crunching as "Hell Is for Children" or "Hit Me With Your Best Shot" on this vinyl LP.

Alice Cooper - Constrictor (1986)

Posted By: popsakov
Alice Cooper - Constrictor (1986)

Alice Cooper - Constrictor (1986)
EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 282 Mb | MP3 CBR320 ~ 110 Mb
Full Scans (JPG, 400 dpi) | RAR 5% Recovery
Hard Rock, Classic Rock, Glam | MCA Records #MCD 03341

At a time when many of the forgotten bands of the '70s began to resurface, Alice Cooper released Constrictor in 1986, his first album in three years. The album attempts a fresh start, which made sense, since Cooper suffered physically, creatively, and commercially over the past decade due to changing trends and alcoholism, which left his latest releases void of the energy that had made Killer and Welcome to My Nightmare so popular. For the most part, Cooper succeeded in re-establishing himself – this is arguably some of the best work he put forth in years. Nothing comes close to the songs he recorded in his '70s heyday, but what's here is surprisingly lively and sharp-witted: "Simple Disobedience" is a catchy anthem of rebellion, and "Teenage Frankenstein" is a straightforward, amusingly melodramatic rocker.

Be Bop Deluxe - At The BBC 1974-1978 (2013) {3CD+DVD5 NTSC Parlophone 825646413386}

Posted By: ruskaval
Be Bop Deluxe - At The BBC 1974-1978 (2013) {3CD+DVD5 NTSC Parlophone 825646413386}

Be Bop Deluxe - At The BBC 1974-1978 (2013) {3CD+DVD5 NTSC Parlophone 825646413386}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.20 Gb | MP3 @320 -> 442 Mb
DVD5 -> 3.05 Gb | All Regions | NTSC 4:3 | English (LinearPCM, 2 ch) | ~ 57m | ISO Image
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1974-78, 2013 Parlophone Records | 825646413386
Rock / Art Rock / Contemporary Pop / Glam Rock

Be Bop Deluxe at the BBC is a 3CD+DVD set that features the work of the English prog rock band while at the Beeb. In total, 39 tracks across the three audio discs take in numerous John Peel sessions and ‘BBC In Concert’ performances, while the DVD includes many Old Grey Whistle Test appearances and footage of numbers played on the ‘Sight and Sound in Concert’ TV programme.

Suzi Quatro - Original Hits (1995)

Posted By: popsakov
Suzi Quatro - Original Hits (1995)

Suzi Quatro - Original Hits (1995)
EAC Rip | FLAC (Img) + Cue + Log ~ 362 Mb | MP3 CBR320 ~ 150 Mb
Full Scans (JPG, 300 dpi) | RAR 5% Recovery
Glam Rock, Pop Rock, Hard Rock | Disky #BA 860112

Susan Kay Quatro is an American rock singer-songwriter, multi-instrumentalist and actress. She was the first female bass player to become a major rock star, breaking a barrier to women's participation in rock music. In the 1970s, Quatro scored a string of hit singles that found greater success in Europe and Australia than in her homeland. She reached no. 1 in the UK and other European countries and Australia with her singles "Can the Can" (1973) and "Devil Gate Drive" (1974). Following a recurring role as bass player Leather Tuscadero on the popular American sitcom Happy Days, her duet "Stumblin' In" with Smokie's lead singer Chris Norman reached No. 4 in the US. Quatro released her eponymous debut album in 1973. Since then, she has released fifteen studio albums, ten compilation albums, and one live album.

The Supahip - The Two Sided Face (2018)

Posted By: Domestos
The Supahip - The Two Sided Face (2018)

The Supahip - The Two Sided Face (2018)
MP3 CBR 320kbps | 00:39:00 | 91.45 Mb | Cover
Power Pop, Rock | Country: USA | Label: Big Radio Records

"The Two Sided Face" was 12 years in the making, and is the follow up to 2007's "Seize The World". It sees Sydney based men of the world Mark Moldre and Michael Carpenter continue to dive into their instinctive and lean guitar pop side project. As with their debut, the team turned up at the studio with no song written, and left the studio each day with a song recorded and mixed. They pushed further into keeping things simple, with minimal mics on drums, and minimal layering, pushing themselves to react instinctively in every way to the creative process. The result is a formidable collection of material that touches on classic retro pop, blues, folk and country, with a tangible sense of abandon and maturity.