It's hard to imagine an Australian Rock scene without the presence of Dead Letter Circus. The alternative rock band from Brisbane has shaped the face of modern rock in Australia and influenced bands' sounds the world over.

This double-CD set more or less supplants – though in some ways it also enhances – the 1993 compilation Echoes: The Retrospective. With a slightly longer running time and a fair difference in song content; though the same number of tracks, the overlap between the two is surprisingly limited. Gone are "Unevensong," "Breathless," "Skylines," the studio versions of "Lunar Sea" and "West Berlin," and "City Life," among other tracks – in their place as "Stationary Traveler," "Long Goodbyes," "Slow Yourself Down," "Nimrodel," "The Great Marsh," and "Spirit of the Water," plus live renditions of "Lunar Sea" and "West Berlin"…

Phil Miller is an English progressive rock/jazz guitarist who is part of the Canterbury scene. In addition to his solo work, he has played in Hatfield and the North, National Health, and Matching Mole. He has released a number of solo albums, some with his group In Cahoots.
After the demise of National Health, he began preparing for a solo career that began with "Cutting Both Ways" (1987) and continues to this day. This was the first album released under his own name, and the first album to feature his band In Cahoots, who are pretty much of a supergroup themselves: Hugh Hopper - bass (Soft Machine), Elton Dean - saxes (Soft Machine), Peter Lemer - keyboards (Gilgamesh, Mike Oldfield, Pierre Moerlen's Gong) & Pip Pyle - drums (Gong, Hatfield, National Health)…

LIMITED EDITION CD BOX SET A chronicle of rare & unreleased studio, radio & live recordings. Almost four hours of music. Includes booklet with color photos, track history and more!

The band brings back the old but yet evergreen sound of the 70's, influenced by bands like Uriah Heep, Deep Purple, Thin Lizzy and Jethro Tull but also by American bands like Kansas. Hard and immediate riffs are followed by acoustic parts, which lead to dreaming and ancient melodies. A deep and warm vocal timbre, creates interesting contrasts with very rough guitars. Definitely a jump into the past to invite you to discover once again the pure emotions that only the best Hard Rock can deliver.

"Legends Never Die" is the third album by the Italian quintet after 2005's Realm Of Fantasy and 2007's Tales Untold. Don't expect new points of view on this album as far as the music is concerned. On the contrary, all songs are more or less a tribute to the classical hard rock bands of the seventies. The album begins with a brief acoustic guitar instrumental Il Ballo Di Caterina, before diving right into hard rock, in the style of Deep Purple and Uriah Heep.

The Evpatoria Report was born in January 2002 and the band consists of two guitars, a bass, drums, a violin and a keyboard. The band offers an instrumental rock combining serenity, power and intensity. The Evpatoria Report is a brilliant band. Their music feels interstellar, putting you in the body of an astronaut as they float among the stars. It can be calming just as much as it is suspenseful while you sit in anticipation for the unknown. It is the flawlessness in how human this music sounds that makes this album so powerful. The songs are long, giving the music plenty of room to breathe and create tension and do with it as it pleases…

Utopianisti is Finnish composer/multi-instrumentalist/producer Markus Pajakkala's brainchild, started in 2010. It's a studio project where the line-up changes for every song. Pajakkala plays the drums, woodwinds and some keyboards himself and composes and engineers all the material. Guest musicians are plenty, from different genres - classically trained, jazz, folk and rock musicians. The style is mostly instrumental, energetic jazz-rock / eclectic prog with occasional leaps towards Balkan gypsy music, tango, avant-garde, latin or even operatic metal. Pajakkala is also a key member in the band Poutatorvi.

A companion album to Grimspound, The Second Brightest Star features 40 minutes of brand new songs and instrumentals. Alongside these new tracks, the CD contains an additional 30 minutes of music presenting songs from Folklore (2016) and Grimspound (2017) in extended arrangements.

The core of this dvd is the well known 1969-1971 Yes appearences on German television (Musikladen) containing the songs "No Opportunity Necessary, No Experience Needed", "All Good People" and "Yours Is No Disgrace." The picture quality and the sound quality are impeccable, making this very enjoyable…

GASH is a 70s Krautrock band from Germany featuring the musical talents of Manfred Thiers on bass, Reinhard Schiemann on drums, percussion, Frank Feldhusen on guitars, vocals, and Jochen Peters on piano, organ, and lead vocals. The band have released only one studio album in 1972, "A Young Man's Gash" and disappeared from the scene. The music is a definitive taste of the underground hard rock oriented sound churned out of the German Krautrock era. The music is replete with catchy songs, keyboard, organ and guitar solos and an overriding hard driving energy.

Eat Me in St. Louis is the third album by British progressive pop/rock band It Bites. The album title was also reused for a compilation album by the band, aimed at the US market. Eat Me in St. Louis saw It Bites move away from the progressive rock and pop influences of their two previous albums and towards a more hard rock sound with more straightforward compositions and a heavier, rawer sound. The album was recorded in Munich and produced by Reinhold Mack, best known for his work with Queen.

The Big Lad in the Windmill is the debut album of British progressive pop/rock band It Bites. The album reached No. 35 in the UK album charts and produced three singles - "All in Red", "Calling All The Heroes" and "Whole New World". All three of these charted, although "Calling All the Heroes" was by far the most successful, reaching No. 6 in the UK charts and remaining the band's biggest (and only significant hit). "All in Red" was the band's modestly-charting debut single: "Whole New World" was the follow-up to "Calling All the Heroes" but did not repeat its success.

Prog rock that’s epic and intimate… dense and hummable. Soaring vocals lead into quirky instrumentals going in unexpected directions. Every Waking Hour is not ashamed to say they play prog rock. Heck, they're proud of it. Guitarist Tim Kestle boasts, "We think prog is about epic songs, spooky moods and twisting instrumental passages, and that's where we live musically". Their debut CD "Writing on the Wall" is proof positive of this.
Kestle and keyboardist/drummer/vocalist Paul McLean have been collaborating on and off for more years than they are willing to admit. They were first drawn together by a mutual love of classic prog bands like Yes and Genesis as students back in the 1970's…