Following the disappointing commercial performance of the dance-oriented Hot Space in 1982, Queen took 1983 off to get refocused and work on a follow-up that would put the band back on track. While the songwriting had definitely improved on the resulting The Works in 1984, the album sonically lacked the punch of such earlier releases as News of the World and The Game (strangely, Hot Space even had a better overall sound)…

By the late '70s, Kansas had not only established themselves as one of America's most adventurous progressive rock bands; they even had a number of Top 20 hits to their credit. And as they finally paused for a breath after a string of five increasingly successful studio albums, it made perfect sense to fill the gap with a live album. Originally released as a double-vinyl set, Two for the Show is a sprawling, mind-boggling affair that juggles such overblown epics as "Journey from Mariabronn" and the self-explanatory "Magnum Opus" with mandatory hit singles "Carry on Wayward Son" and "Dust in the Wind."…

OVO is the soundtrack to the Millennium Dome Show in London that was composed by the English rock musician Peter Gabriel. It was his eleventh album overall. It was released on 12 June 2000 and features guest vocals by Neneh Cherry, Rasco, Richie Havens, Elizabeth Fraser, and Paul Buchanan (of The Blue Nile). Two versions of the album were released, a standard version which was sold in stores and a limited edition deluxe version, which was sold only at the Millennium Dome and petergabriel.com. The deluxe version which was discontinued after 2000, includes a comic book telling the OVO story and a bonus disc with the track, "The Story of OVO".

Tomorrow Today (1969). Hardin & York's debut album was quite competent yet derivative early progressive rock, and derivative of Traffic in particular. At least, however, it came by its influences quite honestly, Pete York having drummed behind Steve Winwood in the Spencer Davis Group, and Eddie Hardin having joined the Spencer Davis Group after Winwood left. And the duo does get quite a lot of sound out of their keyboards and drums, although they had plenty of backup from some session musicians. Hardin sings and writes uncannily like Winwood circa Traffic's "Forty Thousand Headmen" period, but while that's a good standard to shoot for, therein also lies the problem: it's not quite as good as the Winwood-paced Traffic, and certainly not as original…

Adrian Belew’s long and winding career as an innovative guitar visionary enters yet another new phase with the pending release of Pop-Sided, the Covington native’s first solo album in 10 years. But don’t think the ever-restless singer-songwriter and prolific session guitarist has been sitting on his hands over that time: he created FLUX, a fascinating iOS app that plays random snatches of his sonic creations; he toured multiple times with the Adrian Belew Power Trio, which featured songs from across his versatile four-decade career; and he continued to contribute singular guitar parts for artists like Nine Inch Nails.

Cult-Group BIRTH CONTROL releases live-recording Live Harmonie Bonn on DVD/CD - Gig recorded on April 7th, 2018 After their 50th anniversary, the Kraut- and Prog-Rock cult-group Birth Control released 2016 a new album, which came out on double-vinyl on the occasion of the 2018 Record Store Day…

Released in 1971 by a Danish band, this is a highly collectable chunk of quality progressive Canterbury style rock and close to Traffic's style od jazz rock that has some great sax playing and fine extended instrumentals. Their one and only LP was released in 1971 and holds the sad record of being the most bootlegged LP in Denmark. Until now it can be found as CD editions on three illegal labels and as an illegal LP reprint. The now first legal CD is accompanied by a 32-page booklet, containing a detailed band history in German, English and Danish language, a comprehensive discography including side and solo projects, cover and label reproductions, and much more. It is the very first release of Garden of Delights' sublabel Thors Hammer.

Anybody who was a little dismayed by the pop inclinations of The Game would have been totally distressed by Queen's 1982 follow-up, Hot Space, an unabashed pop and dance album. The band that once proudly proclaimed not to use synthesizers on their albums has suddenly, dramatically reversed course, devoting the entire first side of the album to robotic, new wave dance-pop, all driven by drum machines and colored by keyboards, with Brian May's guitar coming in as flavor only on occasion…

This is the definitive Kansas recording and includes their most famous tune, "Dust in the Wind." The band is in peak form and also churned out the single "Point of Know Return," which is still played daily on classic rock stations. While their pop-oriented approach and standard rock guitar sound helped define the classic rock sound of the '70s, careful listening reveals that this band's talent goes beyond colleagues such as Bachman-Turner Overdrive and Boston…

Genre-bending avant-garde folk-metal with hints of prog, baroque & ragtime. Emme aims to raise the standard for female musicians with boundless creativity. Emme is a 28 year old female multi-instrumentalist, wannabe composer hermit type who has been playing & writing for over a decade. Mostly staying indoors and keeping to herself, Emme has recently decided to unleash the fury of her madness onto the world with her first album "Dispelling Differences," which is part one of a four album series on life.

Let us travel many years back in time to a lonely place shrouded in heartbreak, isolation, narcissism & nihilism. A foul, fetid place where impish abominations writhe up from the abyss, give name to nameless and overwhelm the senses with illusionary bliss. Make believe vortices give birth to numb complexities; Meanwhile, the psyche, starving for identity, becomes stuck in a circular state of reverie, reminiscing ‘round and ‘round until remembering the memories so incessantly dismembers the memories until they become sheer lunacy.

Subtitled Live at the Mistake in Cleveland and released as volumes eight and nine of Voiceprint's Bananamoon Obscura series, this is not the original Divided Alien Playbax LP released in 1982, but a crudely recorded live performance from August 7, 1980. The sound is thin (audience recording, probably), but the good mastering job makes the album enjoyable, albeit a fan-only item (and a collector's item, too, since all volumes in this series are limited to 1,000 copies). In 1980, Daevid Allen toured America solo, singing, reciting and playing guitar over pre-recorded tapes. These playback tracks were put together from the 1980 New York Gong album About Time (featuring a completely revamped Gong lineup that included Fred Maher and Bill Laswell).

Killing Time is the debut album by American experimental rock band Massacre. It was released in September 1981, through record label Celluloid. It consists of a compilation of recordings made at Martin Bisi's OAO studio in Brooklyn, New York City in June 1981, and live recordings taken from their April 1981 Paris concerts. The group disbanded shortly after, eventually reforming in 1998 with Charles Hayward replacing Maher on drums and further recording three more albums. Killing Time was generally well received by critics.

This album features three complete John Peel sessions recorded in 1975, 1976 and 1977. None of these have ever been released before. This CD is the second volume of Caravan's BBC radio sessions and between them the albums feature every available session that the band performed for Radio1. The John Peel sessions include tracks from the albums, "Cunning Stunts", "Blind Dog At St Dunstans" and "Better By Far". Personnel includes Pye Hastings, Mike Wedgwood, Geoffrey Richardson, Dave Sinclair, Richard Coughlan, Jan Schelhaas and Dek Messecar. The CD is released with the full cooperation of the band and features an eight-page booklet with comprehensive liner notes, band photos and detailed recording information.