A little more than 2 years after the release of the world acclaimed album Delusion Rain, and a year after the double Live album Second Home and DVD of the same name, Mystery release their new album, full of emotion and moods.

Things had changed for Be Bop Deluxe by the time of the group's fourth album. The band that turned up in glam rock regalia on its 1974 debut, Axe Victim, was in suit and tie on the cover of Modern Music in 1976. Inside, the band's transformation into a sophisticated pop group seemed complete. Arrangements were still ornate, but the songs were dominated by their highly imagistic lyrics, and as often as not, Nelson was borrowing ideas from the Beatles. It didn't quite work, despite pleasant numbers such as "Orphans of Babylon" and "Kiss of Light," perhaps because a true pop sensibility requires a gift for simplicity that Nelson has never exhibited. The album charted high in England and made the Top 100 in the U.S., but it was Be Bop's peak, not its breakthrough.

Formula 3 (also spelled as Formula Tre) is an Italian prog-rock band, mainly successful in the early seventies. The group formed in 1969; produced by Lucio Battisti, they were the group that accompanied Battisti in his rare live concerts, and was originally made ​​up of Alberto Radius (guitars and vocals), Tony Cicco (drums and vocals) and Gabriele Lorenzi (keyboards). Their first hit was the song "Questo folle sentimento", which ranked fifth at the Italian hit parade in 1970, and which was followed by a series of top 20 hits, notably "Io ritorno solo" (third at the Italian hit parade) and "Eppur mi son scordato di te" (second at the Italian hit parade), all composed by the same Battisti.

Soft Machine were one of the very first groups to fuse Jazz with Rock in the late 60s and were hugely appreciated in Europe for their unique sound. This previously unreleased show was recorded for Germany's famous NDR Jazz Workshop series featuring the line-up of Mike Ratledge, Karl Jenkins, Roy Babbington and John Marshall with Art Themen and Gary Boyle. This long sought-after performance has never been seen since its original broadcast in 1973 and is the highest quality video document that exists of the group, featuring clear and beautiful visuals and superb live stereo sound!

Live At Pompeii is the project from David Gilmour, and follows his critically acclaimed studio album Rattle That Lock from September of 2015. Live at Pompeii is available in multiple formats: a 2 CD live album, a standard DVD and Blu-Ray concert film, a Deluxe Boxset including the 2 CD live album and 1 Blu-Ray of the entire live concert and bonus content, and a special 4 LP Vinyl package…

Cardboard sleeve (mini LP) reissue features the high-fidelity SHM-CD format (compatible with standard CD players). The cardboard sleeve faithfully replicates the first pressing US LP artwork (gatefold). Includes a description and lyrics. A wild, freewheeling, and ultimately successful attempt to merge psychedelia with jazz-rock, Soft Machine's debut ranges between lovingly performed oblique pop songs and deranged ensemble playing from drummer/vocalist Robert Wyatt and organist Mike Ratledge.

Get Out To The Country is the 1973 album by Krautrockers Emergency. Originally released on Brain Records, this was their third album. This is taken from a 1998 CD released by Repertoire.

Underground Kraut-Kosmische monster, recorded / produced circa 1972-73 in Cologne by Toby “The Mad Twiddler” Robinson for his Pyramid label. Originally released as an ultra-limited handmade edition, original copies are lost forever in the mist of time. Featuring Mythos drummer Hans-Jürgen Pütz on percussion & effects, alongside synth / keyboard freak Alex Meyer, poet / vocalist Pauline Fund and mysterious guitarist Peter Förster. Tripped out ambient soundscapes, dark atmosphere, drones, plenty of MiniMoog, gothic Hammond organ, Rhodes, electric & 12-string acoustic guitars, ritual chants, effects, horror cinematic vibe.

Deux cents nuits à l'heure (Two Hundred Nights Per Hour), is a one-off collaborative album by Québec singer-songwriters Serge Fiori and Richard Séguin, released in 1978. Fiori had recently disbanded his earlier group, Harmonium, while Séguin's folk group, les Séguins (with his twin sister Marie-Claire), had also recently folded, leaving the two artists free to collaborate on this new project…

This is the album that solidified Uriah Heep's reputation as a master of gothic-inflected heavy metal. From short, sharp rock songs to lengthy, musically dense epics, Demons and Wizards finds Uriah Heep covering all the bases with style and power. The album's approach is set with its lead-off track, "The Wizard": it starts as a simple acoustic tune but soon builds into a stately rocker that surges forth on a Wall of Sound built from thick guitar riffs, churchy organ, and operatic vocal harmonies…

Continuing to work with Conny Plank, who once again provides a compelling job as producer and engineer, Kraftwerk went right ahead and named their new album after their two remaining members – an understandable enough move. Like the first two albums, Ralf and Florian still has not seen official re-release, for all that one can practically taste Kraftwerk's leap into the beyond on it. Given that this was the last album before the most famous lineup was formed and Autobahn was released, it's appropriate to listen to Ralf and Florian as a harbinger for the future, though perhaps all too easy. Take it on its own terms – a further investigation of electronic possibilities in a more open-ended, less constantly structured fashion than would be the case later – and Ralf and Florian becomes most enjoyable.

These 4 guys from Bremen (Northern Germany) played with US Westcoast feel in some ways comparable to Quicksilver, but with the unique Kraut flavour. Electric and accoustic guitars with occasional keyboards dominate the jamming sound. Outstanding is the title track "Trip Away" really a good comittment, that will be hold within the 11 minutes.

An eclectic blend of progressive rock, power pop, and chamber rock. Influenced by bands like: Jellyfish, Styx, Supertramp, Rush, Kansas, Alan Parsons Project, Billy Joel, Yes, and Genesis.

Family Entertainment followed on the heels of Family's Music in a Doll's House with the band's first incarnation: Roger Chapman (harmonica/tenor sax/vocals), Rick Grech (violin/cello/bass guitar/vocals), Rob Townsend (percussion/drums), John "Charlie" Whitney (guitar/pedal steel guitar/keyboards), and Jim King (harmonica/keyboards/soprano sax/tenor sax/vocals). While not totally dismissing their psychedelic leanings, much of the material bears a stronger acoustic influence, in much the same manner as Fairport Convention and Traffic were also exploring…

Despite being the premiere of heavy metal, Jeff Beck's Truth has never quite carried its reputation the way the early albums by Led Zeppelin did, or even Cream's two most popular LPs, mostly as a result of the erratic nature of the guitarist's subsequent work. Time has muted some of its daring, radical nature, elements of which were appropriated by practically every metal band (and most arena rock bands) that followed. Truth was almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums…